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Books > Fiction > General & literary fiction > Modern fiction
Wat is ’n menselewe werd as jy minder as niks op jou naam het nie? Toe die regering besluit om ’n yslike dam in die diep, dorre Noord-Kaap te bou, is die skrif teen die muur vir die vergete dorpie van Bitterwater. Inwoners het ’n jaar tyd om hul dorp te ontruim en voor die groot water uit te vlug. Konstabel Cheslin Fielies is die een wat moet seker maak die hele storie gebeur betyds. Pas van die Cape Flats oorgeplaas, word hy gou in die dorpstories ingetrek: Hoekom verafsku die gemeenskap die drankwinkeleienaar Braam Pens so? Wat het Jan Boklam een nag in die dorpsdam sien gebeur? En spook dit regtig by die vervalle ou pastorie waar die Van Helsdingens probeer oorleef? Terwyl hy van sy eie spoke vlug en die Bitterwaters van die sondvloed probeer red, is dit sy onverwagse vriendskap met die dominee se vrou, Miriam, wat die krake in Cheslin se damwal blootlê. Want water is vergifnis, glo sy. Water is vergeet. Maar sommige geheime sal nie deur die vloed weggespoel word nie. Minder as water is ’n meesleurende tragikomedie wat jou gaan roer, jou gaan laat lag en uiteindelik die vraag vra: Wat gebeur met die mens wanneer hy voor syeinde te staan kom?
The Booker Prize–winning author of The Luminaries brings us Birnam Wood, a gripping thriller of high drama and kaleidoscopic insight into what drives us to survive. Birnam Wood is on the move . . . A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place: he has snatched it up to build his end-times bunker, or so he tells Birnam’s founder, Mira, when he catches her on the property. He’s intrigued by Mira, and by Birnam Wood; although they’re poles apart politically, it seems Lemoine and the group might have enemies in common. But can Birnam trust him? And, as their ideals and ideologies are tested, can they trust one another? A gripping psychological thriller from the Booker Prize–winning author of The Luminaries, Eleanor Catton’s Birnam Wood is Shakespearean in its drama, Austenian in its wit, and, like both influences, fascinated by what makes us who we are. A brilliantly constructed study of intentions, actions, and consequences, it is a mesmerizing, unflinching consideration of the human impulse to ensure our own survival.
An artfully designed box set of Pulitzer Prize–winning author Cormac McCarthy’s final masterpiece, told in two volumes, each a New York Times bestseller. The Passenger is a fast-paced and sprawling novel while Stella Maris is a tightly controlled coda, told entirely in dialogue. Together they relate the thrilling story of a brother and sister, haunted by loss, pursued by conspiracy, and longing for a death they cannot reconcile with God.
The Passenger
Rehana Rossouw’s unique voice gives life and drama to this family saga. It is the story of the Fourie family, residents of Hanover Park in the Cape Flats during the height of the struggle era. The main characters include Magda, the churchgoing mother, who doesn’t see what’s going on in front of her; Neville, the concerned and loving but not always effectual father; Suzette, the oldest daughter, who is bound and determined to get away and make a better life for herself via a career in modelling; Nicky, the smart and sensitive middle child, who proves herself capable of making unselfish choices; and Anthony, the naive and doomed son, who gets caught up with a gang and meets a sad end. In What Will People Say the setting is everything, and the author doesn’t stint on the details of the world her characters inhabit. Readers who have never set foot in Hanover Park will feel they are there, and those who know the place will nod in recognition of the sensory details the author loads into her writing. Nor does the author shy away from the difficult issues faced by those living in this marginalised and disadvantaged community, which came into being as a result of the forced removals from Cape Town. How these issues affect the members of a particular family and their relationships with one another are the focus of the author’s close-up lens. Generously spiced with Cape Flats slang; lots of vivid and gritty description that give an authentic feel to the story; plenty of plot – the writer draws us in and makes us curious about what will happen next; and very human characters we come to care about.
From Ronald H. Balson, author of Once We Were Brothers, Saving Sophie is the powerful story of the lengths a father will go through to protect his daughter and an action-packed thriller that will take you on an unforgettable journey of murder and deception, testing the bonds of family and love. Jack Sommers was just an ordinary accountant from Chicago - that is, until his wife passed away, his young daughter was kidnapped, and he became the main suspect in an $88 million dollar embezzlement case. Now Jack is on the run, hoping to avoid the feds long enough to rescue his daughter, Sophie, from her maternal grandfather, a suspected terrorist in Palestine. With the help of investigative team Liam and Catherine, and a new CIA operative, a secret mission is launched to not only rescue Sophie but also to thwart a major terrorist attack in Hebron. But will being caught in the crossfires of the Palestine-Israeli conflict keep their team from accomplishing the task at hand, or can they overcome the odds and save countless lives, including their own?
