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Ming-Cheau Lin’s family emigrated to South Africa from Tainan, Taiwan when she was just three years old and stayed in Bloemfontein with a small East Asian community. Seen as an outsider, she struggled to understand her identity as a minority and immigrant and faced harsh realities of being ‘yellow’ in the western world in addition to the legacy of South Africa’s history.
After assimilating to the surrounding society, she is deemed ‘not Asian enough’ when she is unable to conform to the rules of first-generation Asian elders, yet too Asian for everyone else. Taiwanese or South African, teenager or rebel, creative or disappointment.. she shares her story and journeys to uncover the reasons why yellow people are treated the way they are in a space that doesn’t recognise them as part of the population
Once in a while a publisher receives a book submission that makes them sit back in their chair, read out loud what is in front of them and laugh at the pure joy the writing and imagery evoke. This was the case with the first three short stories author Yusuf Daniels submitted to Jacana Media.
They were instantly recognisable. They were funny as hell. The nostalgia, triggered by the mere mention of a sight, sound or smell, instantly transported the reader to a time and place that spoke to Coloured culture and lived experiences on the Cape Flats and surrounding townships. There was something magical about the way Daniels recollected his memories from his childhood in those first three stories, which he had also posted on Facebook, eliciting a slew of likes, shared experiences and feedback from his followers to “write more” and “do you remember, Yussie …”.
Living Coloured (because Black and White were Already Taken) is a compilation of short stories that is an ode to an era all Cape Coloured people will instantly recognise – from the nightclubbing at Space Odyssey and the shenanigans at the Mitchells Plain public swimming pool, to the traditions of delectable food exchanges during Ramadan among Muslims and Christians, alike. This book truly is a tribute to all that the Coloured community holds dear and sings of the spirit which helped them eek out an existence on the dusty flat plains of the Cape.
But as you read story after story, you will also be confronted with the blatant racism that was the Group Areas Act, the legacy of a people removed and dumped in this windswept place that wasn’t of their own making, and the constant forging ahead to make life worthwhile under very harsh political and economic circumstances. The stories will also leave you seething with anger at the sheer brutality of what this community had to endure (and still do), while their black counterparts in the township next door lived even harsher realities.
In the shattered fantasy of rainbow-nation South Africa, there are many uncomfortable truths. Among these are family secrets - the legacies of traumas in the homes and bones of ordinary South African families.
In this debut collection, feminist and Khoi San activist Kelly-Eve Koopman grapples with the complex beauty and brutality of the everyday as she struggles with her family legacy. She tries unsuccessfully to forget her father - a not-so-prominent journalist and anti-apartheid activist, desperately mentally ill and expertly emotionally abusive - who has recently disappeared, leaving behind a wake of difficult memories. Mesmerisingly, Koopman wades through the flotsam and jetsam of generations, among shipwrecks and sunken treasures, in an attempt at familial and collective healing.
Sometimes tragic, sometimes hilarious, she faces up to herself as a brown, newly privileged "elder millennial", caught between middle-class aspirations and social justice ideals. An artist, a daughter, a queer woman in love, she is in pursuit of healing, while trying to lose those last 5 kilograms, to the great disappointment of her feminist self.
In 2015 and 2016 waves of student protest swept across South African campuses under the banner of FeesMustFall. This book offers a historical perspective, analysing regional influences on the ideologies that have underpinned South African student politics from the 1960s to the present. The author considers the history of student organisations in the Northern Transvaal (today Limpopo Province) and the ways in which students and youth influenced political change on a national scale, over generations.
The University of the North at Turfloop played an integral role in building the South African Students’ Organisation (SASO) in the late 1960s and propagating Black Consciousness in the 1970s; in the 1980s it became an ideological battleground where Black Consciousness advocates and ANC-affiliates competed for influence. Limpopo has remained a hotbed of political activism in the country. Generations of nationally prominent student and youth activists became politically conscientised here – among them Julius Malema, Onkgopotse Tiro, Cyril Ramaphosa, Frank Chikane and Peter Mokaba.
