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Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939 (Hardcover, New) Loot Price: R1,222
Discovery Miles 12 220
Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939 (Hardcover, New): Barbara L. Kelly

Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939 (Hardcover, New)

Barbara L. Kelly

Series: Music in Society and Culture

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Loot Price R1,222 Discovery Miles 12 220 | Repayment Terms: R115 pm x 12*

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Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music. Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Societe Musicale Independente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936. Exploring the ideas of consensus, resistance and rupture, the book contributes an important and nuanced reflection to the current debate on modernism in music. It considers the roles composers, critics and biographers played in shaping debates about contemporary music, showing how composers including Ravel, Poulenc, Milhaud, Jolivet and Messiaen and critics such as Paul Landormy, Andre Coeuroy and Roland-Manuel often worked in partnership to bring their ideas to a publicforum. It also expands the notion of 'interwar' through the essential inclusion of World War I and the years before, reconfiguring the narrative for that period. This book challenges some of the stereotypes that characterisethe period, in particular, neo-classicism and the dominance of secularism. It shows how Stravinsky worked closely with Ravel, Satie and Poulenc and invited audiences and critics to rethink what it meant to be modern. The interwaryears were also marked by commemoration and loss. Debussy's wartime death in 1918 stimulated competing efforts (by Emile Vuillermoz, Leon Vallas and Henry Prunieres) to shape his legacy. They were motivated by nostalgia for a lostand glorious generation and a commitment to building a legacy of French achievement. Music and Ultra-Modernism in France argues for the vitality of French music in the period 1913-39 and challenges the received view that the period and its musical culture lacked dynamism, innovation or serious musical debate. BARBARA L. KELLY is Professor of Music at Keele University.

General

Imprint: The Boydell Press
Country of origin: United Kingdom
Series: Music in Society and Culture
Release date: September 2013
First published: 2013
Authors: Barbara L. Kelly
Dimensions: 234 x 156 x 20mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 269
Edition: New
ISBN-13: 978-1-84383-810-4
Categories: Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music
Books > Music > Western music, periods & styles > 20th century music
LSN: 1-84383-810-9
Barcode: 9781843838104

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