The Russian Empire is usually thought of as an expansive continental realm, consisting of contiguous territories. The existence of Russian America challenges this image. The Russian Empire claimed territory and people in North America between 1741 and 1867 but not until 1799 was this colonial activity was organized and coordinated under a single entity-the Russian-American Company, a monopolistic charter company analogous to the West European-based colonial companies of the time. When the ships of Russia's first circumnavigation voyage arrived on the shores of Russian America in 1804, a clash of arms between the Russians and the Tlingit Indians ensued, and a new Russian fortpost was established at Sitka. Russian America was effectively transformed from a remote extension of Russia's Siberian frontier penetrated mainly by Siberianized Russians into an ostensibly modern overseas colony operated by Europeanized Russians. This book examines how Russians conceived and practiced the colonial rule that resulted from this transformation. Under the rule of the Russian-American Company, the colony was governed on different terms from the rest of the empire, a hybrid of elements carried over from Siberia and those imported from rival colonial systems. This approach was particularly evident in Russian strategies to convert the indigenous peoples of Russian America into loyal subjects of the Russian Empire. The first comprehensive history bringing together the history of Russia, the history of colonialism, and the history of contact between native peoples and Europeans on the American frontier, this work is invaluable for understanding the history of Alaska before its sale to the United States.

Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. Rather than perpetuating the glamorous worldwide conceptions that often only reflect the tango that left Argentina nearly 100 years ago, authors Kacey Link and Kristin Wendland trace tango's historical and stylistic musical trajectory in Argentina, beginning with the guardia nueva's crystallization of the genre in the 1920s, moving through tango's Golden Age (1925-1955), and culminating with the "Music of Buenos Aires" today. Through the transmission, discussion, examination, and analysis of primary sources currently unavailable outside of Argentina, including scores, manuals of style, archival audio/video recordings, and live video footage of performances and demonstrations, Link and Wendland frame and define Argentine tango music as a distinct expression possessing its own musical legacy and characteristic musical elements. Beginning by establishing a broad framework of the tango art form, the book proceeds to move through twelve in-depth profiles of representative tangueros (tango musicians) within the genre's historical and stylistic trajectory. Through this focused examination of tangueros and their music, Link and Wendland show how the dynamic Argentine tango grows from one tanguero linked to another, and how the composition techniques and performance practices of each generation are informed by that of the past.

Forgiveness Redefined is Candice Mama’s honest and healing story. It tells how she found ways to deal with the death of her father, Glenack Masilo Mama, and to forgive the notorious apartheid assassin Eugene de Kock, the man responsible for his brutal murder. We follow Candice’s journey of discovering how her father died, how this affected her and how she battled the demons of depression before the age of sixteen. But most importantly, we follow her journey towards beating the odds and rising above her heartbreaks.

Candice Mama is today still under the age of 30, but has been named as one of Vogue Paris’ most inspiring women alongside glittering names such as Michelle Obama. She has taken backstage selfies with music crooner Seal and travels all over the world to talk about her journey. This bubbly, inspiring young author tells how she shed some of the worst layers of grief and became an inspiration for others. We learn about her perplexing, unconventional childhood, her search for identity, and the beautiful bond she formed, posthumously, with a father she never had the opportunity to get to know in person. She also tells, in her own words, about the life-changing encounter between her family and her father’s killer.

Candice tenderly opens up about the result of the trauma of her father’s death on her entire family, and meeting her mother for the first time at the age of four. She tells about the confusing, yet fascinating, dynamics that later unfolded as she discovered pieces of herself, rediscovered relationships with her own family and came to forgiveness and understanding.

This book serves as inspiration for other young – and older – people to look at their own stories through different lenses. Candice’s experiences are not unique, and she offers healing thoughts to others who suffered similar trauma by sharing the details of her own story. Forgiveness Redefined is a touching, personal story by a young woman who learned too early about pain, loss and rejection – but who also learned how to overcome those burdens and live joyfully.

