Twenty-six years is a long time not to be alive.

Since the accident that ruined her life, Catherine has lived on autopilot, going through the motions of work and motherhood without being fully present. Trying to fill the gap, her adult daughter, Julia, is looking for love in all the wrong places, and wreaking havoc on the lives that she touches along the way.

Just what will it take to shock Catherine back into life?

Helga Roets is dalk aan die verkeerde kant van 80, maar jy kan haar steeds deur ’n ring trek, elke dag van die week. Sy woon nou al amper vyf jaar by Silwerhare Aftreeoord in Pretoria, en hoewel die aanpassing swaar was, voel haar blyplekkie deesdae soos huis. Sy het darem nog haar motortjie waarmee sy gereeld winkel toe ry.

Soms besoek sy vriendinne of gaan sit by ’n koffiewinkel om die mense om haar te bekyk.

Dit kom dus as ’n groot skok wanneer die oogarts makulêre degenerasie in albei haar oë diagnoseer. En vandeesweek is hoeka so ’n bedrywige week: twee begrafnisse, en Saterdag ’n troue in die Paarl.

Ten spyte van haar kinders se teenkanting, glip Helga Dinsdag suutjies uit by die aftreeoord, bagasie gepak, reg om haar reisavontuur te begin. Maar wie wag onder die lamppaal? Niemand anders nie as Stefaans de Wet, so ewe van plan om haar op haar tog te vergesel – net omdat sy nie mooi kan sién nie.

DIE AARDE HOU AAN MET DRAAI

As jy iemand verloor, gaan die lewe voort. Jý moet ook. Dit is wat die Van Wyk-gesin leer met een van hulle se dood.

Op ’n manier moet hulle sin maak uit wat gebeur het – en uit wat volg.

Daar is Ruan, die chirurg-pa wie se werk altyd eerste gekom het.

Markus, die matriekseun van wie almal groot verwagtinge het, wat bots met sy eie. Die drie jaar jonger Leandri wat besef sy het nooit haar ma geken nie. En Sophia wat met haar eerste skooljaar begin.

Veelbekroonde skrywer François Bloemhof het hierdie TV-reeks, wat só die land se verbeelding aangegryp het, verwerk tot ’n aangrypende roman wat wyd byval sal vind.

Die moord-en-roofspeurder Adriaan Kruger verhuis saam met sy nuwe vrou na Overberg, ’n dorpie in die Suid-Kaap. Daar ontdek hy gou onheil is nie beperk tot die grootstad nie. Die egpaar is nog besig om hul voete te vind toe hy skielik gekonfronteer word met ’n
raaiselagtige verdwyning, ’n dorpenaar wat sterf weens vergifting, en ’n ou, onopgeloste saak wat lyk asof dit met die twee onlangse sake verband hou.

Drie misdade, wat oënskynlik geen raakpunte het nie – maar los jy één op, so vermoed Adriaan, word die ander los drade ook vasgeknoop . . .

Drawing on the true history of ‘Farini’s Friendly Zulus’, a group of men who were taken to Britain and then to America as performing curiosities, the novel opens in 1885 in wintry New York City.

The protagonist, Mpiyezintombi, simply called Em-Pee by the English-speakers, loses more than his name in this far-off foreign country; he is seen as little more than a freak-show act – though he is not kept in a cage like the beautiful Dinka Princess, with her gold-painted papier-mâché crown and fur cape. For EmPee, it is love at first sight, but the caged woman is not free to love anyone back: she is the property of Monsieur Duval, proprietor of Duval Ethnological Expositions.

And so begins one of Zakes Mda’s most striking stories, one that depicts terrible historical injustices and indignities, while at the same time celebrating the vigour and ingenuity of the creative spirit, and the transformative power of love.

In an already-great pantheon of Mda love stories and classic gems, this may be his most powerful work yet.

Family is everything, even when it falls apart.

There is a heatwave across Europe. Goose and his three sisters gather at the family's house by Lake Orta in Piedmont, Italy. Their father, a famous artist, has recently remarried a much younger woman and decamped to Italy to finish his masterpiece. Now he is dead and there is no sign of a painting.

Although the siblings have always been close, as they search for answers over that summer, the things they learn - about themselves, their father and their new stepmother - will drive them apart before they can come to any kind of understanding of what their father's legacy truly is.

Extraordinarily compelling, at heart this is a novel about sibling relationships and those hairline cracks that can appear within a family: what what happens when they splinter, and what it would take to mend them.

This is the story of one lost poem, two great rivers, and three remarkable lives – all connected by a single drop of water.

In the ruins of Nineveh, that ancient city of Mesopotamia, there lies hidden in the sand fragments of a long-forgotten poem, the Epic of Gilgamesh.

In Victorian London, an extraordinary child is born at the edge of the dirt-black Thames. When his brilliant memory earns him a spot as an apprentice at a printing press, the world opens up far beyond the slums and across the seas.