Turfloop (University of Limpopo) has remained politically significant in the post-apartheid era: it was here in 2007 that Julius Malema supported Jacob Zuma’s ascension to the South African presidency during the ANC’s pivotal party conference that resulted in the ousting of Thabo Mbeki.
Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.
Historically, African values were shaped by a sense of abundance, in material and mental terms, and by strong ties of community. The intrusion of religious, economic and legal systems imposed by conquerors, traders and missionaries upset this balance, and the African identity was subsumed by the values of the newcomers. Biko shows how a reimagining of Africa can restore the sense of abundance and possibility, and what a rebirth of the continent on Pan-African lines might look like. This is not about the churn of the news cycle or party politics – although he identifies the political party as one of the most pernicious legacies of colonialism. Instead, drawing on latest research, he offers a practical, pragmatic vision anchored in the here and now.
By looking beyond identities and values imposed from outside, and transcending the divisions and frontiers imposed under colonialism, it should be possible for Africans to develop fully their skills, values and ingenuity, to build institutions that reflect African values, and to create wealth for the benefit of the continent as a whole.
Chris Barnard needed the help of exceptional men and women to stay ahead of the fast-developing science of transplantation. One of these exceptional men were Winston Wicomb, the darker brother of the famous Randall.
He had to be hidden as a child to prevent the Apartheid inspectors from discovering his family’s racial identity. He had to endure the rampant racism that existed in South Africa at school and in the army… Winston, who had to fix cars in the backyard to make ends meet, had a curious encounter with Chris Barnard and got appointed in his research laboratory. Winston had to develop an apparatus with which hearts could be kept alive to enable transport.
This is the story of an unlikely hero; a man who changed transplantation forever, and a South African citizen who never got the recognition he deserved.
It’s a story of perseverance. And hope. Even... love.
When opportunity strikes, television producer Deon Maas joins the boatloads of migrants heading for Germany. Faced with the choice of taking all his possessions along or selling everything, he opts for the latter. With a duffel bag and his four dogs, he departs for the First World.
Decadent Berlin blows his mind but also leaves him at a loss for words. As he criss-crosses the city, scratching at its pulsating underbelly, he marvels at German idiosyncrasies, and is roped into this new world by an array of vegan anarchists, eclectic musicians, football hooligans and graffiti artists.
As he tries to settle in, he has to deal with everything from obnoxious bureaucrats to nosy neighbours. In the process, Maas debunks a few myths about the First World: it’s not a perfect place where everything works, and German efficiency is definitely overrated.
By confronting the loss of his support network and adapting to a different political and social context, he learns exactly how deep his African roots go and what it takes to find your place in Europe as a white African.
Over the past few years, it has become clear that the path of transformation in schools since 1994 has not led South Africa’s education system to where we had hoped it could be. Through tweets, posts and recent protests in schools, it has become apparent that in former Model-C and private schools, children of colour and those who are ‘different’ don’t feel they belong.
Following the astonishing success of How To Fix South Africa’s Schools, the authors sat down with young people who attended former Model-C and private schools, as well as principals and teachers, to reflect on transformation and belonging in South African schools. These filmed reflections, included on DVD in this book, are honest and insightful.
Drawing on the authors’ experiences in supporting schools over the last twenty years, and the insight of those interviewed, A School Where I Belong outlines six areas where true transformation in South African classrooms and schools can begin.
South Africa’s pre-eminent historian explains the spectacular rise – and probable demise – of the numerical minority that dominated 20th-century South Africa.
The Afrikaners are unique in the world in that they successfully mobilised ethnic entrepreneurship without state assistance, controlled the entire country, and then yielded power without military defeat. Award-winning author Hermann Giliomee takes a hard analytical look at this group’s dramatic ascent and possible disappearance as a nation in a series of well-argued thematic chapters. Topics range from ethnic entrepreneurship, the ‘coloured vote’ and ‘Bantu’ education to Nelson Mandela’s relationship with the last Afrikaner leaders.
It ends with a final chapter on the most likely future for this sometimes admired, often reviled group, which undoubtedly left the largest imprint on South African history in the 20th century.