Amidst the growing forums of kinky Jews, orthodox drag queens, and Jewish geisha girls, we find today's sexy Jewess in a host of reflexive plays with sexed-up self-display. A social phantasm with real legs, she moves boldly between neo-burlesque striptease, comedy television, ballet movies, and progressive porn to construct the 21st Century Jewish American woman through charisma and comic craft, in-your-face antics, and offensive charm. Her image redresses longstanding stereotypes of the hag, the Jewish mother, and Jewish American princess that have demeaned the Jewish woman as overly demanding, inappropriate, and unattractive across the 20th century, even as Jews assimilated into the American mainstream. But why does "sexy" work to update tropes of the Jewish woman? And how does sex link to humor in order for this update to work? Entangling questions of sexiness to race, gender, and class, The Case of the Sexy Jewess frames an embodied joke-work genre that is most often, but not always meant to be funny. In a contemporary period after the thrusts of assimilation and women's liberation movements, performances usher in new versions of old scripts with ranging consequences. At the core is the recuperative performance of identity through impersonation, and the question of its radical or conservative potential. Appropriating, re-appropriating, and mis-appropriating identity material within and beyond their midst, Sexy Jewess artists play up the failed logic of representation by mocking identity categories altogether. They act as comic chameleons, morphing between margin and center in countless number of charged caricatures. Embodying ethnic and gender positions as always already on the edge while ever more in the middle, contemporary Jewish female performers extend a comic tradition in new contexts, mobilizing progressive discourses from positions of newfound race and gender privilege.

Why is there a resurgence of racism in contemporary societies? How do ideas about race and ethnicity serve to construct forms of social and political identity? These are some of the key questions addressed in this important book. Drawing on comparative sources, this study analyses some of the most important aspects of racism within the context of contemporary social relations, introducing both students and practitioners to questions of key importance in the study of racism.

Continuing its distinguished tradition of focusing on central political, sociological, and cultural issues of Jewish life in the last century, Volume XXVI of the annual Studies in Contemporary Jewry examines the visual revolution that has overtaken Jewish cultural life in the twentieth century onwards, with special attention given to the evolution of Jewish museums. Bringing together leading curators and scholars, Visualizing and Exhibiting Jewish Space and History treats various forms of Jewish representation in museums in Europe and the United States before the Second World War and inquires into the nature and proliferation of Jewish museums following the Holocaust and the fall of Communism in Western and Eastern Europe. In addition, a pair of essays dedicated to six exhibitions that took place in Israel in 2008 to mark six decades of Israeli art raises significant issues on the relationship between art and gender, and art and politics. An introductory essay highlights the dramatic transformation in the appreciation of the visual in Jewish culture. The scope of the symposium offers one of the first scholarly attempts to treat this theme in several countries.
Also featured in this volume are a provocative essay on the nature of antisemitism in twentieth-century English society; review essays on Jewish fundamentalism and recent works on the subject of the Holocaust in occupied Soviet territories; and reviews of new titles in Jewish Studies..

Cognisant of the globalising context in which we find ourselves, as intellectuals we ought to ensure relevance in what we teach. This orientation, that prizes pedagogic relevance, has been raised as an objection to the decolonial call, being – at times – used to resist democratic change in the South African University. The contributions in this volume highlight the implications of the global relevance discourse through revealing the impact of decontextualised curricula.

Similarly, institutional democratisation and decolonisation ought not to be a turn to fundamentalist positions that recreate the essentialisms resisted through calls for decolonisation. As a critical response to such resistance to democratisation, this book showcases how decolonisation protects the constitutionally enshrined ideal of academic freedom and the freedom of scientific research. We argue that this framing of decoloniality should not be used to protect interests that seek to undermine the transformation of higher education. Concurrently, however, it is critical of decolonial positions that are essentialist and narrow in their manifestation and articulation.

Decolonisation as Democratisation suggests what is intended by a curriculum revisionist agenda that prizes decolonisation through bringing together academics working in South Africa and the global academy. This collaborative approach aims to facilitate critical reflexivity in our curriculum reform strategies while developing pragmatic solutions to current calls for decolonisation.

Black Natural Law offers a new way of understanding the African American political tradition. Iconoclastically attacking left (including James Baldwin and Audre Lorde), right (including Clarence Thomas and Ben Carson), and center (Barack Obama), Vincent William Lloyd charges that many Black leaders today embrace secular, white modes of political engagement, abandoning the deep connections between religious, philosophical, and political ideas that once animated Black politics. By telling the stories of Frederick Douglass, Anna Julia Cooper, W. E. B. Du Bois, and Martin Luther King, Jr., Lloyd shows how appeals to a higher law, or God's law, have long fueled Black political engagement. Such appeals do not seek to implement divine directives on earth; rather, they pose a challenge to the wisdom of the world, and they mobilize communities for collective action. Black natural law is deeply democratic: while charismatic leaders may provide the occasion for reflection and mobilization, all are capable of discerning the higher law using our human capacities for reason and emotion. At a time when continuing racial injustice poses a deep moral challenge, the most powerful intellectual resources in the struggle for justice have been abandoned. Black Natural Law recovers a rich tradition, and it examines just how this tradition was forgotten. A Black intellectual class emerged that was disconnected from social movement organizing and beholden to white interests. Appeals to higher law became politically impotent: overly rational or overly sentimental. Recovering the Black natural law tradition provides a powerful resource for confronting police violence, mass incarceration, and today's gross racial inequities. Black Natural Law will change the way we understand natural law, a topic central to the Western ethical and political tradition. While drawing particularly on African American resources, Black Natural Law speaks to all who seek politics animated by justice.

