Garreta's first novel in a decade follows the mania that descends
upon a family when the father finds himself in possession of a
concrete mixer. As he seeks to modernize every aspect of their
lives, disaster strikes when the younger sister is subsumed by
concrete. Through puns, wordplay, and dizzying verbal effect,
Garreta reinvents the novel form and blurs the line between spoken
and written language in an attempt to confront the elasticity of
communication.
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