This extraordinary account of imprisonment shows with exacting clarity the awful injustices of the system. Sylvia Neame, activist against apartheid and racism and by profession a historian (see the three-volume, The Congress Movement, HSRC Press, 2015), has not written a classical historical memoir. Rather, this book is a highly personal account, written in an original style. At the same time, it casts a particularly sharp light on the unfolding of a policedominated apartheid system in the 1960s.
The author incorporates some of her experiences in prisons and police stations around the country, including the fabricated trial she faced while imprisoned in Port Elizabeth, one of the many such trials which took place in the Eastern Cape. But her focus is on Barberton Prison. Here she was imprisoned together with a small number of other white women political prisoners, most of whom had stood trial and been sentenced in Johannesburg in 1964–5 for membership to an illegal organisation, the Communist Party. It is a little known story. Not even the progressive party MP Helen Suzman found her way here.
Barberton Prison, a maximum security prison, part of a farm jail complex in the eastern part of what was then known as the Transvaal province, was far from any urban centre. The women were kept in a small space at one end of the prison in extreme isolation under a regime of what can only be called psychological warfare, carried out on the instructions of the ever more powerful (and corrupt) security apparatus. A key concern for the author was the mental and psychological symptoms which emerged in herself and her fellow prisoners and the steps they took to maintain their sanity. It is a narrative partly based on diary entries, written in a minute hand on tissue paper, which escaped the eye of the authorities. Moreover, following her release in April 1967 – she had been altogether incarcerated for some three years – she produced a full script in the space of two or three months. The result is immediacy, spontaneity, authenticity; a story full of searing detail. It is also full of a fighting spirit, pervaded by a sharp intellect, a capacity for fine observation and a sense of humour typical of the women political prisoners at Barberton.
A crucial theme in Sylvia Neame’s account is the question of whether something positive emerged out of her experience and, if so, what exactly it was.
In The Eight Zulu Kings, well-respected and widely published historian John Laband examines the reigns of the eight Zulu kings from 1816 to the present.
Starting with King Shaka, the renowned founder of the Zulu kingdom, he charts the lives of the kings Dingane, Mpande, Cetshwayo, Dinuzulu, Solomon and Cyprian, to today’s King Goodwill Zwelithini whose role is little more than ceremonial.
In the course of this investigation Laband places the Zulu monarchy in the context of African kingship and tracks and analyses the trajectory of the Zulu kings from independent and powerful pre-colonial African rulers to largely powerless traditionalist figures in post-apartheid South Africa.
In this riveting new book, John Laband, pre-eminent historian of the Zulu Kingdom, tackles some of the questions that swirl around the assassination in 1828 of King Shaka, the celebrated founder of the Zulu Kingdom and war leader of legendary brilliance: Why did prominent members of the royal house conspire to kill him? Just how significant a part did the white hunter-traders settled at Port Natal play in their royal patron's downfall? Why were Shaka's relations with the British Cape Colony key to his survival? And why did the powerful army he had created acquiesce so tamely in the usurpation of the throne by Dingane, his half-brother and assassin?
In his search for answers Laband turns to the Zulu voice heard through recorded oral testimony and praise-poems, and to the written accounts and reminiscences of the Port Natal trader-hunters and the despatches of Cape officials. In the course of probing and assessing this evidence the author vividly brings the early Zulu kingdom and its inhabitants to life. He throws light on this elusive character of and his own unpredictable intentions, while illuminating the fears and ambitions of those attempting to prosper and survive in his hazardous kingdom: a kingdom that nevertheless endured in all its essential characteristics, particularly militarily, until its destruction fifty one years later in 1879 by the British; and whose fate, legend has it, Shaka predicted with his dying breath.
In April 1981, Landa Mabenge enters this world, trapped in a girl’s body. From an early age, Landa is aware that he does not relate to his female form, despite being socialised as a girl. In this groundbreaking and brutally honest memoir, Landa Mabenge establishes himself as a resounding and inspirational voice for anyone fighting to define themselves on their own terms. In mesmerising detail, Becoming Him lays bare Landa’s tortured world, growing up trapped in the wrong body, while unflinchingly tracing his transition from female to male.