Drawing on the context of global history and re-interpreting the known and agreed historical facts, author Colin Bower mounts an irrefutable challenge to the grand narrative of colonialism and racism as the quintessential South African story.

In the course of his polemic he makes the following points:

• The historical conflict between light skinned and dark skinned South Africans need not be seen in racial terms at all, but as a conflict between land ownership by right of historical occupation, and ownership by right of title deed. This is a battle always and universally won by rights of ownership by title deed, and this is to the benefit of all South Africans today.
• If a defining characteristic of colonialism is the extraction of wealth from the colony by the coloniser, then we have reason to question the use of the word in a South African context, for neither the VOC nor the British made a net financial gain from South Africa.
• Had Britain exercised colonial dominion over the whole of an integrated four province South Africa at the conclusion of the Anglo Boer War, South Africa would have had a colour-blind national franchise as early as 1902, no Land Act of 1913, and no post-1948 apartheid.
• Although the consequences of apartheid were widespread suffering and injustice on a racially exclusive basis, apartheid can be better understood as an exercise in domination to achieve competitive advantage than as an emanation of racial hatred.

Bower suggests that obsession with historical injustice represents an escape from the responsibility of building happy, free and prosperous societies in the present, and recommends we replace it with an obsessive devotion to the protection of constitutionalism and the rule of law.

Deborah Posel breaks new ground in exposing some of the crucial political processes and struggles which shaped the reciprocal development of Apartheid and capitalism in South Africa. Her analysis debunks the orthodoxy view which presents apartheid as the product of a single `grand plan', created by the State in response to the pressures of capital accumulation. Using as a case study influx control during the first phase of apartheid (1948-1961), she shows that apartheid arose from complex patterns of conflict and compromise within the State, in which white capitalists, the black working class, and popular movements exercised varying and uneven degrees of influence. Her book integrates a detailed empirical analysis of the capitalist State and its relationship to class interests.

Islam's relationship to liberal-democratic politics has emerged as one of the most pressing and contentious issues in international affairs. This book analyzes the relationship between religion, secularism, and liberal democracy, both theoretically and in the context of the contemporary Muslim world. This book challenges a widely held belief among social scientists that religious politics and liberal-democratic development are structurally incompatible. While there are certainly tensions between Islam and democracy -- Hashemi draws on Iran as an example -- the two are not irreconcilable. He affirms the need for political secularism in order for liberal democracy to flourish, and examines how Muslim societies can develop the political secularism required for liberal democracy when the main political, cultural and intellectual resources that are available are religious. Hashemi argues that democratization and liberalization do not necessarily require a rejection or privatization of religion but do require a reinterpretation of religious ideas about the moral basis of legitimate political authority and individual rights. In fact, he shows, liberal democracy in the West often developed not in strict opposition to religious politics but in concert with it. Hashemi argues that an indigenous theory of Muslim secularism -- similar to what developed in the Christian West -- is possible and a necessary requirement for the advancement of liberal democracy in Muslim societies.

Beatriz Caiuby Labate and Clancy Cavnar offer an in-depth exploration of how Amerindian epistemology and ontology concerning indigenous shamanic rituals of the Amazon have spread to Western societies, and of how indigenous, mestizo, and cosmopolitan cultures have engaged with and transformed these forest traditions. The volume focuses on the use of ayahuasca, a psychoactive drink essential in many indigenous shamanic rituals of the Amazon. Ayahuasca use has spread far beyond its Amazonian origin, spurring a variety of legal and cultural responses in the countries to which it has spread. The essays in this volume look at how these responses have influenced ritual design and performance in traditional and non-traditional contexts, how displaced indigenous people and rubber tappers are engaged in the creative reinvention of rituals, and how these rituals help build ethnic alliances and cultural and political strategies for their marginalized position. Some essays explore important classic and contemporary issues in anthropology, including the relationship between the expansion of ecotourism and ethnic tourism and recent indigenous cultural revival and the emergence of new ethnic identities. The volume also examines trends in the commodification of indigenous cultures in post-colonial contexts, and the combination of shamanism with a network of health and spiritually related services. Finally, Ayahuasca Shamanism in the Amazon and Beyond addresses the topic of identity hybridization in global societies. The rich ethnographies and extensive analysis of these essays will allow deeper understanding of the role of ritual in mediating the encounter between indigenous traditions and modern societies.

