* The million-copy bestseller*
* National Book Award finalist *
* One of the New York Times's 10 Best Books of 2017 *
* Selected for Emma Watson's Our Shared Shelf book club *

'This is a captivating book ... Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA.

Yeongdo, Korea 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a fifteen-year-old girl. The couple have one child, their beloved daughter Sunja. When Sunja falls pregnant by a married yakuza, the family face ruin. But then Isak, a Christian minister, offers her a chance of salvation: a new life in Japan as his wife.

Following a man she barely knows to a hostile country in which she has no friends, no home, and whose language she cannot speak, Sunja's salvation is just the beginning of her story.

Through eight decades and four generations, Pachinko is an epic tale of family, identity, love, death and survival.

Dianne is divorced but for the sake of her two daughters she lives next to her ex-husband, sharing a joint double garden. Good for the girls but what about her? How can she move on if Alan and his new fiancée are always around?

Her post-divorce romances have stalled: Andile, her lover turned friend, and Faye, her secret Tinder date turned sometimes lover. Both Andile and Faye want more but Di is not sure what she wants. Her daughters were not thrilled with the idea of her with a boyfriend, will they freak out if their mom has a girlfriend? Is it even worth introducing them if Faye might turn out not to be the one for her? But when Dianne’s eldest daughter deals with homophobia at school, Dianne feels compelled to speak out and be honest about who she is.

With the support of her friends Kari, Lily, Shelley and now Shireen, she might just have the courage to do it. But what will the fallout be?

From #1 New York Times bestselling author Lisa See, "one of those special writers capable of delivering both poetry and plot" (The New York Times Book Review), a moving novel about tradition, tea farming, and the bonds between mothers and daughters. In their remote mountain village, Li-yan and her family align their lives around the seasons and the farming of tea. For the Akha people, ensconced in ritual and routine, life goes on as it has for generations-until a stranger appears at the village gate in a jeep, the first automobile any of the villagers has ever seen. The stranger's arrival marks the first entrance of the modern world in the lives of the Akha people. Slowly, Li-yan, one of the few educated girls on her mountain, begins to reject the customs that shaped her early life. When she has a baby out of wedlock-conceived with a man her parents consider a poor choice-she rejects the tradition that would compel her to give the child over to be killed, and instead leaves her, wrapped in a blanket with a tea cake tucked in its folds, near an orphanage in a nearby city. As Li-yan comes into herself, leaving her insular village for an education, a business, and city life, her daughter, Haley, is raised in California by loving adoptive parents. Despite her privileged childhood, Haley wonders about her origins. Across the ocean Li-yan longs for her lost daughter. Over the course of years, each searches for meaning in the study of Pu'er, the tea that has shaped their family's destiny for centuries. A powerful story about circumstances, culture, and distance, The Tea Girl of Hummingbird Lane paints an unforgettable portrait of a little known region and its people and celebrates the bond of family.

Charles Oertel bevind hom in ’n netelige posisie. Hy is ’n skatryk Vrystaatse boer en het sentimente jeens beide magte wat tydens die Anglo-Boereoorlog slaags raak. Bothma se noukeurige navorsing oor hierdie invloedryke man en sy nasate se lotgevalle tydens en na die oorlog bevestig geboekstaafde kennis maar bied ook nuwe inligting. Daarbenewens is dit ’n boeiende menslike verhaal wat die leser tot nadenke stem. Sou dit anders verloop het as dit nie vir die oorlog was nie? Keer die mens nie die punt van die punt van die swaard self op sy hart nie? Punt van die swaard was in 2005 op die kortlys vir die Louis Hiemstra-prys vir niefiksie.

In Danielle Steel’s gripping new novel, a reclusive woman opens up her home to her neighbors in the wake of a devastating earthquake, setting off events that reveal secrets, break relationships apart, and bring strangers together to forge powerful new bonds.

