In a small, sleepy town, a mediocre witch, in a mediocre marriage, tries to pass on her gifts to her twin daughters, who, it becomes immediately apparent, have skills far beyond her own.

Lucie comes from a long line of witches, powers passed down from mother to daughter. Her own mum was formidable in her powers, but ashamed of her magic. Perhaps as a result, Lucie's own gift is weak: she can see into the future, sometimes - but more often, she can only see the present of some other location. Not very useful. And the worst part? All she can ever see are insignificant details - a scrap of outfit, the colour of the sky.

Lucie's own children are initiated into their family's peculiar womanhood when they reach twelve years of age, and in a few short months, Maud and Lise are crying the curious tears of blood that denote their magical powers. Having learned, they take off quickly and fly the nest. Literally.

Witty, dreamlike, vaguely unsettling, and utterly enchanting (pun intended), The Witch brings the mysteries of womanhood and motherhood into sharp relief and leaves us teetering on the edge, unbalanced by questions as seemingly unbreakable relationships break down left and right.

Who is to blame for family failures? And how can you - can you? - build a nest that no one wants to fly?

This contemporary twist on Brief Encounter is a tender meditation on what might have been.

A summer's evening in Manhattan. Nothing - not cold drinks, not showers not a stroll through the chilly aisles of an all-night drugstore - can undo the heat's hold on the city. Julian is half watching the evening news, his husband filling the dishwasher. That's when it arrives. An email with the subject line: 'From Paul Axel'. An email about a dead man from Carol - a woman Julian has never met. Paul has left a message he'd like her to relay.

Emails are exchanged. Morning coffee at the Bryant Park Grill is agreed. Carol, fulfilling Paul's final request, wonders how she will tell Julian of a life - and a love - he has no idea existed. A life, encased in a flash drive, containing multitudes.

From the Sunday Times No.1 bestselling author comes the latest instalment in the epic multimillion-selling series, The Seven Sisters. This is the book that fans around the world have been waiting for.

The six D’Aplièse sisters have each been on their own incredible journey to discover their heritage, but they still have one question left unanswered: who and where is the seventh sister? They only have one clue – an image of a star-shaped emerald ring. The search to find the missing sister will take them across the globe – from New Zealand to Canada, England, France and Ireland – uniting them all in their mission to complete their family at last.

In doing so, they will slowly unearth a story of love, strength and sacrifice that began almost one hundred years ago, as other brave young women risk everything to change the world around them.

Dis die Desembervakansie van 1983/84. Daar’s troepe in Angola, Lady Di is die mode-ikoon van die dag, Geloftedag word nog met groot toewyding gevier – en vakansie is nie vakansie as daar nie iemand is om die beddens op te maak en die skottelgoed te help was nie. Tebatso, self ’n enkelma van drie kinders (haar man is dood in ’n mynongeluk), is so te sê ’n ekstra lid van die Vrystaatse gesin vir wie sy werk: Sy versorg die vier kinders al van babadae af en ken Mies Engela se susters en hul mans se nukke en grille danksy jare se vakansies op die plaas.

Wanneer die uitgebreide familie besluit om ’n strandhuis te huur vir drie weke oor Desember, kry Tebatso vir die eerste keer in haar lewe die geleentheid om haar geografiese horisonne te verbreed (hoewel die “wit” strand danksy apartheidswetgewing vir haar taboe is en sy eintlik maar min van die see te siene kry). Hierdie algehele wegbreek van haar normale milieu is egter ook ’n soort wegbreek uit haar aanvaarde perspektief: Sy sien vir die eerste keer dat daar ánder maniere is om na die wêreld te kyk as dít wat sy as die norm aanvaar het en leer dat daar oor die kleurgrens heen mense is wat ander gebruik en misbruik – en ook dié wat toelaat dat hulle misbruik wórd.

Sy ontmoet ’n Xhosa-man wat al haar vertroude denkpatrone uitdaag en haar meteens laat wonder oor die geordende wêreldjie waarin sy nog altyd geborge voel … en sy begin deur die linksgesinde Adriaan (wat protesteer as sy hom “baas” noem) besef dat daar ook andersdenkendes onder die wit Afrikaners te vinde is.

Het Heiberg. Die weggooikind wat Verlangekraal se naam sou verewig. Sy het dit gewaag om in opstand te kom teen ’n rigiede skoolsisteem wat geen rebelsheid of individualiteit sou duld nie. Net meneer Doep het tussen haar en die verderflike skoolhoof meneer Erlank gestaan.

Hierdie geliefde en diep menslike verhaal wys vir die eerste keer Het Heiberg se kant van die saak. Wie in haar lewe saak gemaak het en wat in haar gedagtes omgegaan het. Dit vertel bowenal hoe sy oorleef het.

Akbar Manzil was once the grandest residence on South Africa’s east coast near Durban. Nearly a century later, when Sana and her father move to the house, the latest of Akbar Manzil’s long list of tenants, it is in near-ruins, crumbling, shabby and dark. This is a place where people come to forget. Or to be forgotten.

