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"Don’t come!" Kate is told by her only child. Jess is keeping her mother at a distance on the day that her own children, conjoined twins, are to be separated during high-risk surgery in London. Kate wakes on her farm in the Eastern Cape, torn between respecting Jess’s wishes and a longing to rush to her estranged daughter’s side.
A former geneticist disillusioned by the pressing ethical questions posed by her job, Kate is now an award-winning maker of organic cheese. She relies on the farm’s routine and the people and animals in her life to hold steady as her day teeters on a knife’s edge. Meanwhile, her employee Nosisi’s son is undergoing initiation. Forbidden to have contact with him during this traditional passage into the world of manhood, his mother anxiously awaits his return.
Breaking Milk, Dawn Garisch’s seventh novel, is an evocative exploration of the divisions and connections between humans, animals and the environment.
The incredible and thrilling first novel in a brand new series by the master storyteller and bestselling author of the Clifton Chronicles and Kane and Abel, Jeffrey Archer.
William Warwick has always wanted to be a detective, and decides, much to his father’s dismay, that rather than become a barrister like his father, Sir Julian Warwick QC, and his sister Grace, he will join London’s Metropolitan Police Force. After graduating from university, William begins a career that will define his life: from his early months on the beat under the watchful eye of his first mentor, Constable Fred Yates, to his first high-stakes case as a fledgling detective in Scotland Yard’s arts and antiquities squad. Investigating the theft of a priceless Rembrandt painting from the Fitzmolean Museum, he meets Beth Rainsford, a research assistant at the gallery who he falls hopelessly in love with, even as Beth guards a secret of her own that she’s terrified will come to light.
While William follows the trail of the missing masterpiece, he comes up against suave art collector Miles Faulkner and his brilliant lawyer, Booth Watson QC, who are willing to bend the law to breaking point to stay one step ahead of William. Meanwhile, Miles Faulkner’s wife, Christina, befriends William, but whose side is she really on?
Nothing Ventured heralds the start of a brand new series in the style of Jeffrey Archer’s number one Sunday Times bestselling The Clifton Chronicles: telling the story of the life of William Warwick – as a family man and a detective who will battle throughout his career against a powerful criminal nemesis. Through twists, triumph and tragedy, this series will show that William Warwick is destined to become one of Jeffrey Archer’s most enduring legacies.
In this electrifying sequel to The Handmaid's Tale, Margaret Atwood answers the question that has tantalised readers for decades: What happened to Offred?
When the van door slammed on Offred’s future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead. With The Testaments, the wait is over.
Margaret Atwood’s sequel picks up the story 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
Born on the cusp of democracy, the crew of young friends in Born Freeloaders navigates a life of drinking, wild parties and other recklessness. The siblings at the centre of the novel, Nthabiseng and Xolani, have been raised in an upper middle-class family with connections to the political elite. Nthabiseng is lauded by her peers as she whimsically goes through life, unable to form her own identity in a world that expects her to pick a side in the fractured classifications of race.
Xolani, not having known his late father, longs for acceptance from an uncle who sees him and his generation as the bitter fruit borne of a freedom he and countless others fought for. As the story moves across multiple spaces in the nation’s capital over a weekend, Born Freeloaders captures a political and cultural moment in the city’s and South Africa’s history. Interwoven is an analogous tale of the country’s colonisation and the consequences that follow.
And alongside the friends’ uneasy awareness of their privilege is a heightened sense of discomfort at their inability to change the world they were born into.
The sequel to the International Number One Bestseller The Tattooist Of Auschwitz, based on a true story of love and resilience.
Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp, in 1942. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.
In a Siberian prison camp, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she makes an impression on a woman doctor, Cilka is taken under her wing and taught new skills. Cilka begins to tend to the ill in the camp, struggling to care for them under brutal conditions.
Cilka finds endless resources within herself as she daily confronts death and faces terror. And when she nurses a man called Ivan, Cilka finds that despite everything that has happened to her, there is room in her heart for love.
How far would you go to keep your family safe?
