Lidia Rauch was born at the crossroads of South Africa’s past and present – the granddaughter of one of apartheid’s longest-serving ministers, raised in a world constructed for her comfort, yet called to reckon with its cost. Her story moves between privilege and pain: from a childhood marked by fracture, to a career within the machinery of government, to the long, uneasy road of reckoning with what it means to be white, Afrikaans, and free in a country still carrying the weight of its past.

In this fearless and tender memoir, Lidia turns toward the truth – dismantling the myths she was raised on, confronting the discomfort she once avoided, and choosing responsibility over denial. Along the way she encounters the people and moments that changed her – from the townships of Cape Town to the rooms where power is brokered – and discovers that freedom is not a gift bestowed by the system, but a commitment we make to one another.

Apartheid’s Granddaughter is not a story of guilt or absolution, but of courage and repair. It’s an invitation to white South Africans to face their inheritance with honesty and courage.

Both intimate and universal, this book reminds us that transformation is possible – and that healing begins when we choose to see ourselves and one another.

How do Muslims fit into South Africa’s well-known narrative of colonialism, apartheid and postapartheid?

South Africa is infamous for apartheid, but the country’s foundation was laid by 176 years of slavery from 1658 to 1834, which formed a crucible of war, genocide and systemic sexual violence that continues to haunt the country today. Enslaved people from East Africa, India and South East Asia, many of whom were Muslim, would eventually constitute the majority of the population of the Cape Colony, the first of the colonial territories that would eventually form South Africa.

Drawing on an extensive popular and official archive, Regarding Muslims analyses the role of Muslims from South Africa’s founding moments to the contemporary period and points to the resonance of these discussions beyond South Africa. It argues that the 350-year archive of images documenting the presence of Muslims in South Africa is central to understanding the formation of concepts of race, sexuality and belonging.

In contrast to the themes of extremism and alienation that dominate Western portrayals of Muslims, Regarding Muslims explores an extensive repertoire of picturesque Muslim figures in South African popular culture, which oscillates with more disquieting images that occasionally burst into prominence during moments of crisis. This pattern is illustrated through analyses of etymology, popular culture, visual art, jokes, bodily practices, oral narratives and literature. The book ends with the complex vision of Islam conveyed in the postapartheid period.

A revelatory account of the racist conspiracy theory that now pervades global politics – from the prize-winning author of the million-copy bestseller How To Be an Antiracist.

Throughout the world, authoritarian movements are radically reshaping our politics and our lives. At the heart of them all lies ‘great replacement theory’, which insists that peoples of colour, migrants and minorities are being deliberately empowered to displace white majorities.

In Chain of Ideas, Ibram X. Kendi shows how this conspiracy theory has mutated from the extremist fringe into a global ideology, embraced by leaders as varied as Marine Le Pen, Viktor Orbán, Narendra Modi, Jair Bolsonaro, Nigel Farage, Benjamin Netanyahu and Donald Trump. He traces its historic roots in slavery, segregation, colonialism and Nazism, and shows how these age-old prejudices have been dressed in new language for a digital age.

But this is not a book about extremists on the margins. From Anders Breivik’s massacre to the chants of the Charlottesville marchers, from Brexit slogans to the Christchurch shooting, Kendi shows how these ideas have crossed borders, inspired terror and are now re-shaping parties of government. Chain of Ideas is a penetrating history of how reactionary ideas have been repackaged as common sense, and how they shape the globe today.

How were whites implicated in and shaped by apartheid culture and society, and how did they contribute to it?

In Ordinary Whites in Apartheid Society, historian Neil Roos traces the lives of ordinary white people in South Africa during the apartheid years, beginning in 1948 when the National Party swept into power on the back of its catchall apartheid slogan. Drawing on his own family’s story and others, Roos explores how working-class white peoples frequently defied particular aspects of the apartheid state but seldom opposed or even acknowledged the idea of racial supremacy, which lay at the heart of apartheid society.

This cognitive dissonance afforded them a way to simultaneously accommodate and oppose apartheid and allowed them to later claim they never supported the apartheid system. Ordinary Whites in Apartheid Society offers a telling reminder that the politics and practice of race, in this case apartheid-era whiteness, derive not only from the top, but also from the bottom.

A dozen years in the making, The Inheritors weaves together the stories of three ordinary South Africans over five tumultuous decades in a sweeping and exquisite look at what really happens when a country resolves to end white supremacy.