Meredith White was one of Hollywood’s most recognizable faces. But a personal tragedy cut her acting career short and alienated her from her family. For the last fifteen years, Meredith has been living alone in San Francisco with two trusted caretakers. Then, on a muggy late summer day, a massive earthquake strikes Northern California, plunging the Bay Area into chaos. Without a moment’s hesitation, Meredith invites her stunned and shaken neighbors into her mostly undamaged home as the recovery begins.

These people did not even realize that movie star Meredith White was living on their street. Now, they are sharing her mansion, as well as their most closely kept secrets. Without the walls and privacy of their own homes, one by one, new relationships are forged. For every neighbor there is a story, from the doctor whose wife and children fear him, to the beautiful young woman dating a dishonorable man, to the aspiring writer caring for a famous blind musician.

In the heart of the crisis, Meredith finds herself venturing back into the world. And thanks to the suspicions and the dogged detective work of a disaster relief volunteer, a former military officer named Charles, a shocking truth about her own world is exposed. Suddenly Meredith sees her isolation, her estranged family, and even her acting career in a whole new light.

Filled with powerful human dramas, Neighbors is a penetrating look at how our world can be upended in a moment. In a novel of unforgettable characters and stunning twists, acts of love and courage become the most powerful forces of all.

Edited by Kerry Hammerton, this is an anthology of flash fiction and non-fiction.

Contributors:
Sally Cranswick | Stephen Symons | Werner Labuschagne | Sue Woodward | Karen Jennings | Yvonne Sliep | Siphosethu Siwaphiwe Zazela | Chantal Stewart | Sarah Buchner | Karina M. Szczurek | Máire Fisher | Kerry Hammerton | Stephen Devereux | Cynthia Kistasamy | Lerato Mahlangu | Nontobeko Mtshali | Erica Livingston | Anne Schlebusch | Bonnie Espie | Wentzel Lombard | Mary Grace McGeehan | Colleen Higgs | Gemma Allan | Megan Ross | Charisse Louw

Hermans is aangewys as Nederland se grootste skrywer van die 20ste eeu. Nooit Meer Slaap Nie is een van sy beroemdste romans en steeds ‘n treffer.

Dit gaan om ‘n student se spannende en selfs lewensgevaarlike navorsingstog in die nagenoeg onbewoonde Finnmark, die noordelikste gebied van Noorweë. Hy slaag mettertyd daarin om die vernaamste fisieke struikelblokke te oorwin, maar die noodlot en ironie bly op sy spoor.

Die boek neem die leser na een van die onherbergsaamste gebiede op aarde asook na onverkende vlakke van die menslike gees waar vrae veel magtiger is as oplossings.

Dit is ‘n toeganklike roman met diepte, vir die fynproewer.

Alan Hollinghurst, the Booker Prize-winning author of The Line of Beauty, brings us a dark, luminous and wickedly funny portrait of modern England through the lens of one man’s acutely observed and often unnerving experience. It is a story of race and class, theatre and sexuality, love and the cruel shock of violence, from one of the finest writers of our age.

Dave Win is thirteen years old when he first goes to stay with the sponsors of his scholarship at a local boarding school. This weekend, with its games and challenges and surprising encounters, will open up heady new possibilities, even as it exposes him to their son Giles’ envy and violence.

As their lives unfold over the next half a century, the two boys’ careers will diverge dramatically: Dave, a gifted actor struggling with convention and discrimination, Giles an increasingly powerful and dangerous politician.

Our Evenings is Dave Win’s own account of his life as a schoolboy and student, his first love affairs, in London, and on the road with an experimental theatre company, and of a late-life affair, which transforms his sixties with a new sense of happiness and a perilous security.