'My name is Natalie Heller Mills, and I was perfect at being alive…' Natalie lives a traditional lifestyle – and has the social media accounts to prove it. Her charming farmhouse on her working ranch is artfully cluttered, her husband is a handsome cowboy, her homemade sourdough boules are each more beautiful than the last. So what if there are nannies and producers and industrial-grade ovens behind the scenes? What Natalie’s followers don’t know won’t hurt them. Then, one morning, Natalie wakes up in a strange, horrible version of reality. Her home, her husband, her children―they’re all familiar, but something’s off. Is this a hoax? A reality show? A test from God? Natalie knows just two things for sure: this isn't her perfect life, and she must escape, by any means possible. NOW BEING ADAPTED INTO A MAJOR FILM STARRING ANNE HATHAWAY.
Ná ’n jagongeluk is niks op die familieplaas Soetkloof ooit weer dieselfde nie. Die 15-jarige De Viljee is dood en sy broer en suster, die 18-jarige tweeling Cornél en Ragel, se lewe is verwoes. Cornél slaan op die vlug, want hy kan nie sy gebroke ouers in die oë kyk nie. Die koeël het immers uit sy jaggeweer gekom. In die nasleep van die tragedie moet Ragel meisie-alleen red wat te redde is op Soetkloof. Dan kom daar ’n groot droogte en die Opkomsrivier, hul laaste oorblywende reddingsboei, verdor. Boonop is hul grond in die gedrang, want ’n yslike bewaringsgroep wil al die plase in die distrik op koop. Gaan Ragel aanhou om vir haar erfgrond te baklei of gaan die noodlot die oorhand kry? Kan die luiperdman die jong, taai vrou weer ’n proesel van lewensvreugde gee? En gaan Cornél ooit lewend na Soetkloof terugkeer? Solank as die aarde, Lucia Prinsloo se derde roman, is uiteindelik ’n verhaal van oorwinning en hoop. Want solank as die aarde bly staan, sal saaityd en oestyd nie ophou nie, sal koue weer warm word, winter weer somer en nag weer dag.
Now a Richard & Judy Book Club pick and New York Times top-ten bestseller. 'A fiendishly clever thriller in the vein of Gone Girl and The Girl on the Train. This one will keep you guessing.' - Anita Shreve, author of The Stars are Fire When you read this book, you will make many assumptions. It’s about a jealous wife, obsessed with her replacement. It’s about a younger woman set to marry the man she loves. The first wife seems like a disaster; her replacement is the perfect woman. You will assume you know the motives, the history, the anatomy of the relationships. You will be wrong. The Wife Between Us is the first collaboration between Greer Hendricks and Sarah Pekkanen; a gripping thriller with film rights sold to the creators of The Girl On the Train.
Kan jy vlug van wie jy regtig is?
Ella Olivia is ’n kranige lysiemaker wat haar hele lewe fyn probeer beplan, want sy glo alle slegte dinge gebeur op Vrydae. Na ’n belaglike insident waarin sy ’n meme geword het (natuurlik op ’n Vrydag), is haar laaste minuut aanvaarding by Kovsies om medies te studeer ’n nuwe begin vir haar. Maar na nóg ’n belaglike verwarring, bevind sy haarself in die laaste situasie waarin sy wil wees: die kollig. Sy moet Con Trubleau, gewilde kitaarspeler en hoofsanger van die boyband Vuurvreter, se fake meisie wees. Hierdie is só nie deel van haar plan nie.
Ronke, Simi and Boo are inseparable mixed-race friends living in London. They have the gift of two cultures, Nigerian and English, though not all of them choose to see it that way. Everyday racism has never held them back, but now in their thirties, they question their future. Ronke wants a husband (he must be Nigerian); Boo enjoys (correction: endures) stay-at-home motherhood; while Simi, full of fashion career dreams, rolls her eyes as her boss refers to her urban vibe yet again. When Isobel, a lethally glamorous friend from their past arrives in town, she is determined to fix their futures for them. Cracks in their friendship begin to appear, and it is soon obvious Isobel is not sorting but wrecking. When she is driven to a terrible act, the women are forced to reckon with a crime in their past that may just have repeated itself. A darkly comic and bitingly subversive take on love, race and family, Wahala will have you laughing, crying and gasping in horror. Boldly political about class, colorism and clothes, here is a truly inclusive tale that will speak to anyone who has ever cherished friendship, in all its form.