Full of questions about her new home, Sana is drawn to the deserted and eerie east wing, home to a clutter of broken and abandoned objects – and to the locked door at its end, unopened for decades. Soon, Sana begins to discover the tangled, troubling history of the house, awakening the memories of the house itself and dredging up old and terrible secrets that will change the lives of everyone – living and dead – at Akbar Manzil.

Sublime, heart-wrenching and lyrically stunning, The Lost Love of Akbar Manzil is a haunting love story and a mystery, all intertwined beautifully into one young girl’s search for belonging.

Shortlisted for the Booker Prize 2025.

When Tom's wife had an affair, he resolved to leave her once their children had grown up. Twelve years later, after driving his daughter to university, he remembers his pact and keeps driving West to visit friends, family and an old girlfriend.

But he also has secrets of his own - trouble at work and health issues - and sometimes running away is the hardest thing to do.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs.

Brilliantly conceived and executed, this powerful evocation of twenty-first century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

Die wonderwêreld van Willem Landman gaan onder andere oor Mintaka, een van drie sterre in Orion se gordel. Dis eintlik tweelingsterre, die een ʼn bloureus, die soldaat, en die ander sagter, vriendeliker. Dit speel op die twee broers in die boek: Alex, meestermanipuleerder en sy afwesige broer, Zander.

Alex het vir hom ʼn aansienlike sakeryk uit gekonkel opgebou. Hy het vir hom ʼn vesting op ʼn koppie gebou nadat hy Bella, die Griekwa-vrou aan wie se familie die grond reeds geslagte behoort, bedrieg en die munispaliteit omgekoop het. Van daar bedryf hy sy sake en daarheen laat kom hy sy “agente”. Hy is magsbehep en ʼn sekspes. Hy is ook psigoties, bossies en vermoedelik skisofrenies.

Die karakter wat die kollig steel, is die titelkarakter, Willem Landman – een van Alex se agente. Lesers het hom leer ken as die sukkelende kulkunstenaar in Die formidabele Ling Ho. Willem is ʼn formidabele bullshitter, ’n stiksienige siener wat moontlik, per ongeluk, wel oor sekere gawes beskik, effens kommin, ongeleerd maar vol planne en ʼn oog vir ʼn gaping. Onrus broei in die gemeenskap en dinge word op die spits gedryf wanneer ’n hele paar agente tegelyk by Alex se vesting byeenkom.

Ou geraamtes en nuwe gevare. Mevrou Smit moet haar eie reëls neerlê om te oorleef ...

’n Vloed spoel ’n dekades oue geraamte op die oewer van die rivier oop en Aronspoort is weer vasgevang in ’n blyspel van intriges. Mevrou Smit wil die raaisel oplos voor sy weer paaie kruis met daardie lastige Kaapse speurder.

Intussen kry Hester die ystervark ’n maat en mevrou Smit se smeulende verhouding met dokter Tomas vat vlam. Maar dit is moeilik om op hartsake te konsentreer terwyl ’n moordenaar koelbloedig die verlede probeer toesmeer.

Skuil daar meer agter oom Apie se dood? Wat weet tannie Annatjie en haar heldersiende niggie Hanna? Was die vars sterfte op die dorp werklik ’n ongeluk? En kan die verhouding tussen mevrou Smit en dokter Tomas tot iets lei wat haar uiteindelik op Aronspoort sal anker?

**WINNER OF THE BOOKER PRIZE 2025**

Through chance, luck and choice, one man’s life takes him from a modest apartment in Hungary to the elite society of London – in this captivating new novel about the forces that make and break our lives

Fifteen-year-old István lives with his mother in a quiet apartment complex in Hungary. New to the town and shy, he is unfamiliar with the social rituals at school and soon becomes isolated, with his neighbour – a married woman close to his mother’s age – as his only companion. As these encounters shift into a clandestine relationship, István’s life spirals out of control.

Years later, rising through the ranks from the army to the elite circles of London's super-rich, he navigates the twenty-first century's tides of money and power. Torn between love, intimacy, status, and wealth, his newfound riches threaten to undo him completely.

There are only two ways to get ahead in this world - you either make something or take something.

Maggie Wang, a broke young Asian American writer, needs a lifeline. Ingrid Parker, a veteran white Hollywood producer with her career on the edge, offers an irresistible deal: $3 million for ten experimental medical sessions to reverse aging, using Maggie as a transfusion partner.

For Ingrid, it's a chance to recapture her youth and save her fading career. For Maggie, it's freedom - money to support her parents and the connections to finally get her novel published.

What starts as a professional transaction, quickly becomes a complex psychological dance. As Maggie gains unprecedented access to Ingrid's hard-earned wisdom, Ingrid sees in Maggie a weapon against an industry that's been trying to sideline her.

As their relationship intensifies, the rules around aging begin to shift. So does the balance of power between the two women, leaving both questioning who holds the upper hand and what they're willing to sacrifice to succeed.

