One of the preeminent Black scholars of his era traces the life and bold aspirations of a man who devoted his life to opposing slavery at any cost. W.E.B. Du Bois examines John Brown as a man as well as a motive force behind the abolitionist sympathies that helped lead to the Civil War. He traces Brown's sympathy for slaves to an incident in his youth when he was warmly received by a family that treated their slave with casual brutality. At the time it was written, John Brown was widely considered a fanatic at best, a lunatic at worst, but here he is seen clearly as a man driven by his Christianity and his personal morals to oppose what he clearly perceived as a tremendous wrong in society, and to do so regardless of whatever toll it might take upon him. The author examines Brown's impact on the minds of those who understood that the abolitionist cause was supported primarily by Blacks, on the lives of Blacks who discovered a white man willing to fight and die for their freedom, and by the masses who found that slavery was not only an actionable moral issue, but one of deadly urgency. Originally published in 1909, on the 50th anniversary of Brown's execution, this is W.E.B. Du Bois's only work of biography. Although less known than the author's The Souls of Black Folk or Black Reconstruction in America, John Brown remains a classic distinguished by its author's deep understanding and eloquence. With an eye-catching new cover, and professionally typeset manuscript, this edition of John Brown is both modern and readable.

A collection of Native American tales and myths focusing on the relationship between man and nature.

How would you feel, as a guest, about sitting in a suburban living room that is for women only? What if you wanted a baby but as a single woman could not have one outside of a marriage? Could you stay home to mourn a husband for four months and ten days? Headstrong Daughters takes us inside the lives of Muslim women in Australia today. They are working professionals, mothers, and students. At home they are finding ways to stay true to their faith as well as to themselves, navigating the expectations of their families and the traditions they brought with them to their new country. But things are not always what they seem. These candid, moving and sometimes surprising stories reveal a side to Australian life that is little known and often misunderstood. Inspiring, warm and determined, these women are the new face of Islam in Australia.

Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. In this volume, Sarit Shalev-Eyni considers the Mahzor as a cosmological calendar, while Katrin Kogman-Appel looks at the work of Elisha ben Abraham, known as Cresques, in fourtheenth-century Mallorca. Evelyn M. Cohen discusses a surprising model for Charlotte Rothschild's Haggadah of 1842 and Ronit Sternberg examines sampler embroidery past and present as an expression of merging Jewish identity. Jechezkiel David Kirszenbaum's exploration of personal displacementis the subject of an article by Caroline Goldberg Igra, and the Great Synagogue on Tlomackie Street in Warsaw one by Eleanora Bergman. The Special Item by Sergey R. Kravtsov and Vladimir Levin is devoted to Perek Shirah on a wall of the Great Synagogue in Radyvyliv. The volume also includes book reviews and an appreciation of the life of Alfred Moldovan by William L. Gross. Contributors: Ziva Amishai-Maisels, Professor, History of Art Department, Hebrew University of Jerusalem, Eleonora Bergman, Emanuel Ringelbaum Jewish Historical Institute, Warsaw, Evelyn M. Cohen, Professor, Jewish Theological Seminary (JTS), New York, Caroline Goldberg Igra, Guest Curator, Beit Hatfusot, Tel Aviv, William L. Gross, Collector, Tel Aviv, Katrin Kogman-Appel, Professor, Ben-Gurion University of the Negev, Beersheva, Sergey R. Kravtsov, Center for Jewish Art, Hebrew University of Jerusalem, Vladimir Levin, Center for Jewish Art, Hebrew University of Jerusalem, Sarit Shalev-Eyni, History of Art Department, Hebrew University of Jerusalem, Larry Silver, History of Art Department, University of Pennsylvania, Ronit Steinberg, History and Theory Department, Bezalel Academy of Arts and design, Jerusalem Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel. Orders and enquiries from Israeli customers should be directed to: Ars Judaica Department of Jewish Art Bar-Ilan University Ramat-Gan 52900 telephone 03 5318413 fax 03 6359241 email [email protected]

What do Walter Sisulu, Paul Xiniwe, Bertha Mkhize and John Tengo Jabavu have in common? They were all Black South African business people, and only a few of the names of the elite who were able to build successful enterprises against all odds in industries such as agriculture, media, financial services, retail, real estate, transport, hoteliering and more during the colonial and apartheid eras.