May 1992. In Russia, Boris Yeltsin is showing millions of communists the specter of capitalism. Yugoslavia is disintegrating. United Germany is uncertain about their next move, and communism is collapsing all around. And in a corner of old Calcutta, Herbert Sarkar, sole proprietor of a company that delivers messages from the dead, decides to give up the ghost. Decides to give up his aunt and uncle, his friends and foes, his fondness for kites, his aching heart that broke for Buki, his top terrace from where he stared up at the sky, his Ulster overcoat with buttons like big black medals, his notebook full of poems, his Park Street every evening when the sun goes down, his memory of a Russian girl running across the great black earth as the soldiers lift their guns and get ready to fire, his fairy who beat her wings against his window and filled his room with blue light . Surreal, haunting, painful, beautiful and astonishing in turn, and sweeping us along from Herbert's early orphan years to the tumultuous Naxalite times of the 1970s to the explosive events after his death, Bhattacharya's groundbreaking novel is now available in a daring new translation and holds up before us both a fascinating character and a plaintive city.

The first book in Louise Erdrich's Native American series, which also includes The Beet Queen, Tracks, and The Bingo Palace, Love Medicine tells the story of two families--the Kashpaws and the Lamartines. Now resequenced by the author with the addition of never-before-published chapters, this is a publishing event equivalent to the presentation of a new and definitive text. Written in Erdrich's uniquely poetic, powerful style, Love Medicine springs to raging life: a multigenerational portrait of new truths and secrets whose time has come, of strong men and women caught in an unforgettable drama of anger, desire, and the healing power that is Love Medicine. Discover the writer whom Philp Roth called "the most interesting new American novelist to have appeared in years" all over again.

It is the late 1980s, the closing years of Thatcher’s Britain. For the Trainspotting crew, a new era is about to begin – a time for hope, for love, for raving.

Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption.

Sick Boy starts an intense relationship with Amanda, his ‘princess’ – rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last.

But as the 1990s dawn, will finding love be the answer to the group’s dreams or just another doomed quest?

WINNER OF THE PULITZER PRIZE FOR FICTION 2017 WINNER OF THE ARTHUR C. CLARKE AWARD 2017 LONGLISTED FOR THE MAN BOOKER PRIZE 2017 NATIONAL BOOK AWARD WINNER 2016 AMAZON.COM #1 BOOK OF THE YEAR 2016 #1 NEW YORK TIMES BESTSELLER AND A NEW YORK TIMES BOOK OF THE YEAR 'Whitehead is on a roll: the reviews have been sublime' Guardian 'Luminous, furious, wildly inventive' Observer 'Hands down one of the best, if not the best, book I've read this year' Stylist 'Dazzling' New York Review of Books Praised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the Pulitzer Prize for Fiction 2017. Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North. In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

Monique and Ben Klein have been married for twenty years. They both know that they didn’t get married for all the right reasons, but they’re happy with the decision they made. They have a good life in a beautiful house, with three children who they adore.

It all worked out in the end.

Or did it?

Monique has become obsessed with being the perfect wife and mother. Her sense of self is attached to the compliments she receives from friends and relatives. From her appearance to her home to her children, nobody is allowed to see the cracks. They might be normal for other people, but not for Monique. Ben knows that he gave up on a part of himself and his dreams when he married Monique. He’s an actuary, working for a corporate, and not the artist that he longed to be. He ignores as best he can the difference in their thinking. If anyone asks, he is happy.

Their daughter Rosie is struggling with her friendships and the daunting world of teenage parties. But with a strict mother like Monique, she knows that even if she gets frustrated, Monique’s rules will keep her safe.

Until Ben meets Daisy. And Rosie meets Margie. And everything starts to fall apart.

Berdine se lewe in Johannesburg is vir goed verby, en die verbintenis met haar familie en vriende wat sy jare lank verwaarloos het, is aan die herstel.

Haar ouma Bertha se nalatenskap van diensbaarheid en naasteliefde staan voorop vir Berdine en haar droom om ’n kliniek op te rig om die armes gratis te bedien gaan nie om eie eer nie. Dit gebeur nie oornag nie en ten spyte van haar nuutgevonde geloof pak die twyfel en mismoedigheid haar beet. Berdine loop ook ’n pad met Tiekie en haar babadogtertjie en sy kuier weer by Bekkie. Sy leer die vernames van die dorp ken wat hul naaste met onselfsugtige liefde dien.