Your fate arrives in a box on your doorstep. Do you open it? It seems like just another morning. You make a cup of tea. Check the news. Open the front door. On your doorstep is a box. Inside the box is the exact number of years you have left to live. The same box appears on every doorstep across the world. Do you open yours?
Journalist and public relations maven Lucy Khambule is flying high in her life and career. Her book on convicted serial killer Napoleon Dingiswayo is a bestseller, Lucy is in demand for talks and interviews, and her company is involved in early stage organising for the 2010 FIFA World Cup. Then comes the terrifying news that Dingiswayo has escaped from C-Max – or has he, as shortly thereafter Detective Morapedi confirms to Lucy that the charred remains found in a prison pipe shaft, along with a suicide note, are those of Dingiswayo. An official statement from Correctional Services further confirms this. But who is the person stalking her on Facebook? What should Lucy and Detective Morapedi make of the violent and disturbing ‘copycat’ killings happening in eSwatini and the hushed rumours that are swirling around the annual Reed Dance? As Lucy and her events management team work on the historical FIFA World Cup Preliminary Draw at the Durban International Convention Centre, events unfold at breakneck speed. Is this the work of an exconvict on a deadly mission or are there other dangers lurking on Lucy’s path? Who can she trust and how can she stay safe?
The heartwarming, moving and uplifting new story of friendship, love and finding courage when all seems lost from AJ Pearce, The Sunday Times bestselling author of Dear Mrs Bird and Yours Cheerfully. London, April 1943. Emmy Lake is an agony aunt at Woman’s Friend magazine, doing all she can to help readers as they face the challenges of wartime life. With her column thriving and a team of women behind her, Emmy finally feels she is Doing Her Bit. But when the glamourous new owner arrives, everything changes. Charming her way around editor Guy Collins, Emmy quickly realises the Honourable Mrs Cressida Porter plans to destroy everything readers love about the magazine. With her best friends by her side, Emmy must work out how she can bring everyone together and save Woman’s Friend before it’s too late.
Klara Beyers, voormalige joernalis, bestuur deesdae ’n gastehuis en
blommeplaas op Somersee naby Hermanus.
Three women, each at a turning point in her life, are drawn together by old secrets and new dilemmas. Ailie: newly widowed, after twenty tempestuous years with Giorgio. Her husband's family has never accepted her, or Giorgio's choice to live outside Italy. If it weren't for her daughter, she'd cut all ties. Building bridges might be the hardest thing Ailie has ever had to do. Sybil: in the last five years she's found the confidence to be alone, but not lonely. Now her interfering younger sister Tansy is determined to set Sybil up with a new man. And maybe Tansy's right that it's time for Sybil to change something, if not her romantic status. Rua: twenty years ago, she learned the hard way that it's a dangerous world for young women. Twice she's faced a crisis and twice she's had to rebuild her life. Now all she cares about is protecting her daughter from the pain she went through herself. But even the worst grief can heal . . . In her unique, insightful life-affirming way, Sheila O'Flanagan weaves together the lives of these three remarkable women in an absolutely satisfying novel readers will never forget.
When Mpisi Mpisani travels to his home village for the burial of his mother and a visit to his first wife, he is anxious to hurry back to Johannesburg. His second wife, waiting in Soweto, will give birth soon. Giyani, his eight year old son, accompanies him. But when Giyani disappears, Mpisi stays to search for him. He tries to ignore the villagers who blame magic for the boy’s disappearance. Meanwhile Mpisi’s city wife, Ntombazi, bears a boy with a birthmark that seems to be a sign . . .
The highly anticipated follow-up to Tiktok sensation Things We Never Got Over and 2023's Things We Hide From The Light. Lucian Rollins is a lean, mean vengeance-seeking mogul. Determined to erase his abusive father's mark on his family name, he spends every waking minute pulling strings and building his empire. The more money and power he gains, the safer he feels. Except when it comes to one feisty small-town librarian. Although they are bonded by a dark secret from the past and their current mutual disdain, Sloane Walton only trusts Lucian as far as she can throw him. Until their bickering accidentally turns to foreplay, fanning flames of desire that can't be put out. But with Sloane eager to start a family and Lucian refusing to even consider the idea, these enemies-to-lovers are stuck at an impasse. And when Lucian learns the hard way that leaving Sloane is impossible, he vows to do everything he can to keep her safe. Whatever the cost . . .