Ellie Kent longs to belong

Abandoned as a child and raised in the bleak confines of an asylum, Ellie is taken into service as a governess by a family bound for the distant colony of South Africa. But before reaching their destination, she is abandoned once more – cast adrift in a land as vast as it is unforgiving.

Left with no choice but to join a caravan of settlers, Ellie finds herself in the company of a questionable trader, a mysterious opera singer, and a young Afrikaner, Gysbert de Boer, tasked with delivering her safely to an uncertain future. As war brews on the horizon and the settlers struggle for survival in a land that offers little mercy, Ellie must carve out a home – or be lost to the wilderness forever.

A sweeping frontier fable, The Immortalites is a masterfully crafted tale of survival, sacrifice, and the search for belonging.

"Feel-good, laugh out loud funny, yet also deeply moving..." "The way Grace has written about her mental health issues and woven it around the story is inspirational and will strike a chord with many readers" The comical tales of a new mum on her journey from post-natal depression to the dawning of her self-worth as she discovers adventure, friendship and the healing power of horses. Join Grace as she battles her negative thought patterns and fears amongst a backdrop of eccentric characters, pampered farm animals and the glorious Yorkshire countryside. Wisdom comes from unexpected sources leading Grace to a psychological and spiritual awakening of the true meaning of motherhood. While an elderly, opinionated pony teaches her how to love her daughter, a scary young sports horse teaches her how to relax and enjoy life again. Just watch out for the goats... For fans of James Herriot and Ruby Ferguson's Jill books, The Yard is a hilarious and heart-warming, joy to read.

There’s a hierarchy to fame – from the Real Celebs who sell their skills as actors and singers, to the Professionally Pretty (the garnish to any occasion), the Hashtag Hustlers, who range from influencers to the social media savvy, to the Hopeless Hangers-On. Everyone has their place in the ecosystem, and knowing your place in that hierarchy is half the fame game won.

For three young women in Joburg, the new age of internet celebrity presents them with obstacles, opportunities, opulence and a chance at fame, fortune and fierce fashion.

LIN
Through sheer ambition and force of will, Lin has rebranded her entire existence. She’s shrugged off her past to fully embrace a new identity: Linfluencer, the high-end influencer whose Outfits Of The Day are obsessively followed by every budding fashionista with a blossoming social media addiction.

LEBO
Then there’s Lebo, who has only ever known a life of fame – real fame – as the former child prodigy behind TV phenomenon Sedi Star. Everyone grew up watching her every move, but now, as she’s grown up, the work, roles and offers have evaporated. But her penchant for scandal, controversy and social media squabbles have kept her in the headlines.

MBALI
And finally there’s South Africa’s reigning Queen of Gossip: Mbali. The entertainment site she runs with an iron fist is known for breaking the hottest news – and the odd celebrity career. With the Hashtag Hustle threatening her media empire, how will she continue to keep her readers enthralled?

As Lin, Lebo and Mbali jostle to take their places in the fame hierarchy, their ambitions, aspirations and agendas collide. Their wins and woes not only affect one another, but can mean that they either individually rise or collectively crumble. Will Lin’s past threaten her future? Will Lebo’s (self-)sabotage prevent her return to the top? Will Mbali’s reign as the Queen of Gossip continue – or reach a dead end? The choices they make can balance or break their entire ecosystem.

Every book in the Dream Harbor series can be read as a standalone.

Kira North hates Christmas. Which is unfortunate since she just bought a Christmas tree farm in a town that’s too cute for its own good.

Bennett Ellis is on vacation in Dream Harbor taking a break from his life in California. And most importantly, taking a break from his latest run of disastrous dates.

After a run in with Kira in her fields, Ben has no intention of offering to help the grumpy owner set up her tree farm, despite the fact she’s clearly got no idea what she’s doing.

Kira knows she should stop being so stubborn, but her farm is not all cute and cozy like people always show on social media, it’s borderline dangerous with no heating, and she’d rather no one saw it.

But somehow fate finds Ben at Kira’s farm once more, and as Kira watches him swing an ax at the first tree, she finds herself appreciating his strength and questioning why she refused help in the first place…

The Christmas Tree Farm is a spicy romantic mystery with a HEA guaranteed!

A. L. Barker's debut story collection appeared in 1947 and won the inaugural Somerset Maugham prize, instantly marking her out as a remarkable new talent. Each story describes a crisis in life; each reveals the impact of experience upon innocence, or vice versa. '[Barker's] remarkable descriptive powers, her feeling for the exact word and the right combination of adjectives are most satisfyingly applied to the evocation of landscape... Barker writes with a subtlety and precision which are as delightful as they are rare.' Times Literary Supplement 'This collection of eight short stories... introduces an already assured and subtle stylist... There is little pity here, but - if restrained - considerable terror and tragedy, and a precision of observation and treatment which qualify this collection for a critical, fastidious audience.' Kirkus Reviews