A guide to Psycho-Physical Acting, complete with games and
exercises. When Stanislavsky died, he was working on a new system,
Psycho-Physical Acting. Previously he had taught that truthful
performance can only spring from the actor's imagination (the
Method). Late in life, Stanislavsky realised that physical actions
can induce emotions just as much as the other way round. Though
well-known - and much taught - in Russia, Psycho-Physical Acting is
in its infancy in the West. Bella Merlin has studied under three of
the best teachers in Russia; this book is the fruit of her time
there. 'This is a book which is vital both to practitioners and to
all serious students of the theatre' Max Stafford-Clark 'A seminal
book for today... an outstandingly lucid account... essential
reading' Simon Callow
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