In this book, Bernardo Fonseca Machado examines the
transnationalization of American Broadway and the resulting
cultural exchanges between New York and Sao Paulo at the turn of
the twenty-first century. Machado combines ethnography and history
to track the complexities of discourses, imaginaries, and economic
interests within the flow of musical people, capital, practices,
pedagogies, and shows between these two cities.
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