Angie Watts had the perfect ordinary family. A new home. A beloved husband. Three adored children. But Angie's happy life is shattered when her son Liam falls in with the wrong crowd. And when her son's bad choices lead to the murder of her husband, it's up to Angie to hold what's left of her family together.
Now her son is missing. Her daughter is looking for help in dangerous places. And Angie is fighting just to keep a roof over their heads. But Angie is a mother. And a mother does anything to protect her children - even when the world is falling apart...
April 1980 and Jane Tennison is the first female detective to be posted to the Met's renowned Flying Squad, commonly known as the 'Sweeney'. Based at Rigg Approach in East London, they investigate armed robberies on banks, cash in transit and other business premises. Jane thinks her transfer is on merit and is surprised to discover she is actually part of a short term internal experiment, intended to have a calming influence on a team that likes to dub themselves as the 'Dirty Dozen'.
The men on the squad don't think a woman is up to the dangers they face when dealing with some of London's most ruthless armed criminals, who think the only 'good cop' is a dead cop. Determined to prove she's as good as the men, Jane discovers from a reliable witness that a gang is going to carry out a massive robbery involving millions of pounds.
But she doesn't know who they are, or where and when they will strike . . .
In the Eastern Cape, Stephen (Malusi) Mzamane, a young Anglican priest, must journey to his mother’s rural home to inform her of his elder brother’s death.
First educated at the Native College in Grahamstown, Stephen was sent to England in 1869 for training at the Missionary College in Canterbury. But on his return to South Africa, relegated to a dilapidated mission near Fort Beaufort, he had to confront not only the prejudices of a colonial society but the discrimination within the Church itself.
Conflicted between his loyalties to the amaNgqika people, for whom his brother fought, and the colonial cause he as Reverend Mzamane is expected to uphold, Stephen’s journey to his mother’s home proves decisive in resolving the contradictions that tear at his heart.
The brand-new standalone novel from the Number One bestselling author of Me Before You, After You and Still Me. Inspired by a remarkable true story, The Giver Of Stars features five incredible women living in extraordinary and perilous times.
Alice Wright has travelled halfway across the world to escape her stifling life in England. Handsome American businessman Bennett Van Cleve represents a fresh start. But she soon realises that swapping the twitching curtains of suburbia for newlywed life in the wild mountains of Kentucky isn't the answer to her prayers. But maybe meeting Margery O'Hara is. The heart and backbone of the small community of Salt Lick, a woman who isn't afraid of anything or anyone, Margery is on a mission. Enlisting Alice, along with three other women, all from very different backgrounds, to join her, the band of unlikely sisters battle the elements and unforgiving terrain - as well as brave all manner of dangers and social disapproval - to ride hundreds of miles a week to deliver books to isolated families. Transforming the lives of so many is all the impetus they need to take such risks.
And for Alice, her new job and blossoming friendships become an unexpected lifeline, providing her with the courage she needs to make some tough decisions about her marriage. Then a body is found in the mountains, rocking the close-knit community and tearing the women apart as one of them becomes the prime suspect. Can they pull together to overcome their greatest challenge yet?
A love letter to the power of books and literature and their ability to bring us together and deliver the truth, as well as a tribute to female friendship, The Giver Of Stars is the book that Jojo Moyes was born to write.
Is murder ever morally right? And is a murderer necessarily bad? These two questions waltz through the maddening mind of Michael, the brilliant, terrifying, fiendishly smart creation at the centre of this winking dark gem of a literary thriller.
When a grieving man searches for culpability in the death of his wife, a passenger on trains blown up by terrorists, he settles on a politician. The bombers, to his mind, were only the end point in a long chain of proximate causes - to blame them would be like blaming the trigger mechanisms on the bombs. The ultimate cause, he believes, the person responsible for first setting events into motion, is the politician whose policies and practices have had profound and violent impact abroad. And so it is only right, surely, that that politician is punished.
So he sets out - and sets about committing - his moral justification for murder...