He promised her a lifetime. He gave her four hours. Twelve years ago, Carrie said "I do" on a sun-drenched beach in Thailand. Four hours later, her world shattered when her husband, Johan, was snatched away in a violent abduction. He was never seen again. Today, Carrie is a working mum, navigating the beautiful chaos of raising premature twins and rebuilding her life with a man who truly loves her. She has finally found peace. The past is a closed book. Until she sees his face on a computer screen. Johan is alive. He has a new life. And he never tried to find her. Driven by a desperate need for answers, Carrie risks the stability of her marriage and the safety of her family to uncover the truth of what happened that day in Thailand. But as she peels back the layers of Johan’s double life, she is forced to face a devastating question: Is the truth worth the destruction of her second chance at happiness? A love story with the pulse of a thriller, The One Day You Were My Husband is a "gasp-inducing" journey through secrets, motherhood, and the high cost of a first love that refuses to stay buried.
The funny and moving publishing sensation about an unassuming apartment building in Paris. Renée is the concierge of a grand Parisian apartment building. To the snobbish residents she is all they expect from a caretaker – hard working, dowdy and unsophisticated. But Renée has a secret. Beneath this façade she is a self-taught intellectual, devoted to arthouse Japanese cinema and has a cat named after Tolstoy. Meanwhile, several floors up, twelve-year-old Paloma has also learned to conceal her gifts. The precocious and lonely daughter of pampered parents, Paloma is convinced that life is meaningless and plans to commit suicide on her next birthday. But the arrival of a new charismatic resident will bring dramatic change to number 7, Rue de Grenelle, altering the course of both their lives forever.
SLAVE. ESCAPE-ARTIST. MURDERER. TERRORIST. SPY. LOVER. MOTHER. TRICKSTER. At the Golden Sunset retirement home, it is not unusual for residents to invent stories. So when elderly Ms Mook first begins to unspool her memories, the obituarist listening to her is sceptical. Stories of captivity, friendship, murder, adventure, assumed identities and spying. Stories that take place in WWII Indonesia; in Busan during the Korean war; in cold-war Pyongyang; in China. The stories are so colourful and various, at times so unbelievable, that they cannot surely all belong to the same woman. Can they? As playful and thought-provoking as it is compelling, as brutal and harrowing as it is achingly poignant and tender, this is a novel about love and war, deceit and betrayal, about identity, storytelling and the trickery required for survival.
From the best-selling author of How We Buried Puso, Three Egg Dilemma is set at a homestead overlooking a valley and around a bar in the Kingdom of Lesotho. The story follows the life of EG (short for ‘Example’) and a group of ill-assorted friends and neighbours as they attempt to survive a breakdown of civil certainty. A visionary novel, Morojele has built worlds and characters with his dazzling prose. It is set to become a classic of Southern African literature.
Op sy ma se begrafnis in die Kaap maak André Verreyne die verbysterende ontdekking dat hy 'n identiese tweelingbroer het van wie hy in die wieg geskei is. Hy het net enkele dae om sy broer te probeer opspoor voordat hy moet terugvlieg Nieu-Seeland toe vir sy dogter se troue. Dit lei tot 'n speurtog wat hom na uiteenlopende mense op sy broer se lewenspad neem—elkeen met 'n verrassende storie om te vertel. Gou begin 'n prentjie vorm van iemand wat heel anders is as André self, al word hy tydens sy soektog voortdurend vir sy broer aangesien. Hoe meer hy oor sy broer uitvind, hoe meer begin hy sy eie lewenskeuses bevraagteken. My skaduwee loop los is 'n meesleurende, veelvlakkige verhaal oor die soeke na wat werklik die waardevolste lewe is, en die antwoord op die tergende vraag: Wat as?
Colleen Hoover, the #1 Sunday Times bestselling author of It Ends with Us and It Starts with Us brilliantly brings to life the story of the hilarious and charismatic Warren in this novella. When Warren has the opportunity to live with a female roommate, he instantly agrees. It could be an exciting change. Or maybe not. Especially when that roommate is the cold and seemingly calculating Bridgette. Tensions run high and tempers flare as the two can hardly stand to be in the same room together. But Warren has a theory about Bridgette: anyone who can hate with that much passion should also have the capability to love with that much passion. And he wants to be the one to test this theory. Will Bridgette find it in herself to warm her heart to Warren and finally learn to love? Maybe. Maybe not.
Nadia en haar nefie Xavie is op Groenplaas in die Overberg grootgemaak deur hul ouma, Sylvia McKinney, die “stammoeder van lieg”. Hulle twee kyk terug op hul kinderjare en probeer die dinge ontbloot waaroor daar in hul familie geswyg word. Kompoun vertel die verhaal van vriendskap tussen ’n groep nefies en niggies, gesmee deur oorlewing in ’n harde werklikheid, en hoe hulle van die ouer geslag wegbreek, maar ook vind dat die verstrengelde bande van familie ’n mens nie maklik laat los nie. |
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