His childhood in Umtata is brutally shattered, when at age 11 an angry woman and her zombie-like husband unexpectedly arrive to force him to accompany them to Port Elizabeth. Life in PE with ‘The Parents’ soon morphs into a Dickensian nightmare. Landa is subjected to horrific physical, emotional and psychological abuse as he descends into a world of isolation and shame. He recalls his prison of powerlessness: “I count the years I will have to remain a slave. There are seven before my redemption: 7 x 365 = 2555 days. Today is nearly at an end. By the end of tomorrow there will be 2554. By the end of the week, 2548. And so I will myself on. Eventually the day will come when I will be free.”
At 18 Landa is finally able to escape PE to study at UCT, where he tries to embrace life as a butch lesbian, but he remains tortured by his female body. After a close-to-death break down, Landa finally finds strength to embark on an arduous four-year-long journey to physically and legally become “him”, relentlessly researching what it will entail to embark on gender alignment. In 2014, Landa makes history by becoming the first known transgender man in South Africa to successfully motivate a medical aid to pay for his surgeries through the Groote Schuur Transgender Clinic.
Both heartbreaking and uplifting, Becoming Him is a unique story of torture and triumph, bravely opening the lid on cultural shame and abuse against those who choose a path less travelled.
Between 2013 and 2017, a team of researchers from the Human Sciences Research Council undertook a longitudinal qualitative study that tracked eighty students from eight diverse universities in South Africa and documented their experiences at these higher education institutions. Midway through the study, the student protests erupted and focused national attention on many of the stories we had already heard. In the subsequent years of the study, we also heard from students who were actively involved in these transformation struggles as well as those who sat on the side-lines.
Studying While Black is an intimate portrait of the many ways in which students in South Africa experience university, and the centrality of race and geography in their quest for education and ultimately emancipation. Students voices can be heard directly in a 45 minute documentary that accompanied this study entitled Ready or Not!: Black students’ experiences of South African universities – freely available on social media.
How does a middle-class Afrikaans boytjie from Springs, a rebellious product of Christelik-nasionale Opvoeding, end up in the grubby world of protest punk, slap-bang in the middle of the anti-apartheid struggle?
The '80s in South Africa were a mess, a schmangled clusterf*ck of a decade. For some, it was braaivleis, rugby, sunny skies and Chevrolet. For others, it was a one-eyed bumbling about in a world without signage, desperately looking for the emergency exit. While the black population was becoming increasingly agitated and militant, the white dorps, towns and leafy suburbs of South Africa’s cities were mostly ignorant in their privileged bliss. Whiteys were like the frog in the cooker, not realising that the temperature was on the rise. Soon they would slowly, to their terminal surprise, turn white belly-up amid the froth of bubbles boiling from below. Soon it would be too late to get the hell out.
But in tiny pockets of white rebellion, the country was beginning to hum with resistant energy in Joburg, Cape Town and Durban. The '80s counter-culture and the music it produced was anti-establishment, anti-government, anti-apartheid, but not self-consciously so. While the state saw this strange white subculture as a hive of hedonists and drugged-up nihilists, this anarchic clutter of guitar-wielding, pill-munching, dope-smoking musicians and their followers were in fact a second front in the struggle against apartheid.
In brilliantly tragic and hilarious detail, Between Rock & A Hard Place is the epic memoir of Carsten Rasch’s role in the South African counter-culture Punk and New Wave scene in the late '70s and early '80s. Through his eyes as a musician, promoter and enthusiastic participant, it tells the story of those tumultuous and giddy times with heartfelt irreverence. Veering between lucid moments of desperate innovation and psychotic adventures on the rim of sanity, all the time riding roughshod at delirious speed over the potholes of “culture”, the reader is introduced to half-forgotten heroes, now fast disappearing into the fog of time, and the band of misfits who attempted to disrupt “the system”.
