As one of the most adventurous literary and cultural critics of his generation, Terence Hawkes' contributions to the study of Shakespeare and the development of literary and cultural theory have been immense. His work has been instrumental in effecting a radical shift in the study of Shakespeare and of literary studies. This collection of essays by some of his closest colleagues, friends, peers, and mentees begins with an introduction by John Drakakis, outlining the profound impact that Hawkes' work had on various areas of literary studies. It also includes a poem by Christopher Norris, who worked with Hawkes for many years at the University of Cardiff, as well as work on translation, social class, the historicist and presentist exploration of Shakespearean texts, and teaching Shakespeare in prisons. The volume features essays by former students who have gone on to establish reputations in areas beyond the study of literature, and who have contributed ground-breaking volumes to the pioneering New Accents series. It concludes with Malcolm Evans' innovative account of the migration of semiotics into the area of business. This book is a vibrant and informative read for anyone interested in Hawkes' unique blend of literary and cultural theory, criticism, Shakespeare studies, and presentism.

Three incarnations of women: a mother, a daughter and an old crone. A haunting of past, present and future selves. Drawing loosely on the Greek myth of Demeter and Persephone, this poetic text explores the process of individuation, the inevitability of a young girl’s journey into the shadow and into the unknown, of the bonds that connect mothers and children to each other, of loss and the dense beautiful soaring life that we are all traveling through.

Three generations of the Blake family have assembled for Thanksgiving in Brigid and Richard's ramshackle pre-war apartment in Lower Manhattan. Whilst the event may have a slightly improvised air, the family is determined to make the best of its time together. As they attempt to focus on the traditional festivities, fears of the past and pressures of the future seep into the reunion and the precariousness of their position becomes increasingly evident. Stephen Karam's blisteringly funny and bruisingly sad drama, The Humans, is a stunning portrayal of the human condition; a family at its best and worst navigating the challenges of everyday life. The Humans premiered in Chicago in 2014, before transferring to the Roundabout Theatre Company, New York, in 2015; Broadway in 2016; and Hampstead Theatre, London, in 2018. The production won numerous awards, including the Tony Award and the New York Drama Critics' Circle Award for Best Play. A film adaptation, written and directed by Stephen Karam, was premiered in 2021.

Book of Sides II: Original, Two-Page Scenes for Actors and Directors is the second book in the Book of Sides series by Dave Kost, featuring original, two-page, two-character scenes for use in acting, directing, and auditioning classes. While shorter than the traditional three-to-six-page scenes commonly used in classes, Book of Sides II features longer scenes than the first Book of Sides with greater character development, more reversals, and stronger climaxes. Balanced, structured scenes designed specifically for educational use challenge both actors and directors equally with objectives, obstacles, tactics, and subtext; Two-page length is ideal for high-intensity exercises and faster-paced workshops; Printed in easy-to-read film-script format with plenty of room for notes; Scenes are completely original and unencumbered by copyright, so students may film and post legally on the internet; Universally castable, so all roles can be played by actors of any gender, appearance, skill level, or ethnicity; Accessibly-written for modern students, helping them to focus on the fundamentals of performance and directing; Simple and conducive to performing in a classroom without sets, costumes, or special props. This book was written by an educator for educators and designed for use in the classroom. Never search for scenes again!

I don't know how to feel. I know I should feel special. Changed. Like a woman. Maybe a little bit sore. A sore woman. But happy. And I don't. Growing up in Kilburn, siblings Madani, Maryam and school mate Alex hit it off from the moment they meet. 10 years later, playground chats about ninja turtles, annoying aunties and secret swearing have been kicked out by teen opinions powered by podcasts, porn and politics. Still, best friends can talk about anything. So why are there suddenly so many things left unsaid between the three? A comedy drama play about coming of age in a world of information overload and weaponised language.

Building Embodiment: Integrating Acting, Voice, and Movement to Illuminate Poetic Text offers a collection of strategic and practical approaches to understanding, analyzing, and embodying a range of heightened text styles, including Greek Tragedy, Shakespeare, and Restoration/Comedy of Manners. These essays offer insights from celebrated teachers across the disciplines of acting, voice, and movement, and are designed to help actors find deeper vocal and physical connections to poetic text. Although each dramatic genre offers a unique set of challenges, Building Embodiment highlights instances where techniques can integrate and overlap, and illustrates how the synthesis of body, brain, and word results in a fuller sense of character experiencing for both the actor and the audience. This book bridges the gap between academic and professional application, and invites the student and professional actor into a deeper experience of character and story.

