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Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music

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Music Criticism in France, 1918-1939 - Authority, Advocacy, Legacy (Hardcover) Loot Price: R2,781
Discovery Miles 27 810
Music Criticism in France, 1918-1939 - Authority, Advocacy, Legacy (Hardcover): Barbara L. Kelly, Christopher Moore

Music Criticism in France, 1918-1939 - Authority, Advocacy, Legacy (Hardcover)

Barbara L. Kelly, Christopher Moore; Contributions by Barbara L. Kelly, Christopher Moore, Michel Duchesneau, Philippe Cathe, Jann Pasler, Pascal Lecroart, Kimberly Francis, Caroline Rae

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Loot Price R2,781 Discovery Miles 27 810 | Repayment Terms: R261 pm x 12*

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This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas. Music Criticism in France examines the aesthetic battles that animated and informed French musical criticism during the interwar period (1918-1939). Drawing upon a rich corpus of critical writings and archival documents, the book uncovers some of the public debates surrounding classical music in the immediate aftermath of the Great War until the eve of World War II. As such, it provides new insights into the priorities, values and challenges that affected the musical milieu of this war-bound generation. This collection of essays brings together scholars from different areas of musicology and related humanities disciplines; it also draws on different anglophone and francophone intellectual traditions. As well as considering the reception of individual works, the contributors examine key individuals, composer-critic pairings, the composer as critic and technician, the role of influential journals, and music criticism as a pedagogical tool for concert-going and radio audiences. Focusing on the themes of authority, advocacy and legacy, it shows the contribution of principal critics such as Vuillermoz, Vallas, Prunieres, Schloezer and Koechlin to shaping our understanding of music in the first half of the twentieth century in France. We see how criticism contributes to national and transnational preoccupations and agendas, which were of considerable importance throughout the interwar period and continue to have relevance today. BARBARA L. KELLY is Director of Research and Professor of Musicology at the Royal Northern College of Music, Manchester. CHRISTOPHER MOORE is Associate Professor of Musicology at the University of Ottawa. Contributors: PHILIPPE CATHE, MICHEL DUCHESNEAU, KIMBERLY FRANCIS, JACINTHE HARBEC, BARBARA L. KELLY, PASCAL LECROART, CHRISTOPHER MOORE, RACHEL MOORE, JANN PASLER, CAROLINE RAE, DANICK TROTTIER, MARIANNE WHEELDON

General

Imprint: The Boydell Press
Country of origin: United Kingdom
Release date: June 2018
First published: 2018
Editors: Barbara L. Kelly • Christopher Moore (Royalty Account)
Contributors: Barbara L. Kelly • Christopher Moore (Royalty Account) • Michel Duchesneau (Customer) • Philippe Cathe • Jann Pasler (Customer) • Pascal Lecroart • Kimberly Francis (Customer) • Caroline Rae
Dimensions: 234 x 156 x 25mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 358
ISBN-13: 978-1-78327-251-8
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music
Books > Music > Theory of music & musicology > General
Books > Music > Western music, periods & styles > 20th century music
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LSN: 1-78327-251-1
Barcode: 9781783272518

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