In contemporary European societies the question of racism, linked to the politicisation of migration, is a major issue in social and political debate. Developments in a number of European societies have highlighted the volatility of this phenomenon and the ease with which racist and extreme-right political movements can mobilise around the question of immigration and opposition to cultural pluralism. The situation in countries as divergent as the UK, France, Germany, the Netherlands, Italy and various Scandinavian societies shows evidence of mounting racism and hostility to migrants. This volume provides a critical overview of the processes that have led to the present situation and explores some of the options for the future. Contents: Part I: Historical and Contemporary Perspectives J. Solomos and J. Wrench, Race and Racism in Contemporary Europe S. Castles, Migrations and Minorities in Europe: Perspectives for the 1990s: Eleven Hypotheses R. Miles, The Articulation of Racism and Nationalism: Reflections on European History Part II: Tendencies and Trends M. Wieviorka, Tendencies to Racism in Europe: Does France represent a unique case, or is it representative of a trend? C. Wilpert, The Ideological and Institutional Foundations of Racism in the Federal Republic of Germany E. Vasta, Rights and Racism in a New Country of Immigration: The Italian Case A. Alund and C. Schierup, The Thorny Road to Europe: Swedish Immigrant Policy in Transition T. Hammar, Political Participation and Civil Rights in Scandinavia H. Lutz, Migrant Women, Racism and the Dutch Labour Market P. Essed, The Politics of Marginal Inclusion: Racism in an Organisational Context J. Wrench and J. Solomos, The Politics and Processes of Racial Discrimination in Britain Part III: Issues and Debates T. A. van Dijk, Denying Racism: Elite Discourse and Racism A. Brah, Difference, Diversity, Differentiation: Processes of Racialisation and Gender Jan Rath, The Ideol

This book is an original, systematic, and radical attempt at decolonizing critical theory. Drawing on linguistic concepts from 16 languages from Asia, Africa, the Arab world, and South America, the essays in the volume explore the entailments of words while discussing their conceptual implications for the humanities and the social sciences everywhere. The essays engage in the work of thinking through words to generate a conceptual vocabulary that will allow for a global conversation on social theory which will be necessarily multilingual.

With essays by scholars, across generations, and from a variety of disciplines – history, anthropology, and philosophy to literature and political theory – this book will be essential reading for scholars, researchers, and students of critical theory and the social sciences.

God’s Waiting Room: Racial Reckoning at Life’s End is a poignant and immersive exploration of life in a South African nursing home, built atop a graveyard left behind by the forced removals of apartheid. Through the lens of Casey Golomski’s seven years of immersive research, the book offers a glimpse into the lives of the residents and caregivers of “Grace” nursing home. This institution, both a symbol of apartheid’s lingering scars and a microcosm of racial, social, and generational divides, becomes a space for exploring the tensions and reconciliations that emerge at the end of life.

At its core, the book confronts the painful history of apartheid, a system of racial segregation that displaced millions and dehumanized generations. As the older white residents and younger Black caregivers co-exist within Grace, they must navigate a complex dynamic born from decades of systemic violence. Golomski reveals, through vivid conversations and reflections, how these everyday interactions become moments of racial reckoning, tempered by the shared reality of aging and mortality.

What sets God’s Waiting Room apart is its narrative form. Golomski artfully combines creative nonfiction with ethnography, weaving together the past and present of his subjects’ lives in a single day-long tour of the home. Told in breathtakingly intimate and witty conversations with the home’s residents and nurses, including the untold story of Nelson Mandela’s Robben Island prison nurse, readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. The stories of seven individuals highlight the tension between care and prejudice, survival and memory, as they reckon with the apartheid era’s haunting legacy.

From a star astrophysicist, a journey into the world of particle physics and the cosmos -- and a call for more just, inclusive practice of science.