Charles Abrahams is a world-class lawyer who sued multinationals for colluding with the apartheid government, but at twelve he was determined to become a world-famous heartsurgeon. Then a school inspector shattered his dream: coloured children from the Cape Flats 'should not aim too high'. Class Action is the story of how Charles aimed high anyway, despite a childhood that included forced removal, dire poverty and the deep sense of shame of being neither white nor a 'white coloured'. As one of eleven children in a poor family, he experienced constant hardship and family strife.
Violence was ubiquitous: his street was notorious for its gang fights, his father abused his mother at home, and schoolteachers beat darker-skinned children like him. Charles wanted a larger life, and he found it through student politics, anti-apartheid activism and reading. He studied relentlessly, finding not only formidable political weapons, but a means to delve into the damage apartheid had done to his personal identity, selfesteem, sexuality and morality. He went on to qualify as a lawyer and, after defending local gangsters, he sought to do good through human-rights and class-action law. He has since spearheaded some of South Africa’s most historic, groundbreaking lawsuits, pursuing justice for ordinary citizens whose lives were ruined by powers too profit-driven to ever think about them.
Class Action depicts a remarkable journey of resistance and healing in reaction to institutionalised greed and racism and the harm it has done to our identities, our relationships and the people of our country.
Born Karoline King in 1980 in Johannesburg South Africa, Sara-Jayne (as she will later be called by her adoptive parents) is the result of an affair, illegal under apartheid’s Immorality Act, between a white British woman and her black South African employee. Her story reveals the shocking lie created to cover up the forbidden relationship, and the hurried overseas adoption of the illegitimate baby, born during one of history’s most inhumane and destructive regimes.
Killing Karoline follows the journey of the baby girl (categorised as ‘white’ under South Africa’s race classification system) who is raised in a leafy, middle-class corner of the South of England by a white couple. It takes the reader through the formative years, a difficult adolescence and into adulthood, as Sara-Jayne (Karoline) seeks to discover who she is and where she came from. Plagued by questions surrounding her own identity and unable to ‘fit in’ Sara-Jayne (Karoline) begins to turn on herself, before eventually coming full circle and returning to South Africa after 26 years to face her demons. There she is forced to face issues of identity, race, rejection and belonging beyond that which she could ever have imagined.
She must also face her birth family, who in turn must confront what happens when the baby you kill off at a mere six weeks old, returns from the dead.
In 2015, students at the University of Cape Town demanded the removal of a statue of Cecil Rhodes, the imperialist, racist business magnate, from their campus. The battle cry '#RhodesMustFall' sparked an international movement calling for the decolonisation of the world's universities.
Today, as this movement grows, how will it radically transform the terms upon which universities exist? In this book, students, activists and scholars discuss the possibilities and the pitfalls of doing decolonial work in the home of the coloniser, in the heart of the establishment. Subverting curricula, enforcing diversity, and destroying old boundaries, this is a radical call for a new era of education.
Offering resources for students and academics to challenge and resist coloniality inside and outside the classroom, Decolonising the University provides the tools for radical pedagogical, disciplinary and institutional change.
The Love Diary of a Zulu Boy is a fable of lust, love, sex, obsession, loss, friendship, betrayal and fantasy. By turns erotic, romantic, tragic and comic, it is inspired by the real-life drama of a romantic relationship between a Zulu boy and an Englishwoman.
A series of diary entries takes us on a whirlwind tour of a relationship that has not only survived, but thrived for 17 years. As the author reflects on love across the colour line, it triggers memories of failed affairs and bizarre experiences: love spells, wet dreams, infidelity, sexually transmitted diseases, a phantom pregnancy, sexless relationships, threesomes and prostitution.
A unique book for the South African market, The Love Diary of a Zulu Boy is written with an honesty rarely encountered in autobiographical writing.
When the Cradock Four's Fort Calata was murdered by agents of the apartheid state in 1985, his son Lukhanyo was only three years old. Thirty-one years later Lukhanyo, now a journalist, becomes one of the SABC Eight when he defies Hlaudi Motsoeneng's reign of censorship at the public broadcaster by writing an open letter that declares: "my father didn't die for this".
