Scholars in various fields are exploring similar ideas to combat
indeterminism when conditions are chaotic and prohibit the use of a
rigid program approach, even with probabilities. Many do not
realize that they are dealing with the same issues that appear
between chaos and full order (or stochastic processes) in a phase
that lends itself to the same formal treatment. Examples are
observed in the development of social systems, in the evaluation of
the performance of a corporation or a position in chess, in the
perception of artworks. Conceptualization of this treatment
requires a better understanding of the category of indeterminism.
Confirmation of this is the absence of separation between
indeterminism and, especially, uncertainty. One indirect
confirmation of this is the lack of a developed concept of the
degree of indeterminism.
The author contends that the category of indeterminism has its
own meaning dealing with unavoidability. There are several phases
in the spectrum of measurement of indeterminism, among which is a
phase--a key phase of this book--which requires the introduction of
the category of predisposition and a corresponding calculus of
predisposition. By means of the aesthetic method, the degree of
beauty (ugliness) measures perception by the given subjet of the
predisposition for development of observable objects.
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