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Henry Fielding - Plays, Volume III 1734-1742 (Hardcover, New)
Loot Price: R9,403
Discovery Miles 94 030
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Henry Fielding - Plays, Volume III 1734-1742 (Hardcover, New)
Series: The Wesleyan Edition of the Works of Henry Fielding
Expected to ship within 12 - 17 working days
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This is the third and final volume of plays representing the only
modern edition of Fielding's dramatic works. Most have not appeared
in print for a century, and never previously in fully-edited form.
Fielding is best known as a novelist but, like his great model
Cervantes, he came to novel-writing from an important first career
in professional theatre. He wrote twenty-eight plays, including
comedies, satiric extravaganzas, and ballad operas. He was the
leading playwright of his generation, an experimentalist and
entrepreneur of dramatic form who sometimes also brought
contemporary politics and public figures onto his stage with
results even more dramatic off stage.
This volume presents nine plays from the final and most
controversial years of his theatre career. The first, Don Quixote
in England, is a ballad opera homage to Quixotic idealism played
out against rustic English opportunism. Two other plays, including
the long-running favourite The VirginUnmask'd, were written as star
vehicles for Fielding's brilliant colleague Catherine Clive. The
Universal Gallant is another of Fielding's ventures in serious
social comedy, but the heart of the volume, as of this concluding
period of Fielding's dramatic career, is the group of audacious
satirical plays he wrote when he was running his own makeshift
company at the Little Haymarket Theatre, including Pasquin and The
Historical Register. Audiences flocked to these productions to see
the cultural and political life of the moment ridiculed in
Aristophanic explicitness, notoriously in one case (Eurydice
Hiss'd) including a mocking stage caricature of the prime minister
himself. That unamused minister, Sir Robert Walpole, shortly after
saw through the 1737 Licensing Act which put an end to unsanctioned
playhouses and plays, and to Fielding's own career in theatre.
The plays are given in critical unmodernized texts based on careful
collation of the original editions, with explanatory notes and
commentary on sources, stage history, and critical reception. All
music is included, with appendices giving complete accounts of
textual variation and bibliographic history for each play.
General
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