Monologues are an essential part of every actor's toolkit. Actors need them for drama school entry, training, showcases and when auditioning for roles in the industry. Edited by Dee Cannon, author of the bestselling In-Depth Acting, this book showcases selected monologues from some of the finest modern plays by some of today's leading contemporary playwrights. The monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries, and comes in a brand new format, with a notes page next to each speech, acting as an actor's workbook as well as a monologue resource.

Die drama In glas handel oor ‘n kinderlose egpaar wat in vitro-bevrugting ondergaan en die uitwerking van hul versugting na ‘n kind op hulle as individue, hul huwelik en hul verhoudings met ander. Nicola Hanekom wys die vernedering van herhaalde besoeke aan onsimpatieke dokters, die monotomie van seks wat gemonitor word, die aftakeling van ‘n man en vrou wat gereduseer word tot hul voortplantingsorgane. In glas wen beste regie, beste nuutgeskepte Afrikaanse produksie en beste aanbieding. Stian Bam wen beste akteur en Tinarie van Wyk Loots wen beste aktrise. is in 2015 op die kortlys vir die toekenning van die ATKV-prys vir ’n dramateks.

In 2001 South Africa was devestated by the news of a brutal rape of a nine-month-old child who came to be known as baby Tshepang. Once the story of baby Tshepang hit the headlines, the scab was torn off a festering wound. Weaving together 'twenty thousand stories' (the number of reported child rapes in South Africa each year), Tshepang is a play about love, forgiveness and the difficulties of coming to terms with a violation of this magnitude.

In Basket Case, dependable Miranda and her ex-husband, the smoothly charming and wholly unreliable Guy are thrown together when their faithful old family pet takes a turn for the worse. Reunited over the dog basket, Guy and Miranda find they haven't 'moved on' quite as they'd imagined. When they are joined by family friend James, who rarely sees a stick without getting the wrong end of it, and Martin, the vet and a long time admirer of Miranda, the scene is set for some startling home-truths as this rapid-fire foursome mines laughter and touching observations in equal measure.

South Africa, 2019. Twenty-five years since the first post-apartheid democratic elections, two men from contrasting walks of life are thrust together to reflect on a quarter-century of change. Jack Morris is a celebrated classical actor who has just been given both a career-defining role and a life-changing diagnosis. Besides his age, Jack has seemingly little in common with his at-home nurse Lunga Kunene, but the two men soon discover their shared passion for Shakespeare, which ignites this ‘rich, raw and shattering head-to-head’ (The Times).

Written by South African actor, activist and playwright John Kani, this refreshingly funny and vital new play premiered in the Swan Theatre, Stratford-upon-Avon in 2019, before transferring to the Ambassadors Theatre in London. A co-production with the Fugard Theatre, it was directed by Janice Honeyman with moving performances from Antony Sher and John Kani.

Why Athena? I guess just like the goddess of strategic warfare and all that. In a New York City fencing club two warriors are ready to battle. Athena and Mary Wallace are training for the Junior Olympics. They practice together. They compete against each other. They spend their lives together. They wish they were friends. From Award-winning playwright Gracie Gardner, following an acclaimed extended run in New York, comes a fierce coming-of-age comedy where two teenagers parry class, competition and power as they practice fencing and life. But only one will win - en garde. This edition was published to coincide with the UK premiere at The Yard in London in October 2022.

WORLD PREMIERE - October 5th 2011 at the Orange Tree Theatre, RichmondGenre: Comedy. We all want to be happy. We all know what it feels like. But what if it keeps slipping through our fingers? Paul is a former happiness guru. As a young man he wrote self-help books and appeared on the television as 'Mr Happy'. But now his marriage has failed and his career as a serious novelist is faltering, while his ex-wife has remarried a wealthy advertising executive to the dismay of their troubled teenage daughter. Paul is now concerned about the state of his health, the size of his mortgage and the monthly payments on his iPhone. Mr Happy is not happy. But surely if anyone can unlock the secret of perpetual happiness, he must be the man?

This brand new one-man comedy takes us on a journey to a stand-up comedian's firstever public performance to fulfil a lifelong dream. My Dog's Got No Nose is a thought-provoking insight into the world of the comic.

In hierdie drama word die leser/gehoor gekonfronteer met die gevolge van keuses waarmee bykans alle Suid-Afrikaners kan identifiseer: kwessies soos emigrasie, die behoud van bande met die geboorteland, nagevolge van die Angolese bosoorlog, moorde op bejaardes en sosiale onsekerhede as gevolg van kriminele geweld. Hiermee gee Opperman dramaties gestalte aan die gedagte dat die persoonlike dikwels ’n politieke strekking het. Ook ander verwysingsraamwerke tree na vore, waaronder die invloed van die geskiedenis en die soeke na identiteit.