THE FUN FACTORY is set in the golden decade before the Great War, when the music halls were the people's entertainment, before radio, television or cinema, and bigger than all of them.

Arthur Dandoe is a gifted young comedian trying to make his way within the prestigious Fred Karno theatre company. Determined to thwart him at any cost is another ruthlessly ambitious performer - one Charlie Chaplin. Things turn even nastier when Arthur and Charlie both fall for the same girl, the irresistibly alluring Tilly Beckett.

One of the two rivals is destined to become the most celebrated man on the planet, with more girls than he can shake his famous stick at. The other. . . well, you'll just have to read this book - his book.

It could have been so different.

Liyah, a young Congolese woman, living in Johannesburg, takes on the responsibility of supporting her mother and siblings after the passing of her father.

Frustrated from struggling and working minimum wage jobs, Liyah takes a chance and responds to an online advertisement for a surrogate. Rick, a wealthy American, who is known for his impulsive and carefree playboy behaviour, faces losing his inheritance and his family business if he does not produce an heir. Liyah and Rick are the complete opposite of one another, indomitable forces that collide with each other, yet they are about to change each other’s lives.

Dappling in lust, love and lies; Traded is a gamble of the unexpected, a dangerous crossing of boundaries and infinite treachery. Not everyone makes it out alive.

MERIDIAN is 'heteroglossia' which pulls none of its punches. It is as comfortable delivering a disquisition on the semiotics of architectural absence as it is relaying the dialogue between the builders of the conservatory next door. It is truly not glibly, multi-layered, and in its concerns asks much of its readers and by extension, of the literary forms available to the writer in the 21st. century. In a literary landscape of conformity and ardent replication, MERIDIAN is undoubtedly and confidently 'stand alone.' It also manages to be a lot of fun.

The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy.

The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence.

From the author of the Booker-shortlisted Small Things Like These, a heartbreaking, haunting story of childhood, loss and love by one of Ireland's most acclaimed writers. 'A real jewel.' Irish Independent 'A small miracle.' Sunday Times 'A thing of finely honed beauty.' Guardian 'Thrilling.' Richard Ford 'As good as Chekhov.' David Mitchell It is a hot summer in rural Ireland. A girl is sent to live with foster parents on a farm, not knowing when she will return home. In the strangers' house, she finds a warmth and affection she has not known before and slowly begins to blossom in their care. But in a house where there are meant to be no secrets, she discovers how fragile her idyll is.

Toe Daan van der Walt, 'n eerstydse Kalahari-boer, 'n vertigo-aanval kry, laai sy vervreemde seun hom by 'n monnikeklooster in China af. Onder leiding van Meester Yang moet Daan tai chi doen in 'n poging om sy balans te herstel. Maar daar is ook iets anders wat aan Daan vreet, iets wat hy van sy hart móét afkry voor hy sy weg na die hiernamaals kan vind. Dalk is dit tyd dat hy aan Magrieta, sy oorlede vrou, skryf en sê dat hy haar liefgehad het.

One of three Signature Select Classics chapbooks steeped in the thrills and chills of the gothic tradition, publishing simultaneously with chapbooks of similarly weird works by Edgar Allan Poe and H. P. Lovecraft. This stunning chapbook--perfect for fans of the mysterious and macabre--comprises Mary Shelley's classic tale of a botched experiment in immortality, "The Mortal Immortal," and "On Ghosts: An Essay," her appraisal of popular ghost legends. It features elegantly designed cardstock covers with flaps and intricate foil-stamped designs.

In a small back alley in Tokyo, there is a café which has been serving carefully brewed coffee for more than one hundred years. But this coffee shop offers its customers a unique experience: the chance to travel back in time . . .

From the author of Before the Coffee Gets Cold comes Tales from the Cafe, a story of four new customers each of whom is hoping to take advantage of Cafe Funiculi Funicula's time-travelling offer.

Among some faces that will be familiar to readers of Toshikazu Kawaguchi's previous novel, we will be introduced to:
The man who goes back to see his best friend who died 22 years ago
The son who was unable to attend his own mother’s funeral
The man who travelled to see the girl who he could not marry
The old detective who never gave his wife that gift . . .