Nuri is a beekeeper; his wife, Afra, an artist. They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo - until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. But what Afra has seen is so terrible she has gone blind, and so they must embark on a perilous journey through Turkey and Greece towards an uncertain future in Britain. On the way, Nuri is sustained by the knowledge that waiting for them is Mustafa, his cousin and business partner, who has started an apiary and is teaching fellow refugees in Yorkshire to keep bees.
As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss, but dangers that would overwhelm the bravest of souls. Above all - and perhaps this is the hardest thing they face - they must journey to find each other again.
Moving, powerful, compassionate and beautifully written, The Beekeeper Of Aleppo is a testament to the triumph of the human spirit. Told with deceptive simplicity, it is the kind of book that reminds us of the power of storytelling.
Son is a stunning achievement in post-apartheid writing. The debut novel by South African writer, Neil Sonnekus, Son brims with brio, verve and swagger. Though laugh-out-loud funny at times, it is also achingly poignant and deeply moving.
Sonnekus brilliantly captures the so-called Noughties with his tragi-comic creation Len Bezuidenhout, a recent divorcee whose quest for sex is as funny as his attempts to tease a hungover narrative from his father, a puritanical old curmudgeon. The two couldn’t be more different – or similar. They are both storytellers, but when the tale Len starts extracting from his old man is slowly revealed, it is everything but funny. Through scalding humour, caustic wit and brutally frank interrogation into the country’s ‘post Rainbow Nation’ pathology, this stylistically imposing work is one of hilarity, bitter warmth and eventual grace.
Son is at times uproarious and unremittingly frank as it exposes politics as a tragic farce. It is both self-deprecating and sensual as it traverses the dark arts of sexual conquest and desire while it simultaneously unearths brutal anxieties around crime, alienation and aging. Central to Son is the brutal mirror of what it means to be a white man in South Africa, confronting a rapid loss of power while struggling to come to terms with stark socio-political change and the possibilities of living an unfulfilled and alienated life.
While it hums and whirs with sound, movement and humour, Son seamlessly takes the reader on a profound journey of compassion and self-understanding. In a dark and disturbing turn, it argues that the dominant colour of the rainbow has become not white nor black, but red. Blood red.
The haunting new thriller from the Sunday Times bestselling author of The Chalk Man.
It arrived in my inbox just over a month ago. Surprising really that it didn't get shunted straight into junk.
Sender: [email protected]
Because when my sister was eight years old, she disappeared. At the time, I thought it was the worst thing that could ever happen. And then she came back...
The compelling new novel from the author of the bestselling Chocolat.
Vianne Rocher has settled down. Lansquenet-sous-Tannes, the place that once rejected her, has finally become her home. With Rosette, her 'special' child, she runs her chocolate shop in the square, talks to her friends on the river, is part of the community. Even Reynaud, the priest, has become a friend.
But when old Narcisse, the florist, dies, leaving a parcel of land to Rosette and a written confession to Reynaud, the life of the sleepy village is once more thrown into disarray. The arrival of Narcisse's relatives, the departure of an old friend and the opening of a mysterious new shop in the place of the florist's across the square - one that mirrors the chocolaterie, and has a strange appeal of its own - all seem to herald some kind of change: a confrontation, a turbulence - even, perhaps, a murder...
“Hillbrow, 1967. The New York of Africa. Someone wrote that the place would soon have more people per square kilometre than Tokyo. Everyone quoted that article to everyone. Some even cut it out and kept it folded in their wallets.”
While other boys daydream about racing cars and football, eleven-year-old stutterer Phen sits reading to his father. In number four Duchess Court, Phen’s dad looks like a Spitfire pilot behind his oxygen mask. But real life is different from the daring adventures in the books Phen reads and he is forced to grow up faster than other boys his age. This is until Heb Thirteen Two shows up: in his pinstriped suit pants and tie-dyed psychedelic top, the stranger could be any old bum, or a boy’s special angel come to live among men.
Poignant, witty and wise, John Hunt's "The Boy Who Could Keep a Swan in His Head" is a meditation on being alive and shows us the power of books when we need them the most.