In many cases, they were also political activists as necessitated by the oppressive conditions of the time in order to fight for equal rights to enterprise and markets. Here their stories as entrepreneurs as well as political actors are profiled, showing the inexplicable relationship between the two.

The history of Black South African enterprise pre- and post-colonially in areas like mining is also explored, showing that this was nothing alien or unexpected and instead, that oppression curtailed the majority of enterprise that was possible and blocked out competition through dispossession.

This is fundamentally a text about race and antiblack racism and their subsequent production of the problem of alienation (separation) of human beings from one another, from their bodies, and from themselves, globally, but with distinct and conscious focus on the historical context of apartheid and “post”-apartheid South Africa through the psychological lens of one of the country’s first and distinguished clinical psychologists, Noel Chabani Manganyi.

The book is a philosophically critical engagement with his work, and it constitutes, as it were, part of the author’s overarching project of attempting to reclaim and retrieve hitherto overlooked, ignored and invisibilised Black thinkers of the past and present. Although Manganyi has written over 10 books, the most important and popular being Being-Black-in-the-World (1973) and Alienation and the Body in Racist Society (1977), his ideas and work have, for one reason or another, been disregarded by mainstream South African psychology, let alone philosophy. The author foregrounds philosophy as also a culprit because Manganyi himself describes his work as that of “a psychologist who thinks and conceptualises psychological reality in a phenomenological way”.

Manganyi has the distinction of being the first Black clinical psychologist trained in South Africa as the title of his latest book, Apartheid and the Making of a Black Psychologist (2016) indicates. His body of published work reveals that from the beginning he has been involved in an attempt to contextualise his discipline, psychology, to the lived realities of his country, that is, apartheid racism and the alienation it produced on Black people. In other words, his main concern has been to utilise psychological discourse to address issues relevant to what can broadly be called “the Black lived-experience” in an antiblack racist society and their experience of the condition of alienation. As such he stood as a solitary figure whose voice was pushed to the margins of the psychological establishment, which was either silent about or complicit in the oppression of Blacks by the apartheid regime.

By exploring Manganyi’s serious concerns about apartheid racism and its attendant devastating production of alienation among Black people, the author argues that the problem of alienation produced by continuing rampant antiblack racism (even from the hands of a Black government) constitutes itself as a lingering problem of “post”-apartheid South Africa.

The author demonstrates that apartheid and alienation are not only conceptually synonymous but experientially related because what connects antiblack racism (apartheid) and alienation is the fact of our embodied existence in the world and that Black alienation manifests itself through the body. After all, antiblack racism is predicated on bodily appearance and body differences among human beings. Manganyi himself places a high premium on the body precisely because, in his view, the Black subjects have inherited a negative sociological schema of their black bodies as a result of which most of them experience themselves as somethings or objects outside of themselves, that is.

The value of revisiting Manganyi’s contribution can be underlined by reference to imperatives posed in recent incidents of antiblack racism and contemporary approaches to race and embodiment in disciplines such as philosophy (Black existentialism), psychology, sociology, cultural studies and identity politics.

This book's focus spans a wide variety of disciplines, including psychology, philosophy, political philosophy, critical race studies and post-colonialism, and therefore will be of interest to a broad cross-section of undergraduate and graduate students, scholars and activists.

This book spans a century in the history of the Blackfoot First Nations of present-day Montana and Alberta. It maps out specific ways in which Blackfoot culture persisted amid the drastic transformations of colonisation, with its concomitant forced assimilation in both Canada and the United States. It portrays the strategies and tactics adopted by the Blackfoot in order to navigate political, cultural and social change during the hard transition from traditional life-ways to life on reserves and reservations. Cultural continuity is the thread that binds the four case studies presented, encompassing Blackfoot sacred beliefs and ritual; dress practices; the transmission of knowledge; and the relationship between oral stories and contemporary fiction. Blackfoot voices emerge forcefully from the extensive array of primary and secondary sources consulted, resulting in an inclusive history wherein Blackfoot and non-Blackfoot scholarship enter into dialogue. Blanca Tovias combines historical research with literary criticism, a strategy that is justified by the interrelationship between Blackfoot history and the stories from their oral tradition. Chapters devoted to examining cultural continuity discuss the ways in which oral stories continue to inspire contemporary Native American fiction. This interdisciplinary study is a celebration of Blackfoot culture and knowledge that seeks to revalourise the past by documenting Blackfoot resistance and persistence across a wide spectrum of cultural practice. The volume is essential reading for all scholars working in the fields of Native American studies, colonial and postcolonial history, ethnology and literature.

