Scholar, reverend, politician, and perhaps aristocrat... James Arthur Stanley Harley was certainly a polymath. Born in a poor village in the Caribbean island of Antigua, he went on to attend Howard, Harvard, Yale and Oxford universities, was ordained a priest in Canterbury Cathedral and was elected to Leicestershire County Council. He was a choirmaster, a pioneer Oxford anthropologist, a country curate and a firebrand councillor. This remarkable career was all the more extraordinary because he was black in an age - the early twentieth century - that was institutionally racist. Pamela Roberts' meticulously researched book tells Harley's hitherto unknown story from humble Antiguan childhood, through elite education in Jim Crow America to the turbulent England of World War I and the General Strike. Navigating the complex intertwining of education, religion, politics and race, his life converged with pivotal periods and events in history: the birth of the American New Negro in the 1900s, black scholars at Ivy League institutions, the heyday of Washington's black elite and the early civil rights movement, Edwardian English society, and the Great War. Based on Harley's letters, sermons and writings as well as contemporary accounts and later oral testimony, this is an account of an individual's trajectory through seven decades of dramatic social change. Roberts' biography reveals a man of religious conviction, who won admirers for his work as a vicar and local councillor. But Harley was also a complex and abrasive individual, who made enemies and courted controversy and scandal. Most intriguingly, he hinted at illicit aristocratic ancestry dating back to Antigua's slave-owning past. His life, uncovered here for the first time, is full of contradictions and surprises, but above all illustrates the power and resilience of the human spirit.

Who were the First Americans? Where did they come from? When did they get here? Are they the ancestors of modern Native Americans? These questions might seem straightforward, but scientists in competing fields have failed to convince one another with their theories and evidence, much less Native American peoples. The practice of science in its search for the First Americans is a flawed endeavor, Robert V. Davis tells us. His book is an effort to explain why. Most American history textbooks today teach that the First Americans migrated to North America on foot from East Asia over a land bridge during the last ice age, 12,000 to 13,000 years ago. In fact, that theory hardly represents the scientific consensus, and it has never won many Native adherents. In many ways, attempts to identify the first Americans embody the conflicts in American society between accepting the practical usefulness of science and honoring cultural values. Davis explores how the contested definition of "First Americans" reflects the unsettled status of Native traditional knowledge, scientific theories, research methodologies, and public policy as they vie with one another for legitimacy in modern America. In this light he considers the traditional beliefs of Native Americans about their origins; the struggle for primacy-or even recognition as science-between the disciplines of anthropology and archaeology; and the mediating, interacting, and sometimes opposing influences of external authorities such as government agencies, universities, museums, and the press. Fossil remains from Mesa Verde, Clovis, and other sites testify to the presence of First Americans. What remains unsettled, as The Search for the First Americans makes clear, is not only who these people were, where they came from, and when, but also the very nature and practice of the science searching for answers.

Is Gangsta Rap just black noise? Or does it play the same role for urban youth that CNN plays in mainstream America? This provocative set of essays tells us how Gangsta Rap is a creative "report" about an urban crisis, our new American dilemma, and why we need to listen. Increasingly, police, politicians, and late-night talk show hosts portray today's inner cities as violent, crime-ridden war zones. The same moral panic that once focused on blacks in general has now been refocused on urban spaces and the black men who live there, especially those wearing saggy pants and hoodies. The media always spotlights the crime and violence, but rarely gives airtime to the conditions that produced these problems. The dominant narrative holds that the cause of the violence is the pathology of ghetto culture. Hip-hop music is at the center of this conversation. When 16-year-old Chicago youth Derrion Albert was brutally killed by gang members, many blamed rap music. Thus hip-hop music has been demonized not merely as black noise but as a root cause of crime and violence. Fear of a Hip-Hop Planet: America's New Dilemma explores-and demystifies-the politics in which the gulf between the inner city and suburbia have come to signify not only a socio-economic dividing line, but a new socio-cultural divide as well. A chronological account of development of rap music going back to the era of slavery Drawings and editorial cartoons A multicultural bibliography containing sociological, historical, and legal materials A glossary of many key terms such as "structural racism" and "governmentalism"