"Into the Open" is a philosophical and literary inquiry into the
deeper meanings of genius. What precisely do we mean when we
describe someone this way? What legacy do we invoke when we apply
this term?
To address this question, Benjamin Taylor here explores how
three great minds--Walter Pater, Paul Valry, and Sigmund
Freud--viewed a figure widely considered the first great modern
genius, Leonardo da Vinci. For each of these great thinkers, Da
Vinci is of central importance because for each the received idea
of genius has ceased to be a romantic certitude or sacred truth and
has become a problem.
Invoking Nietzsche's drastic critique of genius, Taylor assesses
the less programmatic and more anxious cases of Pater, Valry, and
Freud. Whereas Nietzsche sought for and found an escape from
romantic humanism, Pater, Valry, and Freud cannot relinquish the
idea of genius and serve as troubled witnesses to the dilemma posed
by the notion of genius. A myth of genius has been our way of
making good the losses romantic modernity entails, Taylor writes, A
myth of genius has existed to affirm that, among human lives, some
have sacramental shape; that, among human lives, some put into
abeyance the equation between life and loss. Such is the
post-theological, post-metaphysical role into which we have
compelled our geniuses. They make for us one last claim on the
sublime.
A shift away from the special pleading that has lately plagued
literary studies, Taylor's unfazed humanism reasserts the timeless
standards of substantiveness, clarity, and grace.
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