Environmentalism and ecology are areas of rapid growth in academia
and society at large. Screening Nature is the first comprehensive
work that groups together the wide range of concerns in the field
of cinema and the environment, and what could be termed "posthuman
cinema." It comprises key readings that highlight the centrality of
nature and nonhuman animals to the cinematic medium, and to the
language and institution of film. The book offers a fresh and
timely intervention into contemporary film theory through a focus
on the nonhuman environment as principal register in many filmic
texts. Screening Nature offers an extensive resource for teachers,
undergraduate students, and more advanced scholars on the
intersections between the natural world and the worlds of film. It
emphasizes the cross-cultural and geographically diverse relevance
of the topic of cinema ecology.
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