In 2014 Turkey, Narin, a Yazidi girl living by the River Tigris, waits to be baptised. The ceremony is cruelly interrupted, and soon she and her grandmother must journey across war-torn lands in the hope of reaching the sacred valley of their people.

In 2018 London, broken-hearted Zaleekhah, a hydrologist, moves to a houseboat on the Thames to escape the wreckage of her marriage – until an unexpected connection to her homeland changes everything.

A dazzling feat of storytelling from one of the greatest writers of our time that spans centuries, continents and cultures, entwined by rivers, rains, and waterdrops.

The love story of the century
Long Island by Colm Tóibín, the author of Brooklyn, is his masterpiece: an exquisite, exhilarating novel that asks whether it is possible to truly return to the past and renew the great love that seemed gone forever.

The Sunday Times bestseller & Waterstones Fiction Book of the Month

A man with an Irish accent knocks on Eilis Fiorello’s door on Long Island. In that moment, everything changes. This stranger will reveal something that will make Eilis question the life she has created.

For the first time in years she suddenly feels very far from home and the revelation will see her turn towards Ireland once again. Back to her mother. Back to the town and the people she had chosen to leave behind.

Did she make the wrong choice all those years ago? Is it too late now to take a different path?

Soms lê ek in my bed, my lyf opgekrul om herinneringe aan hom, totdat dit voel asof die woonstel se dak oplig en die mure wegval en ek omhels word deur die nag se fluweelsagte duisternis. Dan dryf ek uit my lyf, tot in die buitenste ruim waar my ouers glo al vir dekades lank saam met ruimterommel en stukkies meteoriet, al om en om ’n hemelliggaam sweef.

Op my boekrak staan ’n geraamde foto van hulle, geneem net voor hul laaste ruimtesending. Hul gesigte is stroef, asof hulle geweet het dit is hul laaste missie.

Of dalk het hulle net in die son gekyk.

Mila Kozlowa is ’n Moskouse psigoterapeut wat tydens beradingsessies sit en fantaseer oor geroosterde salm en seks.

Sy dink ook aan haar kinderjare – sprokiesagtige besoeke aan ’n afgeleë hut in ’n berkewoud saam met haar ouma Babusja. Nou is Babusja oud en verswak en Mila is verantwoordelik vir haar. Wat steek haar ouma vir haar weg? Waar is Mila se ouers? Het hulle regtig tydens ’n ruimtereis verdwyn?

Intussen ontmoet Mila ’n Suid-Afrikaner wat sy oorlogtrauma met haar deel en kort voor lank begin die skeidslyn tussen werklikheid en fantasie vervaag. Waar eindig die droom en begin die realiteit? En vir hoe lank kan ’n mens jou eie leuens glo?

'You like it darker? Fine, so do I' writes Stephen King in the afterword to this magnificent new collection of stories that delve into the darker part of life - both metaphorical and literal.

Each of these stories holds its own thrills, joys and mysteries; each feels iconic. In 'Danny Coughlin's Bad Dream', a brief and unprecedented psychic flash upends dozens of lives, Danny's most catastrophically. 'Rattlesnakes', a sequel to Cujo, sees a grieving widower travel to Florida for respite and instead receive an unexpected inheritance - with major strings attached. 'The Answer Man' asks if prescience is good luck or bad and reminds us that a life marked by unbearable tragedy can still be meaningful.

King writes to feel 'the exhilaration of leaving ordinary day-to-day life behind' and his ability to surprise, amaze and bring us both terror and solace remains unsurpassed.

You like it darker? You got it.

* * WINNER OF THE BOOKER PRIZE 2024 * *

Life on our planet as you've never seen it before

A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day.

Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.

The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part - or protective - of it. They begin to ask, what is life without earth? What is earth without humanity?

Winner of the Women's Prize for Fiction 2025

An exhilarating tale of twisted desire, histories and homes, and the unexpected shape of revenge - for readers of Patricia Highsmith, Sarah Waters and Ian McEwan's Atonement.

It is fifteen years after the Second World War, and Isabel has built herself a solitary life of discipline and strict routine in her late mother's country home, with not a fork or a word out of place. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep - as a guest, there to stay for the season…

In the sweltering heat of summer, Isabel's desperate need for control reaches boiling point. What happens between the two women leads to a revelation which threatens to unravel all she has ever known.

A classic in the Black literary canon. Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film and television adaptations. A classic in the Black literary tradition, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the "militancy" that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man's reaction to ruling-class hypocrisy in ways that make the novel autobiographical and personal. As a tale of a reaction to the forces of oppression, this book is universal. Dan Freeman, the "spook who sat by the door," is enlisted in the CIA's elitist espionage program. Upon mastering agency tactics, however, he drops out to train young Black Chicagoans to combat racism as"Freedom Fighters" in this explosive novel.

