Your cart is empty
"Beginning Creek" provides a basic introduction to the language and culture of the Mvskoke-speaking peoples, Muskogee (Creek) and Seminole Indians. Written by linguistic anthropologist Pamela Innes and native speakers Linda Alexander and Bertha Tilkens, the text is accessible to general readers and students and is accompanied by two compact discs.
The volume begins with an introduction to Creek history and language, and then each chapter introduces readers to a new grammatical feature, vocabulary set, and series of conversational sentences. Translation exercises from English to Mvskoke and Mvskoke to English reinforce new words and concepts. The chapters conclude with brief essays by Linda Alexander and Bertha Tilkens on Creek culture and history and suggestions for further reading.
The two audio CDs present examples of ceremonial speech, songs, and storytelling and include pronunciations of Mvskoke language keyed to exercises and vocabulary lists in the book. The combination of recorded and written material gives students a chance to learn and practice Mvskoke as an oral and written language.
Although Mvskoke speakers include the Muskogee (Creek) and Seminole Nations of Oklahoma, the Poarche Band of Creek Indians in Alabama, and some Florida Seminoles, the number of native speakers of Mvskoke has declined. Because the authors believe that language and culture are inextricably linked, they have combined their years of experience speaking and teaching Mvskoke to design an introductory textbook to help Creek speakers preserve their traditional language and way of life.
Totkv Mocvse/New Fire presents the work of Earnest Gouge, an important early Creek (Muskogee) author, and makes available for the first time-in Creel and English - the myths and legends of a major American Indian tribe.In 1915, Earnest Gouge was encouraged by ethnographer John Reed Swanton to record Creek legends and myths. Gouge's manuscript lay in the National Anthropological Archives for eighty-five years until two Creek-speaking sisters, Margaret McKane Mauldin and Juanita McGirt, and linguist Jack B. Martin, began translating and editing the document. In Totkv Mocvse/New Fire, Gouge's stories appear in parallel format, with the Creek text alongside the English translation. The stories cover many themes, from the humorous allegories of Rabbit, Wolf, and other personified animals, to hunting stories designed to frighten a nighttime audience in the woods. An insightful foreword by Craig Womack and Jack Martin's introduction frame the stories within Creek literature and history. Martin and Mauldin also provide brief introductions to each story, highlighting key elements of Creek culture.
'I was blown away by Layli Long Soldier's WHEREAS.' Maggie Nelson, author of The Argonauts
WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations.
A POETRY BOOK SOCIETY SPECIAL COMMENDATION.
'In what is clearly a golden age for American poetry, Layli Long Soldier has to be out in front – one of the best collections of the century.' Andrew McMillan
Eleanor Nesbitts introduction contextualises the life of Kailash Puri, Punjabi author and agony aunt, providing the story of the book itself and connecting the narrative to the history of the Punjabi diaspora and themes in Sikh Studies. She suggests that representation of the stereotypical South Asian woman as victim needs to give way to a nuanced recognition of agency, multiple voices and a differentiated experience. The narrative presents sixty years of Kailashs life. Her memories of childhood in West Punjab evoke rural customs and religious practices consistent with recent scholarship on Punjabi religion rather than with the currently dominant Sikh discourse of a religion sharply distinguished from Hindu society. Her marriage, as a shy 15-year-old, with no knowledge of English, to a scientist, Gopal Puri, brought ever-widening horizons as husband and wife moved from India to London, and later to West Africa, before returning to the UK in 1966. This life experience, and Gopals constant encouragement, brought confidence to write and publish numerous stories and articles. Kailash writes of the contrasting experiences of life as an Indian in the UK of the 1940s and the 1960s. She points up differences between her own outlook and the life-world of the post-war community of Sikhs from East Punjab now living in the West. In their distress and dilemmas many people consulted Kailash for assistance, and the descriptive narrative of her responses and advice and increasingly public profile provides insight into Sikhs experience in their adopted country. In later years, as grandparents and established citizens of Liverpool, Kailash and Gopal revisited their ancestral home, now in Pakistan a reflective and moving experience. An Afterword by Eleanor contextualises the current UK Sikh scene. The book includes a glossary of Punjabi words and suggestions for further reading.