Dipuo grew up on the south side of a mine dump that segregated Johannesburg’s black townships from the white-only city. Some nights, she hiked to the top. To a South African teenager in the 1980s—even an anti-apartheid activist like Dipuo—the divide that separated her from the glittering lights on the other side appeared eternal. But in 1994, the world’s last explicit racial segregationist regime collapsed to make way for something unprecedented.

With penetrating psychological insight, intimate reporting, and bewitching prose, The Inheritors tells the story of a country in the throes of a great reckoning. Through the lives of Dipuo, her daughter Malaika, and Christo—one of the last white South Africans drafted to fight for the apartheid regime—award-winning journalist Eve Fairbanks probes what happens when people once locked into certain kinds of power relations find their status shifting. Observing subtle truths about race and power that extend well beyond national borders, she explores questions that preoccupy so many of us today: How can we let go of our pasts, as individuals and as countries? How should historical debts be paid? And how can a person live an honorable life in a society that—for better or worse—they no longer recognize?

Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory.

In Riotous Deathscapes, Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory. Focusing on amaMpondo people from rural Mpondoland, in South Africa’s Eastern Cape, Canham outlines the methodologies that have enabled the community’s resilience and survival.

He assembles historical events and a cast of ancestral and living characters, following the tenor of village life, to offer a portrait of how Mpondo people live and die in the face of centuries of abandonment, trauma, antiblackness, and death. Canham shows that Mpondo theory is grounded in and develops in relation to the natural world, where the river and hill are key sites of being and resistance. Central too, is the interface between ancestors and the living, in which life and death become a continuity and a boundlessness that white supremacy and neoliberalism cannot interdict.

By charting a course of black life in Mpondoland, Canham tells a story of blackness on the African continent and beyond.

Buckle up for a tour of South Africa – your guide the inimitable Sihle Khumalo.

Born in South Africa, and having lived here for almost fifty years, Khumalo reflects on the past and ponders the future of this captivating yet complex country. He delves into the history of the names given to our towns and cities (from Graaff-Reinet to Schweizer-Reneke to Zastron) and in the process raises issues we might not have interrogated fully.

This is a thought-provoking account by a South African who asks uncomfortable questions and forces his compatriots to contemplate what the future of this country (or cowntry) might hold. Why ‘cowntry’, Sihle? Consider the shady characters who’ve been milking this piece of land for centuries. And the fact that some politicians mispronounce the word ‘country’. But who knows? Maybe it is not mispronunciation – perhaps they’re giving us a message: the people in power are milking this country and it’s all just a game…

Contesting one’s place remains central to confronting the lingering impact of colonisation and apartheid, emerging as it does out of the intermingling of our environments, histories, languages and experiences. In this volume, architects, anthropologists, artists, urban planners, activists and historians examine the ways in which people are rethinking, repurposing and reusing colonial and apartheid architecture and infrastructure. They seek to engage with ways in which history, art and architecture practices contest and subvert these protracted conditions in terms of social justice, development, conservation, heritage, land reclamation and urban renewal.

The focus is on colonial environments in different parts of South Africa and Africa to understand the history of disputed places and responses of remembrance, communal consideration, revival and conflict. In recent years, public awareness of the physical and environmental reminders of this past has been sharpened by sporadic campaigns and ongoing disputes around land, gentrification, repatriation and heritage. Globally, there has been a wave of public outcry and contestation about the place of racist names and statues in public spaces, litigation over abandoned and toxic sites, with calls for removal and restitution as an integral part of decolonisation. And there has been recognition of the lived experiences, knowledge and activities through which people and communities build their heritage.

In this context, questions about the place of colonial and apartheid planning and architecture and their past acquire salience and urgency in the present.

Die slawe aan die Kaap het as draers en skeppers van kultuur, ten spyte van onderdrukking, ’n groot invloed uitgeoefen op die ontwikkeling van die samelewing aan die suidpunt van Afrika en veral van ’n inheemse, kreoolse kultuur.

In hierdie boek word die slawe se rol in die ontstaan van dié eiesoortige kultuur vir die eerste keer verken.

A historical tour de force that demolishes the myths and taboos that have surrounded Jewish and Israeli history, The Invention of the Jewish People offers a new account of both that demands to be read and reckoned with. Was there really a forced exile in the first century, at the hands of the Romans? Should we regard the Jewish people, throughout two millennia, as both a distinct ethnic group and a putative nation—returned at last to its Biblical homeland?