Dieter Daneel is steeds aan die voorpunt van omtrent elke bedrywigheid en met die naamgee-seremonie, toe die skuiling aan Bertha Human opgedra word ter waardering van haar jare lange diens aan die dorp en sy mense, word die wêreld onderstebo gekeer en Berdine weereens voor ’n keuse gestel.

Alice, a novelist, meets Felix, who works in a distribution warehouse, and asks him if he'd like to travel to Rome with her. In Dublin, her best friend Eileen is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood.

Alice, Felix, Eileen and Simon are still young - but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in.

Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

There’s a dead body in my living room.

I’ve not called the police because it was I who stabbed him. Seven times in all. The truth is, it’s surprisingly difficult to dispatch someone with a vegetable knife.

In case you’re wondering, the dead man is not my husband. I do resent our pitiful sex life and his woeful lack of ambition, but I wouldn’t murder him for it. Not yet, anyway.

Right now, I have far more pressing concerns: scheming to get my daughter into the perfect school; buying my dream home in Hampstead; and disposing of a corpse.

A woman’s work is never done. I’ve created the perfect life – and I’ll kill to keep it.

One summer before World War I, a young couple escapes on a romantic weekend getaway to the small German town of Rheinsberg, north of Berlin, in the midst of a rural landscape filled with country houses and castles, cobble-stone streets, lush forests, and dreamy lakes. The story of Wolfie and Claire, told with a fresh, new style of ironic humor, became Kurt Tucholsky s first literary success and the blueprint for love for an entire generation. Kurt Tucholsky was a was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady s man, one of the most famous journalists in Weimar Germany, and an early warner against the Nazis. Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." When Tucholsky began to write, he had five voices in the end, he had none. His books were burned and banned by the Nazis, who drove him out of his country. But he is not forgotten. Rheinsberg is at once a delightful and a deeply disquieting story. The lovers, Claire and Wolfie a silly but harmless pair escape the confines of Berlin for a romantic romp in the countryside. As their brief interlude nears its end, already consigned to memory, there comes with it an end to innocence, to frivolity. It was 1912; Kurt Tucholsky s prescience was uncanny: the holiday is over and soon we will go to war. --Binnie Kirshenbaum, author of Hester Among the Ruins and The Scenic Route Once known as Weimar Germany s greatest political satirist and one of that fabled era s most celebrated literary figures, Kurt Tucholsky is today virtually unknown in America. Now, readers have the chance to discover one of his early pieces of fiction that exhibits the intense wit, charm, and rhetorical verve for which he earned his reputation. Noah Isenberg, author of Between Redemption and Doom: The Strains of German-Jewish Modernism In Rheinsberg, Tucholsky delivers the newness and intensity of young love, sweet, sometimes strident, with repartee juxtaposed against the sylvan landscape of rural Germany. Poignant, biting, tender: a reminder of what love promises and can be. Victoria Zackheim, playwright, novelist, and anthologist A wonderful and charming love story, finally rediscovered and brought to America Claudia Dreifus, Professor of International and Public Affairs at Columbia University, New York Teachers and students of history and literature will welcome this collection of texts by Kurt Tucholsky, an early 20th century master of literary and political criticism, whose incisive and elegant voice will now be more widely available in English. Atina Grossmann, Professor of History at Cooper Union and author of Jews, Germans and Allies: Close Encounters in Occupied Germany Rheinsberg a short story of two unconventional lovers in the last carefree days of Germany before 1914. The first major work by the anti-Nazi journalist and poet Kurt Tucholsky finally appears in a new translation for English speakers. Ian King, Professor of German, Chair of the Kurt Tucholsky Society