This book explores why Renaissance epic poetry clung to fictions of
song and oral performance in an age of growing literacy. Sixteenth-
and seventeenth-century poets, Anthony Welch argues, came to view
their written art as newly distinct from the oral cultures of their
ancestors. Welch shows how the period's writers imagined lost
civilizations built on speech and song-from Homeric Greece and
Celtic Britain to the Americas-and struggled to reconcile this oral
inheritance with an early modern culture of the book. Welch's
wide-ranging study offers a new perspective on Renaissance Europe's
epic literature and its troubled relationship with antiquity.
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