Shlomo Sand argues that most Jews actually descend from converts, whose native lands were scattered far across the Middle East and Eastern Europe. The formation of a Jewish people and then a Jewish nation out of these disparate groups could only take place under the sway of a new historiography, developing in response to the rise of nationalism throughout Europe. Beneath the biblical back fill of the nineteenth-century historians, and the twentieth-century intellectuals who replaced rabbis as the architects of Jewish identity, The Invention of the Jewish People uncovers a new narrative of Israel’s formation, and proposes a bold analysis of nationalism that accounts for the old myths.

After a long stay on Israel’s bestseller list, and winning the coveted Aujourd’hui Award in France, The Invention of the Jewish People is finally available in English. The central importance of the conflict in the Middle East ensures that Sand’s arguments will reverberate well beyond the historians and politicians that he takes to task. Without an adequate understanding of Israel’s past, capable of superseding today’s opposing views, diplomatic solutions are likely to remain elusive. In this iconoclastic work of history, Shlomo Sand provides the intellectual foundations for a new vision of Israel’s future.

From the bestselling author of The Lost City of Z, and the Number One international bestseller The Wager, comes a true-life murder story which became one of the FBI’s first major homicide investigations.

In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions and sent their children to study in Europe.

Then, one by one, the Osage began to be killed off. As the death toll climbed, the FBI took up the case. But the bureau badly bungled the investigation. In desperation, its young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. Together with the Osage he and his undercover team began to expose one of the most chilling conspiracies in American history.

The 1930s and 40s were tumultuous decades in South Africa’s history. The economy declined sharply in the wake of the Wall Street crash, giving rise to a huge number of poor whites and the growth of a militant and aggressive Afrikaner nationalism that often took its lead from the Nazis in Germany.

A Perfect Storm reveals how the right-wing’s malevolent message moved from the margins to the centre of political life; how antisemitism seeped into mainstream political life with real and lasting consequences. Milton Shain, South Africa’s leading scholar of modern Jewish history, brings into sharp relief the ‘Jewish Problem’, detailing the rise of influential organisations such as the Grey Shirts and the New Order, which fanned the flames of antisemitism. He devotes considerable attention to the Ossewa-Brandwag, which, by 1941, constituted the largest yet mobilisation of Afrikaners.

The National Party itself contributed to the climate of hostility to Jews. It was instrumental in ensuring that only few of the Jewish refugees from Nazi Germany and elsewhere were permitted as immigrants. The National Party contributed to the prevailing climate of Jew-baiting. Indeed, some of its worst offenders were accorded high office after 1948 when the National Party came to power.

This South African story is an invitation to enrich conversations that could lead to social transformation and social cohesion in racially polarized world.

The book implicitly acknowledges that many white people have sought to be part of the journey towards racial harmony, but in most cases, it has been done without a paradigm shift on the part of white compatriots. It has been done with very limited understanding of the black world and with many assumptions.

The author is honest and raw, without placing judgements on his childhood experiences, simply telling it like it was. There are moments of brilliant humor, one can be laughing aloud, and minutes later, are hit like a punch in the gut by something unjust that happened or was observed. The art and power of effective and excellent storytelling is on display in this book. The storytelling is masterful.

The book leaves one with a feeling of challenge, a dose of hope-filled reality -- not just reality, and not false 'peace' talk -- but a discussion of hope-filled reality.

How are we to explain the resurgence of customary chiefs in contemporary Africa? Rather than disappearing with the tide of modernity, as many expected, indigenous sovereigns are instead a rising force, often wielding substantial power and legitimacy despite major changes in the workings of the global political economy in the post–Cold War era—changes in which they are themselves deeply implicated.

This pathbreaking volume, edited by anthropologists John L. Comaroff and Jean Comaroff, explores the reasons behind the increasingly assertive politics of custom in many corners of Africa. Chiefs come in countless guises—from university professors through cosmopolitan businessmen to subsistence farmers–but, whatever else they do, they are a critical key to understanding the tenacious hold that “traditional” authority enjoys in the late modern world.

Together the contributors explore this counterintuitive chapter in Africa’s history and, in so doing, place it within the broader world-making processes of the twenty-first century.

A hybrid narrative, blending memoir with social commentary and political analysis.

Always in search of "home", the book tracks Ismail Lagardien's vast experiences of a deeply lived life, always against a backdrop of "unbelonging" - first as a reporter in the turbulent 80s, to studying economics at the LSE, then achieving a doctorate at the University of Wales, to working as a speechwriter at the World Bank in Washington.