For American Indians, tribal politics are paramount. They determine the standards for tribal enrollment, guide negotiations with outside governments, and help set collective economic and cultural goals. But how, asks Raymond I. Orr, has history shaped the American Indian political experience? By exploring how different tribes' politics and internal conflicts have evolved over time, Reservation Politics offers rare insight into the role of historical experience in the political lives of American Indians. To trace variations in political conflict within tribes today to their different historical experiences, Orr conducted an ethnographic analysis of three federally recognized tribes: the Isleta Pueblo in New Mexico, the Citizen Potawatomi in Oklahoma, and the Rosebud Sioux in South Dakota. His extensive interviews and research reveal that at the center of tribal politics are intratribal factions with widely different worldviews. These factions make conflicting claims about the purpose, experience, and identity of their tribe. Reservation Politics points to two types of historical experience relevant to the construction of tribes' political and economic worldviews: historical trauma, such as ethnic cleansing or geographic removal, and the incorporation of Indian communities into the market economy. In Orr's case studies, differences in experience and interpretation gave rise to complex worldviews that in turn have shaped the beliefs and behavior at play in Indian politics. By engaging a topic often avoided in political science and American Indian studies, Reservation Politics allows us to see complex historical processes at work in contemporary American Indian life. Orr's findings are essential to understanding why tribal governments make the choices they do.
The Civil War experiences of Albert C. Ellithorpe, a Caucasian Union Army officer commanding the tri-racial First Indian Home Guards, illuminate remarkable and understudied facets of campaigning west of the Mississippi River. Major Ellithorpe's unit- comprised primarily of refugee Muscogee Creek and Seminole Indians and African Americans who served as interpreters- fought principally in Arkansas and Indian Territory, isolated from the larger currents of the Civil War. Using Ellithorpe's journal and his series of Chicago Evening Journal articles as her main sources, M. Jane Johansson unravels this exceptional account, providing one of the fullest examinations available on a mixed-race Union regiment serving in the border region of the West. Ellithorpe's insightful observations on Indians and civilians as well as the war in the trans-Mississippi theater provide a rare glimpse into a largely forgotten aspect of the conflict. He wrote extensively about the role of Indian troops, who served primarily as scouts and skirmishers, and on the nature of guerrilla warfare in the West. Ellithorpe also exposed internal problems in his regiment; some of his most dramatic entries concern his own charges against Caucasian officers, one of whom allegedly stole money from the unit's African American interpreters. Compiled here for the first time, Ellithorpe's commentary on the war adds a new chapter to our understanding of America's most complicated and tragic conflict.
This compelling narrative explains how Native Americans found themselves time and again betrayed by the ever-expanding white nation of the East, fighting for lands on the edge of the shrinking frontier. Long considered a classic, this edition features an introduction by Dee Brown, author of" Bury My Heart at Wounded Knee."
"A vivid, swiftly paced account of the dispossession of the Plains Indians during the half century after 1840--"The New York Times Book Review,"
Pardon me, but I'm shivering a bit at my core. These are restless, storm-hued stanzas, revelations of our dark cravings and hapless, woefully imperfect attempts at perfect love. Here are the dreams even our dreams won't reveal, flaunting wild edges and endings that nudge the soul, each fusing of lyric and lesson as potent as a backhand slap. And Mama watches everything. Mama sees it all."" - Patricia Smith ""What's living without fear of getting lost?"" That's only one of many empowering moments in Jennifer Givhan's auspicious debut. Her ""blood magic"" ink delivers the hard truths that kick-start the healing of the ""splintered cactus"" that hurdles the path of a woman's journey. Landscape with Headless Mama blossoms with the ""strange alloys of sadness"" that devastate motherhood and femininity, and then nurture their wounds back to vibrant life."" - Rigoberto GonzA!lez ""In Jennifer Givhan's Landscape with Headless Mama, the vivid truth of these poems evokes both the wince of pain and the head-rush of joy, the familial and the romantic disconnections we endure and those connections found in the same terrain that we, still, manage to cherish. If there's a line in these poems that doesn't surprise, I couldn't find it; one never knows where the poem will take us. I found myself tracing ""maps of the borderland into my body/ cliff dwelling, the taste of red brick on the tongueaEURO|."" Each figure rendered, each voice conjured comes to life with their distinct journey, and Givhan continues to remind us of yet another truth: ""There are other ways for the story to end."" Indeed, the possibilities seem limitless in this world she builds. If a collection of poems can be called a page-turner, this is what it feels like."" - A. Van Jordan ""These are true border poems, restlessly crossing between the real and the surreal, the loved and the used up, the fertile and the infertile, and the hungry and the sated. Jennifer Givhan is a dangerous poet in all the necessary ways.""- Connie Voisine Landscape with Headless Mama explores the experiences of becoming and being a mother through the lens of dark fairy tales. Describing the book as ""a surreal survival guide,"" Givhan draws from the southwestern desert, incorporating Latin American fine art and folkloric influences. Drawing inspiration from Gloria AnzaldAa, Frida Kahlo, Leonora Carrington, tattoo artists, and comic book heroes, among other sources, this is a book of intelligence, humor, deep feeling, and, above all, duende.
