Who were the First Americans? Where did they come from? When did they get here? Are they the ancestors of modern Native Americans? These questions might seem straightforward, but scientists in competing fields have failed to convince one another with their theories and evidence, much less Native American peoples. The practice of science in its search for the First Americans is a flawed endeavor, Robert V. Davis tells us. His book is an effort to explain why. Most American history textbooks today teach that the First Americans migrated to North America on foot from East Asia over a land bridge during the last ice age, 12,000 to 13,000 years ago. In fact, that theory hardly represents the scientific consensus, and it has never won many Native adherents. In many ways, attempts to identify the first Americans embody the conflicts in American society between accepting the practical usefulness of science and honoring cultural values. Davis explores how the contested definition of "First Americans" reflects the unsettled status of Native traditional knowledge, scientific theories, research methodologies, and public policy as they vie with one another for legitimacy in modern America. In this light he considers the traditional beliefs of Native Americans about their origins; the struggle for primacy-or even recognition as science-between the disciplines of anthropology and archaeology; and the mediating, interacting, and sometimes opposing influences of external authorities such as government agencies, universities, museums, and the press. Fossil remains from Mesa Verde, Clovis, and other sites testify to the presence of First Americans. What remains unsettled, as The Search for the First Americans makes clear, is not only who these people were, where they came from, and when, but also the very nature and practice of the science searching for answers.

The faking of Native American art objects has proliferated as their commercial value has increased, but even a century ago experts were warning that the faking of objects ranging from catlinite pipes to Chumash sculpture was rampant. Through a series of historical and contemporary case studies, Janet Catherine Berlo engages with troubling and sometimes confusing categories of inauthenticity. Based on decades of research as well as interviews with curators, collectors, restorers, replica makers, reenactors, and Native artists and cultural specialists, Not Native American Art examines the historical and social contexts within which people make replicas and fakes or even invent new objects that then become "traditional." Berlo follows the unexpected trajectories of such objects, including Northwest Coast carvings, "Navajo" rugs made in Mexico, Zuni mask replicas, Lakota-style quillwork, and Mimbres bowl forgeries. With engaging anecdotes, the book offers a rich and nuanced understanding of a surprisingly wide range of practices that makers have used to produce objects that are "not Native American art."

Through an intersectional and inclusive lens, this book provides mental health professionals with a detailed overview of the mental health issues that Black women face as well as the best approach to culturally competent psychological practice with Black women. This text details mental health needs and treatment interventions for Black women. It provides a historical context of how the lived experiences of Black women contribute to mental wellness, identifies effective psychological practices in working with Black women, and challenges readers to advance their cultural competence while providing culturally affirming care to Black women. Additionally, this text is inclusive of sexual orientation and gender identity diversity, and it honors the diversity within Black women's identities, relationships, roles, and families. Written by an expert team of Black women clinicians, researchers, and medical professionals, A Handbook on Counseling African American Women: Psychological Symptoms, Treatments, and Case Studies addresses current sociopolitical events as well as historical trauma as it prepares readers to meet the needs of the Black women they serve. Includes case studies that make theory and models applicable to direct mental health service Features an expansive review of mental health issues and illnesses impacting Black women Offers major treatment modalities and theoretical orientations Details the experiences of women within the African diaspora while addressing specific identity-related needs of Black women

Disorientation by Elaine Hsieh Chou is an uproarious and bighearted satire - alive with sharp edges, immense warmth, and a cast of unforgettable characters - that asks: who gets to tell our stories? And how does the story change when we finally tell it ourselves? Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about 'Chinese-y' things. When she accidentally stumbles upon a strange and curious note in the Chou archives, she convinces herself it's her ticket out of academic hell. But Ingrid's in much deeper than she thinks. Her clumsy exploits to unravel the note's message lead to an explosive discovery, one that upends her entire life and the lives of those around her. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from campus protests and over-the-counter drug hallucinations, to book burnings and a movement that stinks of Yellow Peril propaganda. In the aftermath, nothing looks the same, including her gentle and doting fiance . . . As the events Ingrid instigated keep spiraling, she'll have to confront her sticky relationship to white men and white institutions - and, most of all, herself. 'The funniest novel I've read all year' - Aravind Adiga, author of The White Tiger