A Southern story of friendship forged by books and bees, when the timeless troubles of growing up meet the murky shadows of World War II. Deep in the tobacco land of North Carolina, nothing's been the same since the boys shipped off to war and worry took their place. Thirteen-year-old Lucy Brown is precocious and itching for adventure. Then Allie Bert Tucker wanders into town, an outcast with a puzzling past, and Lucy figures the two of them can solve any curious crime they find-just like her hero, Nancy Drew. Their chance comes when a man goes missing, a woman stops speaking, and an eccentric gives the girls a mystery to solve that takes them beyond the ordinary. Their quiet town, seasoned with honeybees and sweet tea, becomes home to a Nazi prisoner-of-war camp. More men go missing. And together, the girls embark on a journey to discover if we ever really know who the enemy is. Lush with Southern atmosphere, All The Little Hopes is the story of two girls growing up as war creeps closer, blurring the difference between what's right, what's wrong, and what we know to be true.

In The Last Wolf, a philosophy professor is mistakenly hired to write the true tale of the last wolf of Extremadura, a barren stretch of Spain. His miserable experience is narrated in a single, rolling sentence to a patently bored bartender in a dreary Berlin bar.

In Herman, a master trapper is asked to clear a forest's last 'noxious beasts.' Herman begins with great zeal, although in time he switches sides, deciding to track entirely new game... In Herman II, the same events are related from the perspective of strange visitors to the region, a group of hyper-sexualised aristocrats who interrupt their orgies to pitch in with the manhunt of poor Herman...

These intense, perfect novellas, full of Krasznhorkai's signature sense of foreboding and dark irony, are perfect examples of his craft.

Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE.When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy - loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.

Family life is enough of a juggle without ... The In-Laws

Amanda. Katie. Melanie.

Three wildly different women with one big problem – their impossible mother-in-law, Nancy.

When an unexpected crisis hits the family business, the sisters-in-law find themselves navigating stormy waters. Amanda is back in town and ready to reclaim her spot at the top. Katie, the feisty outsider, knows she'll never earn Nancy’s approval – and has stopped caring. Melanie, ambitious and savvy, is more than capable of running the business, if only Nancy would loosen her iron grip.

Forced to confront messy truths about marriage, motherhood, succession and family loyalty, the three women soon realize their greatest strength might just be each other.

The In-Laws is a sharp, funny, and relatable novel about surviving the family you didn’t choose.

Asta is invited to a memorial. It's been ten years since her university friend August died. The invitation disrupts everything - the novel she is working on and friendship with Mai and her two-year-old son - reanimating longings, doubts, and the ghosts of parties past. Soon a new story begins to take shape. Not of the obscure Polish sculptor Asta wanted to write about, but of what really happened the night of August's death, and in the stolen, exuberant days leading up to it. The story she has never dared reveal to Mai. Moving between Asta's past and present, Memorial, 29 June is a novel about who we really are, and who we thought we would become. It's a novel about the intensity with which we experience the world in our twenties, and how our ambitions, anxieties, and memories from that time never relinquish their grasp on how we encounter our future. In prose that shimmers like poetry, masterfully translated by Misha Hoekstra, Memorial, 29 June is an urgent yet tender reminder that sometimes pain is where the love is, and that grief, however thorny, should never go unspoken.

Magrieta Prinsloo, dierkundige, se kop haak uit op die verkeerde antidepressant. Sy raak vervreem van haar kollegas, beledig haar departementshoof, en haar illustere akademiese loopbaan kom tot ’n einde.

Sy aanvaar ’n betrekking by die Buro vir Voortgesette Onderrig, met die enigmatiese Markus Potsdam as hoof van die Kaapse tak. Daar word van haar verwag om te reis om met medewerkers te skakel, o.m. na die Oos-Kaap. Op hierdie reise kom sy heelwat teë – sowel medewerkers as walvisse – wat haar lewe in ’n beduidende ander koers stuur. Wanneer Markus Potsdam boonop op ’n oggend verdwyn, raak haar lewe nog verder gekompliseer.

In Die troebel tyd bewys Winterbach weer haar merkwaardige vernuf as romansier, met ’n eiesoortige, snydende humor en ’n buitengewone insig in die menslike psige.

Die roman is as wenner aangewys van NB-Uitgewers se Groot Afrikaanse Romanwedstryd in 2018.