What if the Exodus had never happened? What if the Jews of Spain had not been expelled in 1492? What if Eastern European Jews had never been confined to the Russian Pale of Settlement? What if Adolf Hitler had been assassinated in 1939? What if a Jewish state had been established in Uganda instead of Palestine? Gavriel D. Rosenfeld's pioneering anthology examines how these and other counterfactual questions would have affected the course of Jewish history. Featuring essays by sixteen distinguished scholars in the field of Jewish Studies, What Ifs of Jewish History is the first volume to systematically apply counterfactual reasoning to the Jewish past. Written in a variety of narrative styles, ranging from the analytical to the literary, the essays cover three thousand years of dramatic events and invite readers to indulge their imaginations and explore how the course of Jewish history might have been different.
Col. George Wright's campaign against the Yakima, Spokane, Coeur d'Alene, Palouse, and other Indian peoples of eastern Washington Territory was intended to punish them for a recent attack on another U.S. Army force. Wright had once appeared to respect the Indians of the Upper Columbia Plateau, but in 1858 he led a brief war noted for its violence, bloodshed, and summary trials and executions. Today, many critics view his actions as war crimes, but among white settlers and politicians of the time, Wright was a patriotic hero who helped open the Inland Northwest to settlement. ""Hang Them All"" offers a comprehensive account of Wright's campaigns and explores the controversy surrounding his legacy. Over thirty days, Wright's forces defeated a confederation of Plateau warriors in two battles, destroyed their food supplies, slaughtered animals, burned villages, took hostages, and ordered the hanging of sixteen prisoners. Seeking the reasons for Wright's turn toward mercilessness, Cutler asks hard questions: If Wright believed he was limiting further bloodshed, why were his executions so gruesomely theatrical and cruel? How did he justify destroying food supplies and villages and killing hundreds of horses? Was Wright more violent than his contemporaries, or did his actions reflect a broader policy of taking Indian lands and destroying Native cultures? Stripped of most of their territory, the Plateau tribes nonetheless survived and preserved their cultures. With Wright's reputation called into doubt, some northwesterners question whether an army fort and other places in the region should be named for him. Do historically based names honor an undeserving murderer, or prompt a valuable history lesson? In examining contemporary and present-day treatments of Wright and the incident, ""Hang Them All"" adds an important, informed voice to this continuing debate.
Long considered one of the most respected authorities on the history and geography of the Adirondack region, award-winning author and conservationist Barbara McMartin focuses on the uniqueness of the forty-four individual tracts that make up the two-and-one-half-million-acre Forest Preserve within the Adirondack Park.
In The Adirondack Park McMartin has aptly likened the various wild forests, wilderness, recreation and primitive areas to a patchwork quilt, with landscapes connecting to jagged boundaries following rivers and narrow valleys.
Sidebars of "views and visits" give readers an insider's advantage to making the most of any Adirondack expedition. With a storyteller's ease, McMartin provides a brief history and description of each area. She chronicles the preserve's unusual origins, people, politics, and economics that created what is now one of the most important wilderness areas in the eastern United States.
