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Neo-segregation Narratives - Jim Crow in Post-civil Rights American Literature (Hardcover, New)
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Neo-segregation Narratives - Jim Crow in Post-civil Rights American Literature (Hardcover, New)
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This study of what Brian Norman terms a neo-segregation narrative
tradition examines literary depictions of life under Jim Crow that
were written well after the civil rights movement. From Toni
Morrison's first novel, The Bluest Eye, to bestselling black
fiction of the 1980s to a string of recent work by black and
nonblack authors and artists, Jim Crow haunts the post-civil rights
imagination. Norman traces a neo-segregation narrative tradition
one that developed in tandem with neo-slave narratives by which
writers return to a moment of stark de jure segregation to address
contemporary concerns about national identity and the persistence
of racial divides. These writers upset dominant national narratives
of achieved equality, portraying what are often more elusive racial
divisions in what some would call a postracial present. Norman
examines works by black writers such as Lorraine Hansberry, Toni
Morrison, Alice Walker, David Bradley, Wesley Brown, Suzan-Lori
Parks, and Colson Whitehead, films by Spike Lee, and other cultural
works that engage in debates about gender, Black Power, blackface
minstrelsy, literary history, and whiteness and ethnicity. Norman
also shows that multiethnic writers such as Sherman Alexie and Tom
Spanbauer use Jim Crow as a reference point, extending the
tradition of William Faulkner's representations of the segregated
South and John Howard Griffin's notorious account of crossing the
color line from white to black in his 1961 work Black Like Me.
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