This revised Student Edition includes an introduction by Bess Rowen, Visiting Assistant Professor at Villanova University, US, which looks in particular at the play's treatment of rape, vulnerable people, mental institutions (especially in connection to Williams's own family), sexuality and sexual desire. A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: * A chronology of the play and the playwright's life and work * An introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created * A succinct overview of the creation processes followed and subsequent performance history of the piece * An analysis of, and commentary on, some of the major themes and specific issues addressed by the text * A bibliography of suggested primary and secondary materials for further study

South Africa, 2019. Twenty-five years since the first post-apartheid democratic elections, two men from contrasting walks of life are thrust together to reflect on a quarter-century of change. Jack Morris is a celebrated classical actor who has just been given both a career-defining role and a life-changing diagnosis. Besides his age, Jack has seemingly little in common with his at-home nurse Lunga Kunene, but the two men soon discover their shared passion for Shakespeare, which ignites this ‘rich, raw and shattering head-to-head’ (The Times).

Written by South African actor, activist and playwright John Kani, this refreshingly funny and vital new play premiered in the Swan Theatre, Stratford-upon-Avon in 2019, before transferring to the Ambassadors Theatre in London. A co-production with the Fugard Theatre, it was directed by Janice Honeyman with moving performances from Antony Sher and John Kani.

Drie hopies grond van drie grafte en die drie mense aan wie die grafte behoort: Vytjie, Basjan en Gulu. Elkeen moet vertel hoe hy of sy aan sy dood gekom het. Trien is die sameroeper van hierdie byeenkoms na die dood. Sy behartig die post mortem. Hoe het dit gebeur dat haar man, haar huiswerker en plaaswerker dood is? In hierdie drama deur Pieter Fourie moet Basjan, Vytjie en Gulu aan Trien vertel en demonstreer wat gelei het tot hul dood. Dit word duidelik dat Trien se pienk pilletjies haar blind gemaak het vir die dinge wat rondom haar gebeur ...