It is the summer of 1940. Nineteen-year-old Vivian Morris arrives in New York with her suitcase and sewing machine, exiled by her despairing parents. Although her quicksilver talents with a needle and commitment to mastering the perfect hair roll have been deemed insufficient for her to pass into her sophomore year of Vassar, she soon finds gainful employment as the self-appointed seamstress at the Lily Playhouse, her unconventional Aunt Peg's charmingly disreputable Manhattan revue theatre. There, Vivian quickly becomes the toast of the showgirls, transforming the trash and tinsel only fit for the cheap seats into creations for goddesses.
Exile in New York is no exile at all: here in this strange wartime city of girls, Vivian and her girlfriends mean to drink the heady highball of life itself to the last drop. And when the legendary English actress Edna Watson comes to the Lily to star in the company's most ambitious show ever, Vivian is entranced by the magic that follows in her wake. But there are hard lessons to be learned, and bitterly regrettable mistakes to be made.
Vivian learns that to live the life she wants, she must live many lives, ceaselessly and ingeniously making them new.
"At some point in a woman's life, she just gets tired of being ashamed all the time. After that, she is free to become whoever she truly is", she confides. And so Vivian sets forth her story, and that of the women around her - women who have lived as they truly are, out of step with a century that could never quite keep up with them.
Paris, today. The Museum of Broken Promises is a place of wonder and sadness, hope and loss. Every object in the museum has been donated - a cake tin, a wedding veil, a baby's shoe. And each represent a moment of grief or terrible betrayal. The museum is a place where people come to speak to the ghosts of the past and, sometimes, to lay them to rest. Laure, the owner and curator, has also hidden artefacts from her own painful youth amongst the objects on display.
Prague, 1985. Recovering from the sudden death of her father, Laure flees to Prague. But life behind the Iron Curtain is a complex thing: drab and grey yet charged with danger. Laure cannot begin to comprehend the dark, political currents that run beneath the surface of this communist city. Until, that is, she meets a young dissident musician. Her love for him will have terrible and unforeseen consequences.
It is only years later, having created the museum, that Laure can finally face up to her past and celebrate the passionate love which has directed her life.
Dan Hollis lives alone, in a remote barn hidden in the woods on Exmoor. He leads a simple life and takes great pleasure in the small things - he counts the toadstools he finds on his morning walk (317), he cuts his sandwiches into triangles and arranges them geometrically on his plate, he spends his days in the workshop at the bottom of the seventeen-step staircase. For the past twenty-three years he has been making harps, choosing beautifully coloured local wood, carving and shaping it by hand, and adding his unique 'signature'- a specially-chosen pebble that he sits in the wood. He enjoys his solitary, quiet routine.
Then, one day, Exmoor housewife Ellie Jacobs stumbles across the barn by chance as she's walking in the woods. She's utterly stunned by the discovery of the enchanting workshop, and Dan (taken by her surprise - and her cherry-coloured socks) gives her the gift of a beautiful cherry wood harp. But Ellie's controlling husband Clive refuses to let her keep it - and so she begins to take lessons in secret at the barn. Captivated by Dan's innocent enthusiasm and infectious joy for the countryside, his life, his harps, Ellie starts to dream of escaping her loveless marriage - and so begins a story of innocent deception, unintended complications and life-changing consequences for them all.
With a cast of eccentric characters, including a pheasant named Phineas, this heart-warming, funny and quirky love story will stay with you long after you finish the last page.
A group of women at a specific period in the history of Southern Africa find their family life under the pressures of capitalist modernity and apartheid.
These ordinary, 'private' stories are anchored to the more powerful public stories of Penelope of ancient Greek mythology, who waited eighteen years while her husband Odysseus was away, and Winnie Mandela who waited for twenty-seven years.
The life story of Winnie Mandela remains one of the great unfolding dramas of our times; a tale of triumphs and tragedies that is only just beginning to be examined.
