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Music Hall and Modernity - The Late-Victorian Discovery of Popular Culture (Paperback)
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Music Hall and Modernity - The Late-Victorian Discovery of Popular Culture (Paperback)
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The late-Victorian discovery of the music hall by English
intellectuals marks a crucial moment in the history of popular
culture. Music Hall and Modernity demonstrates how such pioneering
cultural critics as Arthur Symons and Elizabeth Robins Pennell used
the music hall to secure and promote their professional identity as
guardians of taste and national welfare. These social arbiters
were, at the same time, devotees of the spontaneous culture of
\u201cthe people.\u201d In examining fiction from Walter Besant,
Hall Caine, and Henry Nevinson, performance criticism from William
Archer and Max Beerbohm, and late-Victorian controversies over
philanthropy and moral reform, scholar Barry Faulk argues that
discourse on music-hall entertainment helped consolidate the
identity and tastes of an emergent professional class. Critics and
writers legitimized and cleaned up the music hall, at the same time
allowing issues of class, respect, and empowerment to be
negotiated. Music Hall and Modernity offers a complex view of the
new middle-class, middle-brow, mass culture of late-Victorian
London and contributes to a body of scholarship on
nineteenth-century urbanism. The book will also interest scholars
concerned with the emergence of a professional managerial class and
the genealogy of cultural studies.
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