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French Music, Culture, and National Identity, 1870-1939 (Hardcover)
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French Music, Culture, and National Identity, 1870-1939 (Hardcover)
Series: Eastman Studies in Music
Expected to ship within 12 - 17 working days
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New, insightful essays from musicologists, historians, art
historians, and literary scholars reconsider the relationship of
Debussy, Gauguin, Zola, and other great French creative artists to
cultural and political trends during the Third Republic. This
collection of new essays examines the relationships between
discourses of French national and regional identity, political
alignment, and creative practice during one of France's most
fascinating eras: the Third Republic. The authors, from a variety
of disciplinary backgrounds, explore the ways in which the
architects of the Third Republic [re]constructed France culturally
and artistically, in part through artful use of the press and [at
the 1889Paris World's Fair] new technologies. The chapters also
investigate changing attitudes toward Debussy's opera Pelleas et
Melisande, attempts by composers and critics to define a musical
canon, and the impact of religious education, spirituality, and
exoticism for Gauguin and Jolivet. Tensions between the center and
region are seen in celebrations for the national musical
figurehead, Rameau, and in the cultural regionalism that flourished
in the annexed territories of Alsace and Lorraine. Contributors:
Edward Berenson, Katharine Ellis, Annegret Fauser, Didier
Francfort, Brian Hart, Steven Huebner, Barbara L. Kelly, Detmar
Klein, Deborah Mawer, James Ross, Marion Schmid, and Debora
Silverman. Barbara L. Kelly is Professor of Musicology at Keele
University.
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