Journeys Through The Twentieth Century, Stories From One Family is a fascinating study of memory and identity, spanning almost two centuries, using the unique archive of one extended Jewish family.

Journeys Through The Twentieth Century, Stories From One Family is a fascinating study of memory and identity, spanning almost two centuries, using the unique archive of one extended Jewish family.

Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. In this volume, Avraham Faust considers a unique phenomenon in the material culture of ancient Israel during the biblical period: pottery without painted decoration. Moshe Idel, an expert on Jewish mysticism, sheds new light on the figure of Helios in the Hammath Tiberias synagogue mosaic, comparing it to descriptions of angel 'Anafi'el in the Heikhalot literature and medieval Kabbalistic texts. Rahel Fronda attributes a group of medieval Ashkenazi Bible manuscripts containing similar micrographic ornaments to the same scribal workshop, possibly near Wurzburg. Alexander Mishory reveals a Scroll of Esther illuminated by one of the first Bezalel artists, Shmuel Ben-David, and focuses on his use of fowl and fox imagery deriving from an Arab fable. Artur Tanikowski discusses social awareness and humanist values in the work of Polish modernists of Jewish origin. The Special Item by Nurit Sirkis Bank is dedicated to hasidic wedding rings. A silver ring, square on the outside, round within, and engraved with the Hebrew letter he is understood as a symbol of unity and harmony between man and woman, the human and the Divine, nature and culture, and even good and evil. Contributor Information: Walter Cahn, Professor, History of Art Department, Yale University, Avraham Faust, Director, Tel 'Eton Excavations, Institute of Archaeology, Martin (Szusz) Department of Land of Israel Studies and Archaeology, Bar-Ilan University, Rahel Fronda, Hebraica and Judaica Subject Librarian, Bodleian Library, University of Oxford, Carole Herselle Krinsky, Professor, Art History Department, New York University, Moshe Idel, Professor, Department of Jewish Thought, Hebrew University of Jerusalem; Senior Researcher, Shalom Hartman Institute, David Malkiel, Professor, Department of Jewish History, Bar-Ilan University, Alec Mishory, independent scholar, Israel, Ilia Rodov, Lecturer, Department of Jewish Art, Bar-Ilan University, Nurit Sirkis Bank, Curator, Wolfson Museum of Jewish Art, Hechal Shlomo; doctoral candidate, Bar-Ilan University, David Stern, Professor, Jewish Studies Faculty, University of Pennsylvania, Artur Tanikowski, Graphic Department, Academy of Fine Arts, Warsaw; Faculty of Humanities, Fryderyk Chopin Uiversity of Music, Warsaw; Curator, Museum of the History of Polish Jews, Warsaw Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel. Orders and enquiries from Israeli customers should be directed to: Ars Judaica Department of Jewish Art Bar-Ilan University Ramat-Gan 52900 Telephone: 03 5318413 Email: [email protected]

This book was inspired by a challenge from one of Douglas's students: "How could you, a black woman, possibly be a Christian?" Reflection on the historical sins of Christians, particularly the role of white Christians in countenancing the lynching of African Americans, led her to broader questions: What is it about Christianity that could lend itself to racism and its violent abuses? What is it about Christianity that has allowed it to be both a bane and a blessing for black people? Douglas examines the various "distortions" in early Christianity--particularly the influence of platonic dualism, with its denigration of the body, and the alliance with imperial power. She shows how this later helped support white racism, just as it later fed homophobia and other distortions in the black church. Nevertheless, she ends by sharing an inspiring account of her own Christian faith, and why she is still a Christian.