This beautiful, simple tale tells the story of people who must face up to their past, in order to move on with their lives. Kawaguchi once again invites the reader to ask themselves: what would you change if you could travel back in time?

In a burned-out country, a father and his young son head slowly for the coast, with no idea what, if anything, awaits them there. The landscape is destroyed, nothing moves save the ash on the wind, and cruel, lawless men stalk the roadside, lying in wait.

,P> Attempting to survive in this brave new world, the young boy and his protector have no choice but to keep walking.

Winner of the Pulitzer Prize for Fiction, The Road is the story of a remarkable and profoundly moving journey, and an exemplar of post-apocalyptic writing.

His name was Joseph, but for years they had called him Panenka, a name that was his sadness and his story. Panenka has spent 25 years living with the disastrous mistakes of his past, which have made him an exile in his home town and cost him his dearest relationships. Now aged 50, Panenka begins to rebuild an improvised family life with his estranged daughter and her seven year old son. But at night, Panenka suffers crippling headaches that he calls his Iron Mask. Faced with losing everything, he meets Esther, a woman who has come to live in the town to escape her own disappointments. Together, they find resonance in each other's experiences and learn new ways to let love into their broken lives.

Set against a memorable backdrop of Lucinda Riley's trademark evocative locations, The Italian Girl unfolds into a poignant and unforgettable tale of love, betrayal and self-discovery. Nothing sings as sweetly as love, or burns quite like betrayal. Rosanna Menici is just a girl when she meets Roberto Rossini, the man who will change her life. In the years to come, their destinies are bound together by their extraordinary talents as opera singers and by their enduring but obsessive love for each other - a love that will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by irreversible events from the past . . . Rosanna's journey takes her from humble beginnings in the back streets of Naples to the glittering stages of the world's most prestigious opera houses. *First published as Aria under the name Lucinda Edmonds, now extensively rewritten*

Flights, a novel about travel in the twenty-first century and human anatomy, is Olga Tokarczuk's most ambitious to date. It interweaves travel narratives and reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. From the seventeenth century, we have the story of the Dutch anatomist Philip Verheyen, who dissected and drew pictures of his own amputated leg. From the eighteenth century, we have the story of a North African-born slave turned Austrian courtier stuffed and put on display after his death. In the nineteenth century, we follow Chopin's heart as it makes the covert journey from Paris to Warsaw. In the present we have the trials of a wife accompanying her much older husband as he teaches a course on a cruise ship in the Greek islands, and the harrowing story of a young husband whose wife and child mysteriously vanish on a holiday on a Croatian island. With her signature grace and insight, Olga Tokarczuk guides the reader beyond the surface layer of modernity and towards the core of the very nature of humankind.

Every relationship has one beginning.
This one has two endings.

Andy loves Jen. Jen loved Andy.
And he can't work out why she stopped.

Now he is. . .
1. Without a home
2. Waiting for his stand-up career to take off
3. Wondering why everyone else around him seems to have grown up while he wasn't looking

Set adrift on the sea of heartbreak at a time when everything he thought he knew about women, and flat-sharing, and his friendships has transformed beyond recognition, Andy clings to the idea of solving the puzzle of their broken relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him.

Andy still has a lot to learn, not least his ex-girlfriend's side of the story.

To the dismay of her ambitious mother, Bolanle marries into a polygamous family, where she is the fourth wife of a rich, rotund patriarch, Baba Segi. She is a graduate and therefore considered a great prize in Nigeria, but even graduates must produce children and her husband's persistent bellyache is a sign that things are not as they should be. She only wants to escape to a quiet life, but the others disapprove of the newest, youngest, cleverest addition to the family. Treated with respect by her husband, she is viewed with suspicion by her seniors - who fear she may unlock their well-guarded secret.

Through the voices of Baba Segi and his four wives, Lola Shoneyin weaves a vibrant story of love, secrets and a family like every other - happy and unhappy, truthful and not, sometimes kind, sometimes competitive, always bound by blood, and the past.