She used to be everywhere, all at the same time, do you know what I mean? And now she's nowhere. She was always there, that's what I'm trying to say. A fractured trio of sisters are pulled back together with news that turns their worlds upside down. Tensions from the past and worries about the future leave them feeling paralysed. When it feels like your world has come to a stop, how do you find a way to keep moving forward? Soaring music by Atlantic Records artists The Staves, combines with dynamic movement and bold new writing in this compelling, intimate reflection on grief and the invisible bonds within families. Blood Harmony is a play with songs that'll make you want to pull your family a little closer and hold them a little tighter.

Hate your job? Come work for us. This is a show about work. But the worker isn't here, so it's down to you. You'll clock in at the beginning. You'll get short breaks at regular intervals. You'll work in a team, and under your own initiative. You will be your own boss. You will be free. work.txt is a show performed entirely by the audience about the gig economy, financial instability and bullshit jobs. This edition was published to coincide with the run at the Soho Theatre in London in February 2022.

'It's a matter of perception. The hands of time turn at the same speed for everyone. Yet a child waits what seems to be an eternity for summer, whilst an old man watches a year pass in the blinking of an eye.' It's 1984, and as France play Yugoslavia in the Euros, a man meets a woman in a Parisian cafe. He's returning a bag that she lost on the Metro, but he doesn't tell her he stole it... Instead, he tells her the story of Jean-Eugene Robert-Houdin, watchmaker, inventor, and master magician of the nineteenth century. Together they set out to find a vanished theatre beneath a bank vault in the Boulevard des Italiens, to break into a museum in the Trocadero, to uncover the mystery of the Mechanical Turk, to witness the birth of the Kinetograph... and to delve ever deeper into the Art of Illusion. Le Cercle des illusionnistes by Alexis Michalik premiered in Paris in 2014 and won several Moliere Awards. The Art of Illusion, Waleed Akhtar's English translation, opened at Hampstead Theatre, London, in December 2022, directed by Tom Jackson Greaves.

'That is the story of our beginning. And this is the story of...the end' Lovesong is the story of one couple, told from two different points in their lives - as young lovers in their 20s and as worldly companions looking back on their relationship. Their past and present selves collide in this haunting and beautiful tale of togetherness. All relationships have their ups and downs; the optimism of youth becomes the wisdom of experience. Love is a leap of faith.

‘A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.’ EVENING STANDARD ‘The great virtue of Lloyd Malcolm’s speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.’ GUARDIAN The little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.

The Rover, or, The Banished Cavaliers is the most popular play by the Restoration playwright (and spy) Aphra Behn, first performed in 1677. Although Behn's work as a spy for Charles II came to a sudden end with a spell in debtor's prison, she was a stout Royalist, and the title refers to Charles' supporters, who were living in exile on the Continent. In the tradition of Restoration comedy, the play follows the wild exploits of a group of English gentlemen in Naples at Carnival time, although many of the tropes of the genre are subverted to an extent which sent shockwaves through the theatre world. Behn's infamous libertine Willmore was an instant hit, and The Rover catapulted her to overnight fame, and brought her an income from the box office, making her one of the first women to earn a living by their pen.

The authoritative edition of Measure for Measure from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. Measure for Measure is among the most passionately discussed of Shakespeare's plays. In it, a duke temporarily removes himself from governing his city-state, deputizing a member of his administration, Angelo, to enforce the laws more rigorously. Angelo chooses as his first victim Claudio, condemning him to death because he impregnated Juliet before their marriage. Claudio's sister Isabella, who is entering a convent, pleads for her brother's life. Angelo attempts to extort sex from her, but Isabella preserves her chastity. The duke, in disguise, eavesdrops as she tells her brother about Angelo's behavior, then offers to ally himself with her against Angelo. Modern responses to the play show how it can be transformed by its reception in present culture to evoke continuing fascination. To some, the duke (the government) seems meddlesome; to others, he is properly imposing moral standards. Angelo and Isabella's encounter exemplifies sexual harassment. Others see a woman's right to control her body in Isabella's choice between her virginity and her brother's life. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Christy Desmet The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

