Film Noir (Paperback)

This is an examination of a celebrated, but also contested, body of films whose history is more extensive and diverse than American black and white crime thrillers of the forties.

A background chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Andrew Spicer discusses 'classic' film noir (1940-59) and investigates 'neo-noir' and British film noir. Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cineastes, film teachers and researchers.

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