This collection of essays represents some of the best critical
thinking on Pope in recent years. Professor Hammond examines the
main issues in the debate, in particular why Pope's writing has
been so resistant to modern methodologies, such as deconstruction.
The essays focus on particular poems or themes and exemplify
different theoretical perspectives, both traditional and modern.
The editor's notes clarify the differences that exist, and what
those differences can teach the student about theory in practice.
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