This fascinating book from veteran film journalist Ian Haydn Smith, with a foreword from award-winning director Asif Kapadia, explores 100 of the most compelling documentaries, each with the power to radically change our perceptions and challenge the way we see the world. Every so often a documentary comes along with the power to change the way you think, to share alternative perspectives, to make you furious about injustice or warm your heart. Contained in this book are documentaries that fulfil these criteria and astound viewers around the world; real-life stories to stop you in your tracks, bring tears to your eyes and put your heart in your mouth. From Barbara Kopple's Oscar-winning gritty depiction of working class America in Harlan County, USA to James Marsh's breathtaking Man on Wire, from powerful sporting tales such as Touching the Void to stories of true crimes and their repercussions such as Making a Murderer, this book delves deep into how these films were made, what makes them great, and also what other films you might like if you loved these ones. From Oscar winners to unseen gems from the Netflix vaults, international filmmakers to true crime, sport and culture stories, every documentary featured will make you think,make you feel and make you tell people, "You NEED to see this film." Veteran film journalist Ian Haydn Smith writes with passion and knowledge about these masterpieces, and illustrations bring these films off the page. A foreword from BAFTA and Grammy-winning director Asif Kapadia helps situate this book as one of the invaluable works on cinema today.

In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most extensively preserved Attic tragedian. Although the ancient dramatic texts do not contain performance directions, they do imply stage actions. This work explores the ways Euripides utilises the latter to make a point: to underline some issue, to suggest a contrast, or to shift the focus of the drama. Specifically, Halleran investigates the rearrangement of characters on stage at the major structural junctures of the play: entrances and their announcements; preparation for and surprise in entrances; and dramatic connections between exits and entrances. Three plays from the same era - Herakles, Trojan Women and Ion - are discussed in greater detail to reveal the potential of this approach for illuminating Euripides' 'grammar of dramatic technique'. Stagecraft in Euripides will thus appeal to students of theatre and drama as well as classicists.

2020 Edition Set text for Eduqas GCSE 9-1 Drama exam Based on Maureen Dunbar's award-winning book and film Catherine: The Story of a Young Girl Who Died of Anorexia Nervosa. Catherine Dunbar died in 1984, after a seven-year battle against anorexia nervosa. She was just twenty-two. Mark Wheeller's potent documentary play uses the words from Catherine's diaries and also of those most closely involved and affected. This 2020 edition includes a foreword by the late Maureen Dunbar, unseen extra scenes and a reflection by Mark, on the astonishing journey of this widely studied play since its first performances, including one by OYT on the Olivier Stage of the Royal National Theatre. Suitable for: Key Stage 3/4, BTEC, GCSE Duration: 75 minutes approximately Cast: 6 female, 3 male, 22 female/male, or 3 female and 2 male with doubling. "This play reaches moments of almost unbearable intensity... naturalistic scenes flow seamlessly into sequences of highly stylised theatre... such potent theatre!" Vera Lustig, The Independent "Elegantly structured, highly informative, and imaginatively theatrical. There wasn't a dry eye in the house." Anne McFerran, Stage and Television Today

The fabulously wealthy Victorian gentleman Phileas Fogg wagers his life's fortune that he can circumnavigate the globe in just eighty days. Along with his hapless valet Passepartout, he sets out on a dazzling escapade that takes him from the misty alleys of London to the exotic subcontinent and on to the Wild West as they race against the clock on a dizzying succession of trains, steamers, a wind-propelled sledge and an elephant. Laura Eason's celebrated adaptation of Jules Verne's classic novel was seen at the New Vic Theatre, Stoke, and Manchester's Royal Exchange before receiving its London premiere at the St. James Theatre in 2015. Packing in more than fifty unforgettable characters, this imaginative version of Around the World in 80 Days was written for an ensemble cast of eight, but can be performed by a much larger cast - making it perfect for any theatre company or drama group looking for a high-spirited adventure.