An evocative and finely detailed novel of ordinary life under apartheid that follows the lives of a family, particularly the women of various generations, who are named Dikeledi, who together form the backbone of the story.
Dikeledi captures, carefully and movingly, the essence of the turbulent days in which it is set. The focus on family drama within an incredibly difficult social situation, the small daily struggles rather than the huge challenges that conventionally make for ‘good’ archival footage, are what sets the novel apart from other literature that deals with the period.
Toe Pamina Vermaak by die werk uitfreak, sit sy skielik sonder inkomste. Boonop verloor sy haar kęrel, haar woonstel in Tamboerskloof, asook die laaste flenters toekomsideale wat sy naarstig aan ’t vasklou was – alles in een dag. Sy is gedwing om druipstert terug te keer na haar ouerhuis op die klein Weskusdorp Witwaterbaai. ’n Plek wat sy gesweer het haar nooit weer sal sien nie.
Intussen basuin die voorblaaie van poniekoerante dit uit dat rockster Wolf de Jager se verlowing met aktrise Daniella du Toit verbreek is en krioel dit op sosiale media van steelfoto’s waar sy hom verneuk. Hy moet weg uit die Kaap en ’n lukrake seleksie op Google Maps bring hom tot op Witwaterbaai, waar sy swart leerbaadjie harder as sy Fender Stratocaster skreeu teen die gehekelde doilies in Ant Leentjie se gastehuis.
Sal Pamina en Wolf op hierdie slakkepas-dorp van bokkoms droog en stoepsit hul probleme kan ontduik? Of lę daar net nog meer komplikasies voor?
In the spring of 1970, a Pretoria schoolboy falls in love with Muhammad Ali. He begins to collect cuttings about his hero from the newspapers, an obsession that grows into a ragged archive of scrapbooks. Forty years later, when Joe has become a writer, these scrapbooks both insist on and obscure a book about his boyhood. He turns to his brother Branko, a sound editor, for help with recovering their shared past. But can a story ever belong equally to two people? Is this a brotherly collaboration or a battle for supremacy?
This is an intricate puzzle of a book by a writer of lyrical power and formal inventiveness. Against a spectacular backdrop, the heyday of the greatest showman of them all, Vladislavić unfolds a small, fragmentary story of family life and the limits of language. Meaning comes into view in the spaces between then and now, growing up and growing old, speaking out and keeping silent.
Everyone knows Daisy Jones & The Six. They sold out arenas from coast to coast. Their music defined an era and every girl in America idolised Daisy. But on July 12 1979, on the night of the final concert of the Aurora tour, they split. Nobody ever knew why. Until now.
This is the whole story, right from the beginning: the sun-bleached streets, the grimy bars on the Sunset Strip, knowing Daisy's moment was coming. Relive the euphoria of success and experience the terror that nothing will ever be as good again. Take the uppers so you can keep on believing, take the downers so you can sleep, eventually. Wonder who you are without the drugs or the music or the fans or the family that prop you up. Make decisions that will forever feel tough. Find beauty where you least expect it. Most of all, love like your life depends on it and believe in whatever it is you're fighting for.
It's a true story, though everyone remembers the truth differently.
From the bestselling author of The House at Riverton and The Secret Keeper, Kate Morton brings us her dazzling sixth novel, The Clockmaker's Daughter.
My real name, no one remembers. The truth about that summer, no one else knows.
In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.
Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.
The Woman in the Blue Cloak is a brilliant novella which will thrill and entertain fans of Deon Meyer's much-loved detective Benny Griessel. Benny Griessel is a cop on a mission: he plans to ask Alexa Bernard to marry him.
That means he needs to buy an engagement ring - and that means he needs a loan. So Benny has a lot on his mind when he is called to a top-priority murder case.
A woman's body is discovered, naked and washed in bleach, draped on a wall beside a picturesque road above Cape Town.
The identity of the victim is a mystery, as is the reason for her killing. Gradually, Benny and his colleague Vaughn Cupido begin to work out the roots of the story, which reach as far away as England and Holland... and as far back as the seventeenth century.
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