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Playing Across a Divide Israeli-Palestinian Musical Encounters (Paperback, New)
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Playing Across a Divide Israeli-Palestinian Musical Encounters (Paperback, New)
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In the last decade of the twentieth century and on into the
twenty-first, Israelis and Palestinians saw the signing of the Oslo
Peace Accords, the establishment of the Palestinian Authority, the
assassination of Israeli Prime Minister Yitzhak Rabin, and the
escalation of suicide bombings and retaliations in the region.
During this tumultuous time, numerous collaborations between
Israeli and Palestinian musicians coalesced into a significant
musical scene informed by these extremes of hope and despair on
both national and personal levels.
Following the bands Bustan Abraham and Alei Hazayit from their
creation and throughout their careers, as well as the collaborative
projects of Israeli artist Yair Dalal, Playing Across a Divide
demonstrates the possibility of musical alternatives to violent
conflict and hatred in an intensely contested, multicultural
environment. These artists' music drew from Western, Middle
Eastern, Central Asian, and Afro-diasporic musical practices,
bridging differences and finding innovative solutions to the
problems inherent in combining disparate musical styles and
sources. Creating this new music brought to the forefront the
musicians' contrasting assumptions about sound production, melody,
rhythm, hybridity, ensemble interaction, and improvisation.
Author Benjamin Brinner traces the tightly interconnected field of
musicians and the people and institutions that supported them as
they and their music circulated within the region and along
international circuits. Brinner argues that the linking of Jewish
and Arab musicians' networks, the creation of new musical means of
expression, and the repeated enactment of culturally productive
musical alliances provide a unique model for mutually respectful
and beneficial coexistence in a chronically disputed land.
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