Now, with his wife Abigail, Lukhanyo brings to life the father he never knew and investigates the mystery that surrounds his death despite two high-profile inquests.
Join them in a poignant and inspiring journey into the history of a remarkable family that traces the struggle against apartheid beginning with Fort's grandfather, Rivonia trialist and ANC Secretary-General Rev James Calata.
This book provides an overdue critical re-engagement with the analytical approach exemplified by the work of Harold Wolpe, who was a key theorist within the liberation movement. It probes the following broad questions: how do we understand the trajectory of the post-apartheid period, how did the current situation come about
in the transformation, how does the current situation relate to how a post-apartheid society was conceived in anticipation, and what are the implications of what have been failed ambitions for progressives?
With tears in my eyes I took a last glimpse at No. 22 Cross Street as we turned into Stuckeris Street. ‘Sala kahle, District Six,’ I whispered.
Nomvuyo Ngcelwane grew up in the heart of District Six. In beautiful detail, she tells of life in a bustling community, of their interesting social lives and the vibrant atmosphere one has come to associate with District Six.
Twenty years since original publication, Ngcelwane’s story is still relevant today and paints a captivating history of black people living in District Six before forced removals took place. She writes with great honesty, warmth, humor and heart. More than fifty years since forced goodbyes, Ngcelwane’s memoir reiterates the need for social justice and casts a light on the memories forgotten by some.
“Sala Kahle, District Six is free of posturing. It has great documentary value. The fact that it is the memoir of a Black woman adds to its already considerable interest.” Vincent Kolbe
Steve Biko was not only considered a `brilliant political theorist', but is also considered `a formidable and articulate philosopher'. However, Biko is not simply and merely a philosopher in the manner in which Immanuel Kant was a philosopher, but a philosopher of a special kind, an important Africana existential philosopher. In Biko: Philosophy, Identity & Liberation the author adds another commonly ignored perspective on Biko, namely the philosophical dimensions of Biko's thought.
From Biko's writings, speeches and interviews it is easy to notice that in his view, philosophy is not a disembodied system of ideas nor is it a mechanical reflection about the world; rather, it is a way of existing and acting. To be a philosopher, especially an Africana existential philosopher, is not just to hold certain views, it is a way of perceiving and a way of being in the world, what Biko himself describes as `a way of life'.
This important perspective on Biko would be of value to many Africana philosophers of existence, African philosophers, political and social thinkers, social scientists, psychologists, cultural critics, political activists, students, critical race theorists and anyone interested in the ideas that Biko presents.
‘Miskien issit omdat poverty my define en nie die racial politics vannie land ie.’
Wit issie ’n colour nie is ’n versameling verhale oor grootword en die lewe in die buitewyke van die Kaapse Vlakte. Dit dek identiteit, rassepolitiek, sosio- ekonomiese kwessies en bruin kultuur, en bevraagteken die Suid-Afrika waarin ons ons bevind. Dit is gevul met galgehumor, rou eerlikheid en hartverskeurende vertellings van pogings om die lewe op die Vlakte te navigeer. Hierdie versameling is diep persoonlik en ’n ontstellend waar weergawe van die lewe aan die ander kant van die spoor, geskryf in Kaapse Afrikaans.
How is ‘race’ determined? Is it your DNA? The community that you were raised in? The way others see you or the way you see yourself? In Race Otherwise: Forging A New Humanism For South Africa, Zimitri Erasmus questions the notion that one can know ‘race’ with one’s eyes, or through racial categories and or genetic ancestry tests. She moves between the intimate probing of racial identities as we experience them individually, and analysis of the global historical forces that have created these identities and woven them into our thinking about what it means to be ‘human’.
Starting from her own family’s journeys through regions of the world and ascribed racial identities, she develops her argument about how it is possible to recognise the pervasiveness of race thinking without submitting to its power. Drawing on the theoretical work of Frantz Fanon, Sylvia Wynter and others, Erasmus argues for a new way of ‘coming to know otherwise’, of seeing the boundaries between racial identities as thresholds to be crossed, through politically charged acts of imagination and love.
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