Skillfully combining the results of meticulous research and her life-long passion and advocacy for the Adirondack region, she illuminates the story of how the land parcels were pieced together to become the most sought-after and protected acreage in the east. The book is generously interspersed with maps and vivid geographic descriptions of the forest cover, lakes, mountains, and natural and human history.
Hamka's Great Story presents Indonesia through the eyes of an impassioned, popular thinker who believed that Indonesians and Muslims everywhere should embrace the thrilling promises of modern life, and navigate its dangers, with Islam as their compass. Hamka (Haji Abdul Malik Karim Amrullah) was born when Indonesia was still a Dutch colony and came of age as the nation itself was emerging through tumultuous periods of Japanese occupation, revolution, and early independence. He became a prominent author and controversial public figure. In his lifetime of prodigious writing, Hamka advanced Islam as a liberating, enlightened, and hopeful body of beliefs around which the new nation could form and prosper. He embraced science, human agency, social justice, and democracy, arguing that these modern concepts comported with Islam's true teachings. Hamka unfolded this big idea-his Great Story-decade by decade in a vast outpouring of writing that included novels and poems and chatty newspaper columns, biographies, memoires, and histories, and lengthy studies of theology including a thirty-volume commentary on the Holy Qur'an. In introducing this influential figure and his ideas to a wider audience, this sweeping biography also illustrates a profound global process: how public debates about religion are shaping national societies in the postcolonial world.
Despite centuries of suppression and oppression, American Indian music survives today as a profound cultural force. Heartbeat, Warble, and the Electric Powwow celebrates in depth the vibrant soundscape of Native North America, from the ""heartbeat"" of intertribal drums and ""warble"" of Native flutes to contemporary rock, hip-hop, and electronic music. Drawing on more than one hundred interviews with musicians, producers, ethnographers, and record-label owners, author and musician Craig Harris conjures an aural tapestry in which powwow drums and end-blown woodwinds resound alongside operatic and symphonic strains, jazz and reggae, country music, and blues. Harris begins with an exploration of the powwow, from sacred ceremonies to intertribal gatherings. He examines the traditions of the Native American flute and its revival with artists such as two-time Grammy winners R. Carlos Nakai and Mary Youngblood. Singers and songwriters, including Buffy Sainte-Marie, Keith Secola, and Joanne Shenandoah, provide insights into their music and their lives as American Indians. Harris also traces American Indian rock, reggae, punk, and pop over four decades, punctuating his survey with commentary from such artists as Tom Bee, founder of Native America's first rock band, XIT. Grammy-winner Taj Mahal recalls influential guitarist Jesse Ed Davis; ex-bandmates reflect on Rock Hall of Fame inductee Redbone; Robbie Robertson, Pura Fe, and Rita Coolidge describe how their groundbreaking 1993 album, Music for the Native Americans, evolved; and DJs A Tribe Called Red discuss their melding of archival powwow recordings into fiery dance music. The many voices and sounds that weave throughout Harris's engaging, accessible account portray a sonic landscape that defies stereotyping and continues to expand. Heartbeat, Warble, and the Electric Powwow is the story - told by those who live it - of resisting a half-millennium of cultural suppression to create new sounds while preserving old roots. Listen in! Visit this book's page on the oupress.com website for a link to the book's Spotify playlist.
'Evocative, authentic and brilliantly told - a wonderful read.' David Lammy Foreword by West Indies Cricketer Sir Clive Lloyd Voices of the Windrush Generation is a powerful collection of stories from the men, women and children of the Windrush generation - West Indians who emigrated to Britain between 1948 and 1971 in response to labour shortages, and in search of a better life. Edited by journalist and bestselling author David Matthews, this book paints a vivid portrait of what it meant for those who left the Caribbean for Britain during the early days of mass migration. Through his own, and many other stories, Matthews explores: why and how so many people came to Britain after World War II, their hopes and dreams, the communities they formed and the difficulties they faced being separated from family and friends while integrating into an often hostile society. We hear how lives were transformed, and what became of the generations that followed, taking the reader right up to the present day, and the impact of the current Windrush deportation scandal upon everyday people. At once a nostalgic treasure trove of human interest, which unearths the real stories behind the headlines, and a celebration of black British culture, Voices of the Windrush Generation is an absorbing and important book that gives a platform to voices that need to be heard.