A unique and brilliant read.

As a child, Thabo Abram Molefe, along with his family, is impelled into the apartheid era tradition of rural to urban transition. Moving from a farm to a multi ethnic and vibrant township in the heart of Heidelberg, the birthplace of Eugene Terre’ Blanche’s AWB, proves to be both a challenge and an adventure as he works to evade the nickname that has followed him as a result: "maplazini", Sotho for a dumb country bumpkin.

Native Boy explores a young man’s complex relationship with identity and race, seen through the lens of township life. Moreover, it is about his journey to escape the socio economic trap of the apartheid regime to forever limit the black man to a life of hardship.

Sithole problematises the signifier X, as a marker of the dehumanization of the black subject. He argues that post-1994 South Africa retains the markers of its colonial past, and remains a territory of unfreedom for blacks. He offers a new imagination for a liberatory project through the idea of Azania as a site of true emancipation.

In Black X: Liberatory Thought in Azania, Tendayi Sithole elaborates on the problematic signifier X, a marker of the dehumanization of the black subject, and presents the struggle for Azania as a liberatory project.

Sithole argues that post-1994 South Africa retains the markers of its colonial past and remains a territory of unfreedom for blacks. He shows how the colonial contract still stands, with the land question unresolved by the new constitutional dispensation. His thesis is that being and land are indissoluble, and the denial of the centrality of land restitution is a denial of the black being. Drawing on the Black Consciousness philosophy of Steve Biko, he critiques the manner in which Marx and Marxism evade the reality of antiblack racism and landlessness as drivers of colonial conquest and ongoing forms of oppression, and emphasises existential struggle of the black subject through Mabogo P More’s African philosophy.

Sithole foregrounds these iterations under the mark X, and shows how the black subject, as a dehumanized figure, must continue to radically insist on alternative forms of being in an antiblack world, and on Azania as the true form of liberation.

Here’s the Thing is a new collection of thought-provoking essays from Haji Mohamed Dawjee.

Filled with stories and insights that are contemplative, comedic and controversial, you will find a touching letter to her father, the honest truth about the pain in the arse that is parenting and ponderings about struggling with the vicissitudes of the modern world filled with cancel culture and the controversies of appreciating the wrong artists. There is also a serving of the many wise lessons the game of tennis has to offer as well as hilarious insights and observations on dustbins, yes dustbins, and ageing, that ring true.

Here’s the Thing is relatable, relevant, entertaining, soothingly self-deprecating and, at times, morally challenging.

'This century's most compelling theorist of racism and colonialism' Angela Davis 'Fanon is our contemporary ... In clear language, in words that can only have been written in the cool heat of rage, Fanon showed us the internal theatre of racism' Deborah Levy Frantz Fanon's urgent, dynamic critique of the effects of racism on the psyche is a landmark study of the black experience in a white world. Drawing on his own life and his work as a psychoanalyst to explore how colonialism's subjects internalize its prejudices, eventually emulating the 'white masks' of their oppressors, it established Fanon as a revolutionary anti-colonialist thinker. 'So hard to put down ... a brilliant, vivid and hurt mind, walking the thin line that separates effective outrage from despair' The New York Times Book Review

Written by two award-winning reporters with unprecedented access, this is the only definitive biography of George Floyd.

The murder of George Floyd sparked a fiery summer of activism and unrest all over the world in 2020, with peaceful protests sometimes erupting into violent clashes. From Shetland to Sao Paolo, from Honolulu to Hobart, people marched under the Black Lives Matter banner, decrying Floyd's death and demanding an end to racial injustice. The movement has led corporations to redouble their efforts, universities to refocus on inclusion, and government officials to examine the causes of systemic inequality.

Drawing on The Washington Post's unrivalled archives, in-depth reporting and award-winning series on Floyd, His Name Is George Floyd is a definitive biography that dives deep into the myriad ways that structural racism shaped Floyd's life and death. Telling his personal story within the context of America's troubled race history, it features fresh and exclusive reporting as well as unparalleled access to Floyd's family and the people who were closest to the man whose name has become one of the most recognized on the planet.

By zooming in for an intimate portrait of this one, emblematic life, while also pulling back to profile the institutions that shaped it, the authors deliver a powerful exploration of institutional racism and of a public reckoning of unprecedented breadth and intensity.

