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The Whore's Story - Women, Pornography, and the British Novel, 1684-1830 (Hardcover)
Loot Price: R3,985
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The Whore's Story - Women, Pornography, and the British Novel, 1684-1830 (Hardcover)
Series: Ideologies of Desire
Expected to ship within 12 - 19 working days
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A reassertion of the female ingenuity that enabled market-minded
English literary fiction and its unfettered alternate to
flourish.Providing context via todays struggles over pornography (a
term coined only circa 1864), Mudge (Sara Coleridge, 1989)
evenhandedly pits Dworkin and MacKinnons ordinances against the
bottom line of performance artists such as Lydia Lunch: Reality is
an X-rated trip. With bite, he explicates the late-17th-century
emergence of a cash-sex-fiction nexusexploiting quack medical
manuals, satires and sermons, and licentious verseto unveil how
Behns high-flown Love-Letters between a Nobleman and his Sister
ripened by 1830 into Spinster Mary Wilsons forthright Whores
Catechism. While masquerade entertainments provided rich
opportunities for baroque prostitutes, independent women who wrote
about passion for money were castigated as soulless fiends
depriving the state of maternal benefits, infecting the body
politic, and preying upon weak-willed men. Legal eradication
failing, Defoes shrewdly conceived Moll Flanders and Roxana
affected last-minute rehabilitations. Richardson undertook to
reform both novel and reader by celebrating Pamela, whose
virtuechastitywas richly rewarded on the marriage market (Fieldings
Shamela, on the other hand, laughed). During King George IVs
scabrous divorce trial, the prurient press took cunning Queen
Carolines side and made a fortune. While government turned justice
into entertainment, porn finished emancipating itself from
literature: nowadays it is the more artistic pornography that is
most likely to be brought to trial. Period prints (showcasing
Rowlandson) quicken the argument, and excerpts sate curiosity about
most of these backdated textual incendiaries. Only occasional
jargon or excess recapitulations impede pleasure. One emerges with
views enlarged: if the best things in life ought to be free, who
foots the bill for censorship?A scholarly romp that furthers debate
on just whose interests are served by suppressing or canonizing
sexual representation. (26 b&w figures) (Kirkus Reviews)
Bradford Mudge's book looks at the origins of literary pornography in English, presenting a comprehensive overview of the complex issues surrounding pornography in the eighteenth century, as it appears in fiction, poetry, criticism, medical manuals, and illustrations. Mudge frames these battles in the context of contemporary feminine argument, while closely reading the moment in which the lines of battle were first drawn.
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