From Protest to Challenge Volume 4: Political Profiles, 1882–1990, in Jacana’s second edition of the six volumes of From Protest to Challenge, profiles over six hundred individual activists who played important political roles during the century before the abolition of apartheid in 1990. Among those included are John Dube, Clements Kadalie, Albert Luthuli, Steve Biko, Beyers Naude and Joe Slovo, as well as Ellen Kuzwayo, Jay Naidoo, Robert McBride, P.K. Leballo and Patricia de Lille. These books are a wonderful resource for future generations of scholars. The publication of the Vol. 4 completes the series.
Civil Rights and Beyond examines the dynamic relationships between African American and Latino/a activists in the United States from the 1930s to the present day. Building on recent scholarship that explores black-Latino/a relations in the United States, this book pushes the timeframe for the study of interactions between blacks and a variety of Latino/a groups beyond the standard chronology of the civil rights era. As such, the book merges a host of community histories-each with their own distinct historical experiences and activisms-to explore group dynamics, differing strategies and activist moments, and the broader quests of these communities for rights and social justice. This book is framed around the concept of "activism," which most fully encompasses the relationships that blacks and Latinos have enjoyed throughout the twentieth century. Wide ranging and pioneering, Civil Rights and Beyond explores black and Latino/a activism from California to Florida, Chicago to Bakersfield-and a host of other communities and cities-to demonstrate the complicated nature of African American-Latino/a activism in the twentieth-century United States.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON FICTION.
A GUARDIAN AND OBSERVER BOOK OF THE YEAR.
An intimate, deeply reported account of the women who made a shocking decision: to leave their comfortable lives behind and join the Islamic State.
In early 2014, the Islamic State clinched its control of Raqqa in Syria. Baghdadi, the leader of ISIS, urged Muslims around the world to come join the caliphate. Having witnessed the brutal oppression of the Assad regime in Syria, and moved to fight for justice, thousands of men and women heeded his call.
At the heart of this story is a cast of unforgettable young women who responded. Emma, from Germany; Sharmeena, from Bethnal Green, London; Nour, from Tunis: these were women ― some still in school ― from urban families, some with university degrees and bookshelves filled with novels by Jane Austen and Dan Brown; many with cosmopolitan dreams of travel and adventure. But instead of finding a land of justice and piety, they found themselves trapped within the most brutal terrorist regime of the twenty-first century, a world of chaos and upheaval and violence.
What is the line between victim and collaborator? How do we judge these women who both suffered and inflicted intense pain? What role is there for Muslim women in the West? In what is bound to be a modern classic of narrative nonfiction, Moaveni takes us into the school hallways of London, kitchen tables in Germany, the coffee shops in Tunis, the caliphate’s OB/GYN and its ‘Guest House for Young Widows’ ― where wives of the fallen waited to be remarried ― to demonstrate that the problem called terrorism is a far more complex, political, and deeply relatable one than we generally admit.
Popular discussions of professional women often dwell on the conflicts faced by the woman who attempts to ""have it all"", raising children while climbing up the corporate ladder. Yet for all the articles and books written on this subject, there has been little work that focuses on the experience of African American professional women or asks how their perspectives on work-family balance might be unique. Raising the Race is the first scholarly book to examine how black, married career women juggle their relationships with their extended and nuclear families, the expectations of the black community, and their desires to raise healthy, independent children. Drawing from extensive interviews with twenty-three Atlanta-based professional women who left or modified careers as attorneys, physicians, executives, and administrators, anthropologist Riche J. Daniel Barnes found that their decisions were deeply rooted in an awareness of black women's historical struggles. Departing from the possessive individualistic discourse of ""having it all"", the women profiled here think beyond their own situation - considering ways their decisions might help the entire black community. Giving a voice to women whose perspectives have been underrepresented in debates about work-family balance, Barnes's profiles enable us to perceive these women as fully fledged individuals, each with her own concerns and priorities. Yet Barnes is also able to locate many common themes from these black women's experiences, and uses them to propose policy initiatives that would improve the work and family lives of all Americans.