Anger, hurt, loss, rejection … these feelings are familiar to the families who, in the early 1970s, were forced from their homes in Harfield Village in Cape Town’s southern suburbs. Siona O’Connell brings their stories to light. She examines the lost ways of life, the sense of home and belonging.

David Brown’s images show what life was like in Harfield before the removals, and his images are echoed by recent photos of the same former residents.

‘Miskien issit omdat poverty my define en nie die racial politics vannie land ie.’

Wit issie ’n colour nie is ’n versameling verhale oor grootword en die lewe in die buitewyke van die Kaapse Vlakte. Dit dek identiteit, rassepolitiek, sosio- ekonomiese kwessies en bruin kultuur, en bevraagteken die Suid-Afrika waarin ons ons bevind. Dit is gevul met galgehumor, rou eerlikheid en hartverskeurende vertellings van pogings om die lewe op die Vlakte te navigeer. Hierdie versameling is diep persoonlik en ’n ontstellend waar weergawe van die lewe aan die ander kant van die spoor, geskryf in Kaapse Afrikaans.

Drawing from several hundred first-person accounts, most of which are unpublished, Spear reshapes our understanding of Mandela by focusing on this intense but relatively neglected period of escalation in the movement against apartheid.

Landau’s book is not a biography, nor is it a history of a militia or an army; rather, it is a riveting story about ordinary civilians debating and acting together in extremis.

Contextualizing Mandela and MK’s activities amid anti-colonial change and Black Marxism in the early 1960s, Spear also speaks to today’s transnational anti-racism protests and worldwide struggles against oppression.

An unprecedented study of how Christianity reshaped Black South Africans’ ideas about gender, sexuality, marriage, and family during the first half of the twentieth century.

This book demonstrates that the primary affective force in the construction of modern Black intimate life in early twentieth-century South Africa was not the commonly cited influx of migrant workers but rather the spread of Christianity. During the late nineteenth and early twentieth centuries, African converts developed a new conception of intimate life, one that shaped ideas about sexuality, gender roles, and morality.

Although the reshaping of Black intimacy occurred first among educated Africans who aspired to middle-class status, by the 1950s it included all Black Christians—60 percent of the Black South African population. In turn, certain Black traditions and customs were central to the acceptance of sexual modernity, which gained traction because it included practices such as lobola, in which a bridegroom demonstrates his gratitude by transferring property to his bride’s family. While the ways of understanding intimacy that Christianity informed enjoyed broad appeal because they partially aligned with traditional ways, other individuals were drawn to how the new ideas broke with tradition. In either case, Natasha Erlank argues that what Black South Africans regard today as tradition has been unequivocally altered by Christianity.

In asserting the paramount influence of Christianity on unfolding ideas about family, gender, and marriage in Black South Africa, Erlank challenges social historians who have attributed the key factor to be the migrant labor system. Erlank draws from a wide range of sources, including popular Black literature and the Black press, African church and mission archives, and records of the South African law courts, which she argues have been underutilized in histories of South Africa. The book is sure to attract historians and other scholars interested in the history of African Christianity, African families, sexuality, and the social history of law, especially colonial law.

Khamr: The Makings Of A Waterslams is a true story that maps the author’s experience of living with an alcoholic father and the direct conflict of having to perform a Muslim life that taught him that nearly everything he called home was forbidden.

A detailed account from his childhood to early adulthood, Jamil F. Khan lays bare the experience of living in a so-called middle-class Coloured home in a neighbourhood called Bernadino Heights in Kraaifontein, a suburb to the north of Cape Town. His memories are overwhelmed by the constant discord that was created by the chaos and dysfunction of his alcoholic home and a co-dependent relationship with his mother, while trying to manage the daily routine of his parents keeping up appearances and him maintaining scholastic excellence.

Khan’s memories are clear and detailed, which in turn is complemented by his scholarly thinking and analysis of those memories. He interrogates the intersections of Islam, Colouredness and the hypocrisy of respectability as well as the effect perceived class status has on these social realities in simple yet incisive language, giving the reader more than just a memoir of pain and suffering.

Khan says about his debut book: "This is not a story for the romanticisation of pain and perseverance, although it tells of overcoming many difficulties. It is a critique of secret violence in faith communities and families, and the hypocrisy that has damaged so many people still looking for a place and way to voice their trauma. This is a critique of the value placed on ritual and culture at the expense of human life and well-being, and the far-reaching consequences of systems of oppression dressed up as tradition."