A New York Times and Washington Post Notable Book A Best Book of 2021 by BuzzFeed and Real Simple An "unmissable" (Vogue), "exceptional" (The Washington Post), and "evocative" (Chicago Tribune) memoir about three Black girls from the storied Bronzeville section of Chicago that offers a penetrating exploration of race, opportunity, friendship, sisterhood, and the powerful forces at work that allow some to flourish...and others to falter. They were three Black girls. Dawn, tall and studious; her sister, Kim, younger by three years and headstrong as they come; and her best friend, Debra, already prom-queen pretty by third grade. They bonded-fervently and intensely in that unique way of little girls-as they roamed the concrete landscape of Bronzeville, a historic neighborhood on Chicago's South Side, the destination of hundreds of thousands of Black folks who fled the ravages of the Jim Crow South. These third-generation daughters of the Great Migration come of age in the 1970s, in the warm glow of the recent civil rights movement. It has offered them a promise, albeit nascent and fragile, that they will have more opportunities, rights, and freedoms than any generation of Black Americans in history. Their working-class, striving parents are eager for them to realize this hard-fought potential. But the girls have much more immediate concerns: hiding under the dining room table and eavesdropping on grown folks' business; collecting secret treasures; and daydreaming about their futures-Dawn and Debra, doctors, Kim a teacher. For a brief, wondrous moment the girls are all giggles and dreams and promises of "friends forever." And then fate intervenes, first slowly and then dramatically, sending them careening in wildly different directions. There's heartbreak, loss, displacement, and even murder. Dawn struggles to make sense of the shocking turns that consume her sister and her best friend, all the while asking herself a simple but profound question: Why? In the vein of The Other Wes Moore and The Short and Tragic Life of Robert Peace, Three Girls from Bronzeville is a "deeply personal" (Real Simple) memoir that chronicles Dawn's attempt to find answers. It's at once a celebration of sisterhood and friendship, a testimony to the unique struggles of Black women, and a tour-de-force about the complex interplay of race, class, and opportunity, and how those forces shape our lives and our capacity for resilience and redemption.

In stark, haunting prose, first-time author Peter Razor recalls his early years as a ward of the State of Minnesota. Told in flashbacks and relying on research from his own case files, Razor manages to piece together the shattered fragments of his boyhood into a memoir that reads as compellingly as a novel. Abandoned as an infant at the State Public School in Owatonna, Razor spent his childhood at the hands of abusive workers who thought of him as nothing more than 'a dirty Injun'. He endures years of beatings 'with a broom or radiator brush -- whatever was handy' until, one night while he is asleep, one of the matrons attacks him with a hammer. Fearing for his life, he makes two failed attempts to run away from the orphanage. Quickly labelled a trouble-maker, he is later indentured as a hired hand to a farm family. The farmer beats him, clothes him in rags, and treats him like a slave, often working him to exhaustion without food or water. Remarkably, Razor struggles to attend high school and begins to dream of another life, but first he must endure the darkest and most vicious attack yet.

Head Above Water takes us into a space of intimate conversations on illness and society's stigmatization of disabled bodies. We are invited in to ask the big questions about life, loss, and the place of the other. The narrative builds a bridge that reminds us of our common humanity and weaves the threads that tie us all together. Through conversations about women's identities, bodies, and our journeys through life, we arrive at a politics of love, survival, and hope.

Over the last few years, it has been impossible to ignore the steady resurgence of xenophobia. The European migrant crisis and immigration from Central America to the United States have placed Western advocates of globalization on the defensive, and a 'New Xenophobia' seems to have emerged out of nowhere. In this fascinating study, George Makari traces the history of xenophobia from its origins to the present day. Often perceived as an ancient word for a timeless problem, 'xenophobia' was in fact only coined a century ago, tied to heated and formative Western debates over nationalism, globalization, race and immigration. From Richard Wright to Sigmund Freud, Jean-Paul Sartre and Simone de Beauvoir, writers and thinkers have long grappled with this most dangerous of phobias. Drawing on their work, Makari demonstrates how we can better understand the problem that is so crucial to our troubled times.

A veteran journalist speaks truth to power on issues that matter to the nation. In this collection of columns spanning the years 2000-2019, veteran journalist Bill Maxwell tackles important issues faced by Florida and broader American society that remain as relevant as ever today. Demonstrating the courage to take on controversy and the signature pithy style that have won him a nationwide readership, Maxwell offers his opinion on a wide variety of questions with a focus on race, agricultural labor, education, and the environment. Maxwell writes from the vantage point of a Florida native who grew up as a migrant farmworker at the end of the Jim Crow era; a Black man who participated in the civil rights movement to help make the state more equitable; a college professor who lectured about the harms of racial discrimination; and an environmentalist who has lived in the Everglades as artist-in-residence. Grounding his social criticism in firsthand knowledge of the contradictions of life in the American South, Maxwell uses reason and research to highlight uncomfortable realities and injustices that persist in the twenty-first century. Believing that informed citizens will make decisions that positively impact society, Maxwell prompts readers to examine their own perspectives, question their assumptions, and come to a deeper understanding of their state and nation. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

She was both guardian of the hearth and, on occasion, ruler and warrior, leading men into battle, managing the affairs of her people, sporting war paint as well as necklaces and earrings.