Sixteen-year-old Sashi wants to become a doctor. But over the next decade, as a vicious civil war subsumes Sri Lanka, her dream takes her on a different path as she watches those around her, including her four beloved brothers and their best friend, get swept up in violent political ideologies and their consequences. She must ask herself: is it possible for anyone to move through life without doing harm?

Poetry. "Harel writes with such grace, lacing his preoccupations with such a light touch of humor, that you often forget THE BODY DOUBLE is cut from the same big questions that keep us all up at night. If you've strayed from poetry, this is the book that will bring you back. If you've ever secretly wished that Kafka had been an optimist, this is the poet for you."--Tea Obreht"With mischievous appreciation for the human dilemma, THE BODY DOUBLE charts the adventures of a rebellious, canny self within the self, and in doing so offers an imaginative perspective on both the classic doppelganger and the contemporary fascination with identity. These charming ontological poems suggest our myopia and powerlessness in the face of our own fears and delusions. They offer a wild exploration of proximity: estranged identities we wish we could suppress, the neighboring self we pity or blame. The wily id morphs into a sweeter version of the evil twin--a double-tasking double-dealer who gradually subsumes the hapless narrator. By means of such subtle doubling, Jared Harel entertains and surprises as he encounters--and enlivens--one of the great literary motifs."--Alice Fulton"THE BODY DOUBLE is an impressive achievement of imagination and wordplay. With this, his first collection, Harel enters the American literary scene already accomplished. An estimable debut."--BJ Ward"When we look closely at 'I, ' we always seem to see a stranger, and so the doppelg nger is a perennial figure of dream. The shadow self follows us, looks back sometimes from the face of a person across from us at the intersection, and sometimes seems to speak out of our mouths before we know what's happening. Harel's witty and inventive poem employs a wide register of forms--from the sonnet to the legal contract--to investigate the inexhaustible power of Rimbaud's dictum: Je est un autre."--Mark Doty"Jared Harel's poetry is spare, beautiful, and evocative. He represents a unique voice in his generation."--Liz Rosenberg"

In the barrio of Fresno, California, the Molina family is living out the Chicano version of the American Dream. Father William works on an assembly line while his wife, the well-bred beauty Rachel, stays at home to care for their three children--and to keep them off the streets. But when William is offered an opportunity to enter the ranks of the middle class, he quits his job, packs up the Ford Maverick, and transports the Molinas to a brand-new world: the small town of Medford, Oregon. So begins the dramatic transformation of youngest son and aspiring actor Joey, who assumes the role of a vato loco gang member in order to win the respect and fear of his gringo classmates. While Joey tries to make himself popular with tall tales of guns and glory, his father embarks on a bitter struggle to develop his career and combat age-old cultural stereotypes. How William's extraordinary efforts and deepening despair affect the lives of his loved ones is at the heart of this haunting and incandescent novel--one destined to become a classic in Chicano-American literature.

Amy Poeppel delights once again with a charming new novel about a house swap gone wonderfully awry.

Perfect strangers Lucy and Greta have agreed to a house swap—and boy, are they going to regret it.

Lucy’s hometown of Dallas has gone from home sweet home to vicious snake pit in the blink of an eye after her son makes a mistake he can’t undo. And Greta’s beloved flat in Berlin is suddenly up for grabs when her husband Otto takes a dream job in Texas without even telling her. In their rush to leave town, Lucy and Greta make a deal, pack their bags, and—thanks to martinis, desperation, and some very rusty German—have absolutely no idea what they’re getting themselves into.

Trading Southern charm and barbecue for European sophistication and schnitzel, the two women get a lot more than a change of scenery as they move into each other’s houses, neighborhoods, and lives. Greta and Lucy’s husbands are no help: Otto is winning over his colleagues, swimming laps in the backyard pool, and rooting for the Rangers, while Lucy’s husband is doing a six-month stretch out west, either in a NASA biosphere or in jail, depending on who you ask. Meanwhile, Greta’s daughter Emmi and Lucy’s son Jack get tossed into each other’s orbits, where they both discover secrets they can’t ignore.

When Greta’s biggest career achievement—the buzzworthy purchase of a Vermeer at auction—is thrown into question and Lucy’s past with a hot Viking named Bjørn invades her present, the two women need each other in ways they never could have imagined. Through jet lag, culture shock, suspiciously nice neighbors, and scandals that refuse to be left behind, Lucy and Greta will have to decide if they can ever go home again.