This unique introduction to Native American sacred teachings offers a powerful resource for problem-solving on all fronts, whether at home, at work or in relationships. With Eliana Harvey and Wa-Na-Nee-Che as your guides, you will discover how to communicate with the animals and other sacred archetypes, as they become your teachers and reveal their medicine ways to steer you in your everyday life. Use the Animal, Grandfather/Grandmother and Totem cards for healing and to develop your intuitive abilities, as you progress through three levels of learning.Their age-old wisdom will help you to live in harmony with yourself, and with all living things around you.
During the postwar period of 1948-56, over 400,000 Jews from the Middle East and Asia immigrated to the newly established state of Israel. By the end of the 1950s, Mizrahim, also known as Oriental Jewry, represented the ethnic majority of the Israeli Jewish population. Despite their large numbers, Mizrahim were considered outsiders because of their non-European origins. Viewed as foreigners who came from culturally backward and distant lands, they suffered decades of socioeconomic, political, and educational injustices. In this pioneering work, Roby traces the Mizrahi population's struggle for equality and civil rights in Israel. Although the daily ""bread and work"" demonstrations are considered the first political expression of the Mizrahim, Roby demonstrates the myriad ways in which they agitated for change. Drawing upon a wealth of archival sources, many only recently declassified, Roby details the activities of the highly ideological and politicized young Israel. Police reports, court transcripts, and protester accounts document a diverse range of resistance tactics, including sit-ins, tent protests, and hunger strikes. Roby shows how the Mizrahi intellectuals and activists in the 1960s began to take note of the American civil rights movement, gaining inspiration from its development and drawing parallels between their experience and that of other marginalized ethnic groups. The Mizrahi Era of Rebellion shines a light on a largely forgotten part of Israeli social history, one that profoundly shaped the way Jews from African and Asian countries engaged with the newly founded state of Israel.
Higinio V. Gonzales (1842-1921) was more than a gifted metalworker. A man of varied talents whose poems and songs complement his work in punched tin, Gonzales transcends categorization. In The Artistic Odyssey of Higinio V. Gonzales, Maurice M. Dixon, Jr., who has spent more than thirty years studying New Mexico tinwork, describes the artist's signature techniques. Featuring translations of Gonzales's poetry, this book restores a long-forgotten New Mexican innovator to the prominence he deserves. Recounting the scholarly detective work that revealed the full scope of Gonzales's art and career, Dixon tells the story of a craftsman who was also a poet. He begins with Gonzales's first signed literary work, a handwritten birthday poem decorated with beautifully drawn flowers and birds, dated 1889, and then pieces together the artist's life and career. Through meticulous research into manuscripts and the dates of tin cans that Gonzales repurposed into elegant, fanciful frames, niches, sconces, and religious decorations, Dixon identifies as Gonzales's numerous pieces of poetry and tinwork once attributed to anonymous poets and artists. His most important discovery served as a Rosetta stone: an ink wash and watercolor drawing in an ornamental tin frame (housed at the Millicent Rogers Museum in Taos), whose documented provenance helped Dixon to identify Gonzales's other artwork. More than 100 color photographs of Gonzales's tinwork and more than a dozen translations of the artist's poetic and musical works punctuate the narrative. Both a catalogue raisonne of a hitherto little-known artist and an anthology of his writings, this book reconstructs the creative life of a long-overlooked talent, one whose quest for beauty resulted in a prolific body of art and literature.
You may like...
Sala Kahle, District Six
Nomvuyo Ngcelwane Paperback
Because I Couldn't Kill You - On Her…
Kelly-Eve Koopman Paperback (1)
Between Rock & A Hard Place - A Memoir
Carsten Rasch Paperback
Sindiwe Magona, Elinor Sisulu Paperback
Khamr - The Makings Of A Waterslams
Jamil F. Khan Paperback (5)
Living Coloured (Because Black & White…
Yusuf Daniels Paperback (2)
Lansdowne Dearest - My Family's Story Of…
Bronwyn Davids Paperback
The Land Wars - The Dispossession Of The…
John Laband Paperback (1)
A School Where I Belong - Creating…
Dylan Wray, Roy Hellenberg, … Paperback (1)
Maverick Africans - The Shaping Of The…
Hermann Giliomee Paperback (1)