May 1998: Mimi Traung and her baby daughter Ngan wait restlessly at the gates of Philadelphia airport. There is still a day’s travelling left before they would land back home on Vietnamese soil. While they prepare to board, the unimaginable happens.

Seventeen years later, two best friends are discussing their summer plans before college over a piece of mooncake. Both have trips ahead in search of their roots: Sabrina is preparing to travel to China to meet her mother’s family. Kit leaves for Tokyo, convinced that her biological mother is Japanese. Their parents watch on from the quiet suburbs of Chestnut Hill, nervous of what their daughters might find.

Meanwhile, Mimi returns to Philadelphia in search of her lost child, tracing memories from that fateful day waiting at the gates. Each of these women are looking to find their place in the world. Eventually Mimi, Kit and Sabrina come face to face, and have to confront the people they truly are, dismantling their own assumptions about belonging and the importance of blood ties.

Showcasing African Gothic at its finest, this hypnotic novel tangles together classic texts of madness and female rebellion alongside elements of the jingoistic novels of Victorian adventurer H. Rider Haggard. The result is an extraordinary reinvention of colonial and patriarchal perspectives.

The unnamed narrator spins a web back through a century of colonial possession – political, spiritual and mental – to imagine the stories of conquest and captivity, control and disruption, from the perspective of the women and men ‘half-broken’ by the stigmas attached to race and mental illness. Equally ‘half-broken’ are those dehumanised by their insane greed for dominion and treasure.

With trademark compassion and complexity, Siphiwe Gloria Ndlovu balances the humanity of her characters against the cruelty of empire, making for a spellbinding and literally haunting account of love and magic.

Can a holiday heal her heart Robyn Caldwell needs a life plan. Fast. So when her beloved Aunt Lillian asks her to come to Santa Barbara for an overdue visit Robyn jumps at the chance. In the sunshine Robyn begins to see her life with a bit more clarity and the more time she spends with free-spirited Lillian, and mysterious author Mason Bishop, the man destined to inherit her aunt's mansion, the more she sees the appeal in taking chances on dreams, and love. Life is meant to be lived with purpose. But when Robyn's past catches up with her, can she muster the courage to take a chance on herself? A heartwarming story of finding beauty in chaos, and love in the most unexpected of places, from international bestselling author Susan Mallery.

For readers of Elena Ferrante, Nicole Krauss, and Carmen Maria Machado, In Other Lifetimes All I've Lost Comes Back to Me is a braided story collection that invokes the real, surreal, and mythic to explore the longings and loneliness of contemporary love. Populated with lovers who leave and return, with ghosts of the Holocaust and messages from the dead, Courtney Sender's debut collection speaks in a singular new voice about the longings and loneliness of contemporary love. The world of these fourteen interlocking stories is fiercely real but suffused with magic and myth, dark wit, and distinct humor. Here, ancient loss works its way deep into the psyche of modern characters, stirring their unrelenting lust for life. In "To Do With the Body," the Museum of Period Clothes becomes the perfect setting for a bloody crime. In "Lilith in God's Hands," Adam's first wife has an affair in the Garden of Eden. And in the title story, a woman spends her life waiting for any of the men who have left her to come back, only to find them all at her doorstep at once. For readers of Elena Ferrante, Nicole Krauss, and Carmen Maria Machado, and for anyone who has known love and loneliness, In Other Lifetimes All I've Lost Comes Back to Me is a wise and sensual collection of old hauntings, new longings, and unexpected returns, with a finale that is a rousing call to the strength we each have, together or alone.

Kolisile, ’n jong Xhosa uit die Transkei, kyk na die sukkelende mielies op sy pa se lappie grond en besef dat die bestaansboerdery van sy bawu en dié se bawu voor hom nie langer volhoubaar is nie. Hy besluit om stad toe te gaan waar hy geld kan verdien wat hy weer in hulle boerderytjie sal kan inploeg. Met die belofte dat hy sal terugkom én sy verlore broer Mfazwe, wat jare gelede in die stad weggeraak het, sal saambring, vertrek Kolisile vol moed en geesdrif – net om deur die harde werklikheid van die stad ontgogel, getemper en uiteindelik geknak te word.

Op die Johannesburgse myne beleef Kolisile die armoede en uitsigloosheid van plakkersdorpe, ervaar hy die rassisme en uitbuiting van die apartheidsbestel aan eie lyf, word hy vir die eerste keer met werklike haat vir die ander gekonfronteer en sien hy die aantrekkingskrag van misdaad, leuns en drankmisbruik as ontsnaproete uit die byna ondraaglike werklikheid vanuit sy broer Mfazwe se perspektief. Wanneer hy uiteindelik weer sy weg na die Transkei toe vind, is dit – soos wat sy pa gevrees en voorspel het – as ’n liggaamlik én geestelik gewonde mens.