THE RICHARD & JUDY NUMBER ONE BESTSELLER 'Magnificent' Mail on Sunday 'Gripping' New York Times 'A master storyteller' The Times 'Epic' Sunday Telegraph Ten-year-old Abdullah would do anything for his younger sister. In a life of poverty and struggle, with no mother to care for them, Pari is the only person who brings Abdullah happiness. For her, he will trade his only pair of shoes to give her a feather for her treasured collection. When their father sets off with Pari across the desert to Kabul in search of work, Abdullah is determined not to be separated from her. Neither brother nor sister know what this fateful journey will bring them.

Best friends and sisters, the four Padavano girls bring loving chaos to their close-knit Italian American neighbourhood. William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him. So, when he meets the spirited and ambitious Julia Padavano, it's as if the world has lit up around him.

With Julia comes her family: Sylvie, the family's dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. But when darkness from William's past begins to block the light of his future, it is Sylvie, not Julia, who becomes his closest confidante. The result is a catastrophic rift that leaves the family inhabiting two sides of a fault line.

Can they find their way back to each other? Can love make a broken family whole?

In How Other People Make Love, Thisbe Nissen chronicles the lives and choices of people questioning the heteronormative institution of marriage. Not best-served by established conventions and conventional mores, these people-young, old, gay, straight, midwestern, coastal-are finding their own paths in learning who they are and how they want to love and be loved, even when those paths must be blazed through the unknown. Concerning husbands and wives, lovers and leavers, Nissen's stories explore our search for connection and all the ways we undercut it, unwittingly and intentionally, when we do find it. How do we hold ourselves together-to function, work, and survive-while endlessly yearning to be undone, unraveled, and laid bare, however untenable and excruciating? How Other People Make Love contains nine stories. "Win's Girl" features a single woman who works at an Iowa slaughterhouse and uses the insurance money from a car accident to update the electric system in her dead parents' old house, only to be unwittingly embroiled with a shady electrician who ultimately forces her to stand up for herself. In "Home Is Where the Heart Gives Out and We Arouse the Grass," a young woman flees after cheating on her husband and winds up at a Nebraska roadside motel populated by participants in a regional dog show who help her decide what to do next. In "Unity Brought Them Together," a young man heads to his favorite New York coffee shop intending to finish the Christmas cards his vacationing fiancee insists on sending, but winds up meeting another displaced young midwestern man there and going home with him instead. All these stories explore the question, "how do we love?" as well as the answers we find, discard, follow, banish, and cling to in all our humanness and desperation. How Other People Make Love asserts that there aren't right and wrong ways to love; there are only our very complicated and contradictory human hearts, minds, bodies, and desires-all searching for something, whether we know what that is or not. These are stories for anyone who has ever loved or been loved.

Winner of the Women's Prize for Fiction 2025

An exhilarating tale of twisted desire, histories and homes, and the unexpected shape of revenge - for readers of Patricia Highsmith, Sarah Waters and Ian McEwan's Atonement.

It is fifteen years after the Second World War, and Isabel has built herself a solitary life of discipline and strict routine in her late mother's country home, with not a fork or a word out of place. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep - as a guest, there to stay for the season…

In the sweltering heat of summer, Isabel's desperate need for control reaches boiling point. What happens between the two women leads to a revelation which threatens to unravel all she has ever known.

My first collision with fame was hardly memorable. I was a busboy at Marx's Deli. The year was 1934. The place was Third and Hill, Los Angeles. I was twenty-one years old, living in a world bounded on the west by Bunker Hill, on the east by Los Angeles Street, on the south by Pershing Square, and on the north by Civic Center. I was a busboy nonpareil, with great verve and style for the profession, and though I was dreadfully underpaid (one dollar a day plus meals) I attracted considerable attention as I whirled from table to table, balancing a tray on one hand, and eliciting smiles from my customers. I had something else beside a waiter's skill to offer my patrons, for I was also a writer.

WINNER OF THE SUNDAY TIMES / PFD YOUNG WRITER OF THE YEAR

A SUNDAY TIMES, OBSERVER AND TELEGRAPH BOOK OF THE YEAR

Frances is twenty-one years old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend. When they are interviewed and then befriended by Melissa, a well-known journalist who is married to Nick, an actor, they enter a world of beautiful houses, raucous dinner parties and holidays in Provence, beginning a complex ménage-à-quatre. But when Frances and Nick get unexpectedly closer, the sharply witty and emotion-averse Frances is forced to honestly confront her own vulnerabilities for the first time.