She built houses and ground corn, wove blankets and painted pottery, played field hockey and rode racehorses.

Frequently she enjoyed an open and joyous sexuality before marriage; if her marriage didn't work out she could divorce her husband by the mere act of returning to her parents. She mourned her dead by tearing her clothes and covering herself with ashes, and when she herself died was often shrouded in her wedding dress.

She was our native sister, the American Indian woman, and it is of her life and lore that Carolyn Niethammer writes in this rich tapestry of America's past and present.

Here, as it unfolded, is the chronology of the native American woman's life. Here are the birth rites of Caddo women from the Mississippi-Arkansas border, who bore their children alone by the banks of rivers and then immersed themselves and their babies in river water; here are Apache puberty ceremonies that are still carried on today, when the cost for the celebrations can run anywhere from one to six thousand dollars. Here are songs from the Night Dances of the Sioux, where girls clustered on one side of the lodge and boys congregated on the other; here is the Shawnee legend of the Corn Person and of Our Grandmother, the two female deities who ruled the earth. Far from the submissive, downtrodden "squaw" of popular myth, the native American woman emerges as a proud, sometimes stoic, always human individual from whom those who came after can learn much.

At a time when many contemporary American women are seeking alternatives to a life-style and role they have outgrown, Daughters of the Earth offers us an absorbing -- and illuminating -- legacy of dignity and purpose.

Originally published between 1931 and 1994 these books cover the turbulent racial history and politics of South Africa as well as economic and social aspects. Their authors include one of the premier historians of British imperial policy and African history, as well as many who were active in the political fight to end the apartheid system, some of whom were imprisoned or exiled for their beliefs. The volumes discuss: The complexities of the relationships between peoples of different racial origins The widely differing economic and cultural standards within one country - inequalities which continue to exist today They: Trace the history and growth of Apartheid in South Africa Provide novel data for sociological, political and strategic reassessment of South Africa. Explore the development of the gold and diamond mining industries and their effect on the South African economy and its labour force Examine the ways in which American and South African culture have been fascinated with and influenced by one another Provide students with easily accessible historical primary sources.

In this companion volume to her bestselling book "Acts of Faith, " bestselling author and star of "Iyanla: Fix My Life" discusses the "valleys" that cause stress and imbalance for women and explains how women can cleanse their minds and promote a healthy foundation for living in the modern world.""
"A Note from Iyanla Vanzant"
""Beloved friend,
When this little book was first published many years ago, it became a beacon of light for many people who found themselves time and time again in one valley or another. Valleys are nothing new for any of us. Some of you may be in a valley right now, or, since you never know what's around the corner, you may be on the brink of tottering into yet another valley. Or maybe you've just survived a valley that you swear you'll never revisit--but guess what? That's precisely the valley you'll probably see again. And again.
Being in a valley can be a lonely and bewildering experience. This book was written to help you feel less lonely by reminding you that you really aren't ever alone since God is always by your side, but more important, "you" are always by your own side. No matter how dire the situation may seem, no matter how dark and bleak the valley may be, you have all you need within you to survive the valley--any valley. Even though you may not know how you got into the valley in the first place, you do know, deep inside yourself, how to get through and out and free. You just need a little faith in yourself and a little guidance to find that faith within yourself.
When you are at your wit's end, take this little book and let it guide you toward the ever-present but often elusive light at the end of the tunnel. "Faith in the Valley" is designed to help you find the light when you need it most--when you're in that damn tunnel. When you're most confused and in the dark and clueless as to how you got there (again ) and when you're trying to figure out not just how to get out, but stay out. For good.
"Faith in the Valley" has helped so many through so much that we felt it only fitting to issue this lovely gift edition to acknowledge the special place it holds in many hearts. Please share it with a friend who has served as your beacon in the past, or offer it to yourself as a reminder of the strength and wisdom you possess and can offer to others.
Iyanla

The uplifting, unforgettable new novel from the acclaimed author of The Reading List Welcome to the shared garden - a place where everyone can find belonging . . . A gorgeously life-affirming novel about community, identity & blossoming friendships from a bright new voice, Sara Nisha Adams.

"In 2015, when I ran to be mayor in Tower Hamlets, a smartly dressed middle-class man saw me wearing a headscarf and asked me what colour my hair was underneath it. I gave him a big smile. 'Pink,' I replied. Did I win his vote? I rather doubt it." Vivid, astute and full of humour, My Hair Is Pink Under This Veil offers a frank appraisal of life in modern Britain as seen through the eyes of a hijab-wearing Muslim woman. Rabina Khan writes with grace about her family's experiences building a new life in 1970s London before turning her attention to exploring the politics of the veil, white privilege and intersectional feminism. And in depicting her battle to build a successful political career against a backdrop of blame, bias and misogyny - including from her own community - Khan is clear-sighted about the struggles facing Muslim women today. Now fully updated with new material on the sexism facing women in politics, My Hair Is Pink Under This Veil is at its heart an inspiring story about the power of self-belief and determination to create a fairer world.

Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The book illuminates some "selfies". This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures -- the Iberian Peninsula to pre-Columbian America and Hispanic America -- analysing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behaviour and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures. The result, complex and unique, is that what is viewed -- the visual art and literature under discussion -- becomes a mirror image, indistinguishable from the component viewing apparatus, the "lens".

Reflects what traditional proverbs used in Christian catechetical, liturgical, and ritual contexts reveal about Tanzanian appropriations of and interpretations of Christianity.

The roots of African American spirituality arise from the African origins of the enslaved who were brought to the West in chains. Flora Wilson Bridges explores these "African retentions" from their manifestations in Africa, through their presence in the slave communities of the American South and in Black churches today. The unique spirituality that arose from these retentions influenced many prominent black leaders including Howard Thurman, Martin Luther King, Jr. and Malcolm X. In a fascinating chapter, Bridges also shows how these African roots inform Black film, literature, and art.

What is it like learning from a mother who is privy to a whole different type of privilege than you? When was the first time you realised your boyfriend was dating you to satisfy some weird fetish? How demoralising was it to find out that Princess Jasmine, your sole claim to Disney royalty, was based on a white model? What impact did it have to play the entire Puerto Rican community in West Side Story in your local theatre group? And was Parvati Patil really such an appalling date for Harry? Part autobiography and part critical commentary, join Laila Woozeer as she blends together stories from her own life, looking specifically at the impact pop culture and media representation has on non-white people and the way they understand themselves, charting a narrative about being mixed race that stems from the 90s until the present day. Her book examines the multi-racial experience: the personal, emotional and psychological impact of being mixed, without being reduced to two separate representations of a person. In the UK alone, "mixed" is the fastest growing census category, and the number of mixed race people has risen by a quarter of a million in just 10 years. But even so, mixed people are placed outside of the conversation - they can speak directly to one of their communities but can't be all of them at the same time. Except, that is exactly how mixed people have to function all day, every day. Most of us agree that Representation Matters - but why? What does that actually mean? It's important to make these issues real - to attach them to a human emotion or personal journey lest they become an abstract phrase that just gets bandied around every time Hollywood release another Very White cast list. That's where Laila comes in: the face of the lived experience, sharing with you the cruelest and funniest moments of her life for your delectation. The book is routed in her own specific journey and introduces concepts as she chronologically learned of them. She incorporates child psychology, academic texts, and race theory without losing the personal connection, using anecdotes and experience to truly get to the core of the issues explored.

This fascinating account of the Cape's indigenous people traces the origins and history of the San hunter-gatherers, whose ancestry in southern Africa dates back at least 120,000 years, and the Khoekhoe herders, who arrived in the south-western Cape about 2000 years ago. This is the first in a new series of full-color heritage books aimed at both local and overseas tourists. The author uncovers the rich history of the indigenous people of the Cape: Stone Age people, the San and the Khoikhoi, as well as the Griqua. This is the first time this history has been presented in a comprehensive, accessible way in a single book: The many specially-commissioned photos vividly bring to life the sites and events discussed; Maps and contact details are given for readers wishing to visit the heritage sites.The book has been produced in consultation with the South African Heritage Agency.

Compelling, moving and unexpected portraits of London's poor from a rising star British historian - the Dickensian city brought to real and vivid life. Until now, our view of bustling late Georgian and Victorian London has been filtered through its great chroniclers, who did not themselves come from poverty - Dickens, Mayhew, Gustave Dore. Their visions were dazzling in their way, censorious, often theatrical. Now, for the first time, this innovative social history brilliantly - and radically - shows us the city's most compelling period (1780-1870) at street level. From beggars and thieves to musicians and missionaries, porters and hawkers to sex workers and street criers, Jensen unites a breadth of original research and first-hand accounts and testimonies to tell their stories in their own words. What emerges is a buzzing, cosmopolitan world of the working classes, diverse in gender, ethnicity, origin, ability and occupation - a world that challenges and fascinates us still.

Hurled words. Thrown objects. Dodged burgers. A burger was thrown at Travis Alabanza on Waterloo Bridge in 2016. From this experience they have created a poetic, passionate performance piece based around the 'burger': the texture, and taste of being trans. Their experiences include verbal abuse, ostracisation and being thrown out of a Top Shop changing room. The piece also explores the black trans experience.

First published in 1853, 12 Years a Slave is the riveting true story of a free black American who was sold into slavery, remaining there for a dozen years until he finally escaped. This powerfully written memoir details the horrors of slave markets, the inhumanity practiced on southern plantations, and the nobility of a man who persevered in some of the worst of conditions, a man who never ceased to hope that he would find freedom and see his beloved family again. This edition has been slightly edited--for spelling and punctuation only--for easier reading by a modern audience. It also includes two helpful appendixes not found in the original book. Now a major motion picture