In earlier times, a woman knew she was pregnant when she
experienced "quickening"--she felt movement within her. Today a
woman relies on what she sees in a test result or a digital
sonogram image to confirm her pregnancy. A private experience once
mediated by women themselves has become a public experience
interpreted and controlled by medical professionals. In
"Disembodying Women" Barbara Duden takes a closer look at this
contemporary transformation of women's experience of pregnancy. She
suggests that advances in technology and parallel changes in public
discourse have refrained pregnancy as a managed process, the mother
as an ecosystem, and the fetus as an endangered species.
Drawing on extensive historical research, Duden traces the
graphic techniques-from anatomists' drawings to woodcuts to X rays
and ultrasound-used to "flay" the female body and turn it inside
out. Emphasizing the iconic power of the visual within
twentieth-century culture, Duden follows the process by which the
pregnant woman's flesh has been peeled away to uncover scientific
data. Lennart Nilsson's now famous photographs of the embryo
published in "Life" magazine in the mid-1960s stand in stark
contrast to representations of the invisible unborn in medieval
iconography or sixteenth-century painting. Illumination has given
way to illustration, ideogram to facsimile, the contemplative
intuition of the body to a scientific analysis of its component
parts.
New ways of seeing the body produce new ways of experiencing the
body. Because technology allows us to penetrate that once secret
enclosure of the womb, the image of the fetus, exposed to public
gaze, has eclipsed that of woman in the public mind. Society,
anxious about the health of the global environment, has focused on
protecting "life" in the maternal ecosystem, in effect, pitting
fetus against mother.
Duden's reading of the body lends a unique historical and
philosophical perspective to contemporary debate over fetal rights,
reproductive technologies, abortion, and the right to privacy. This
provocative work should reinvigorate that debate by calling into
question contemporary certainties and the policies and programs
they serve to justify.
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