Science, like most fields, is set up for men to succeed, and is rife with racism, sexism, and shortsightedness as a result. But as Dr. Chanda Prescod-Weinstein makes brilliantly clear, we all have a right to know the night sky. One of the leading physicists of her generation, she is also one of the fewer than one hundred Black women to earn a PhD in physics. You will enjoy -- and share -- her love for physics, from the Standard Model of Particle Physics and what lies beyond it, to the physics of melanin in skin, to the latest theories of dark matter -- all with a new spin and rhythm informed by pop culture, hip hop, politics, and Star Trek.

This vision of the cosmos is vibrant, inclusive and buoyantly non-traditional. By welcoming the insights of those who have been left out for too long, we expand our understanding of the universe and our place in it.

The Disordered Cosmos is a vision for a world without prejudice that allows everyone to view the wonders of the universe through the same starry eyes.

She is Cuba: A Genealogy of the Mulata Body traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. It examines how the mulata choreographs her racialised identity through her hips and enacts an embodied theory called hip(g)nosis. By focusing on her living and dancing body in order to flesh out the process of identity formation, this book makes a claim for how subaltern bodies negotiate a cultural identity that continues to mark their bodies on a daily basis. Combining literary and personal narratives with historical and theoretical accounts of Cuban popular dance history, religiosity and culture, this work investigates the power of embodied exchanges: bodies watching, looking, touching and dancing with one another. It sets up a genealogy of how the representations and venerations of the dancing mulata continue to circulate and participate in the volatile political and social economy of contemporary Cuba.

The book speaks to antiquity of black African people as well as the, the backward condition in which black people find themselves today. The book also speaks to the progress black people made during the early years of the 20th century.

"It is a rare thing for me to stand with a book, explicitly about race and equity, that is written by a white person. Why? Because it is a rare thing to encounter a white person who has followed the lead of people of color into their own transformation so deeply that I trust the message coming from their white body. Idelette McVicker has done the work."--Lisa Sharon Harper (from the foreword) As a white Afrikaner woman growing up in South Africa during apartheid, Idelette McVicker was steeped in a community and a church that reinforced racism and shielded her from seeing her neighbors' oppression. But a series of circumstances led her to begin questioning everything she thought was true about her identity, her country, and her faith. Recovering Racists shares McVicker's journey over thirty years and across three continents to shatter the lies of white supremacy embedded deep within her soul. She helps us realize that grappling with the legacy of white supremacy and recovering from racism is lifelong work that requires both inner transformation and societal change. It is for those of us who have hit rock bottom in the human story of race, says McVicker. We must acknowledge our internalized racism, repent of our complicity, and learn new ways of being human. This book invites us on the long, slow journey of healing the past, making things right, changing old stories, and becoming human together. As we work for the liberation of everyone, we also find liberation for ourselves. Each chapter ends with discussion questions.

In Plantation Church, Noel Leo Erskine investigates the history of the Black Church as it developed both in the United States and the Caribbean after the arrival of enslaved Africans. Typically, when people talk about the "Black Church" they are referring to African-American churches in the U.S., but in fact, the majority of African slaves were brought to the Caribbean. It was there, Erskine argues, that the Black religious experience was born. The massive Afro-Caribbean population was able to establish a form of Christianity that preserved African Gods and practices, but fused them with Christian teachings, resulting in religions such as Cuba's Santeria. Despite their common ancestry, the Black religious experience in the U.S. was markedly different because African Americans were a political and cultural minority. The Plantation Church became a place of solace and resistance that provided its members with a sense of kinship, not only to each other but also to their ancestral past. Despite their common origins, the Caribbean and African American Church are almost never studied together. This book investigates the parallel histories of these two strands of the Black Church, showing where their historical ties remain strong and where different circumstances have led them down unexpectedly divergent paths. The result will be a work that illuminates the histories, theologies, politics, and practices of both branches of the Black Church. This project presses beyond the nation state framework and raises intercultural and interregional questions with implications for gender, race and class. Noel Leo Erskine employs a comparative method that opens up the possibility of rethinking the language and grammar of how Black churches have been understood in the Americas and extends the notion of church beyond the United States. The forging of a Black Christianity from sources African and European, allows for an examination of the meaning of church when people of African descent are culturally and politically in the majority. Erskine also asks the pertinent question of what meaning the church holds when the converse is true: when African Americans are a cultural and political minority.