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Originally published in June 2007, this book aims to keep intact the soul of Biko and his teachings in a book of quotes. This is done through the reproduction of key quotes on the fundamental subject matter put forward by The Black Consciousness ideology. Some of the quotes included are from Father Stubbs and Millard Arnold.
Edited by Millard Arnold, he brings to life the words of Biko’s revolutionary thought which encompassed a wide range of subject matter pertaining to the black human experience. Ranging from Black Expectations, through to Liberals, as well as the topic of integration. The book includes some of Biko’s quotes on different subjects:
‘The future will always be shaped by the sequence of present-day events.’
‘Being black is not a matter of pigmentation being black is a reflection of a mental attitude.’
‘The philosophy of Black Consciousness, therefore, expresses group pride and the determination by the blacks to rise and attain the envisaged self.’
For more than a century, skin lighteners have been a ubiquitous feature of global popular culture-embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin colour from precolonial times to the postcolonial present. From indigenous skinbrightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billiondollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation, as well as consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners' layered history, Thomas theorises skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.
Shootin' - Lynchin' - Hangin',"" announces the advertisement for Tombstone's Helldorado Days festival. Dodge City's Boot Hill Cemetery sports an ""authentic hangman's tree."" Not to be outdone, Deadwood's Days of '76 celebration promises ""miners, cowboys, Indians, cavalry, bars, dance halls and gambling dens."" The Wild West may be long gone, but its legend lives on in Tombstone, Arizona; Deadwood, South Dakota; and Dodge City, Kansas. In Tombstone, Deadwood, and Dodge City, Kevin Britz and Roger L. Nichols conduct a tour of these iconic towns, revealing how over time they became repositories of western America's defining myth. Beginning with the founding of the communities in the 1860s and 1870s, this book traces the circumstances, conversations, and clashes that shaped the settlements over the course of a century. Drawing extensively on literature, newspapers, magazines, municipal reports, political correspondence, and films and television, the authors show how Hollywood and popular novels, as well as major historical events such as the Great Depression and both world wars, shaped public memories of these three towns. Along the way, Britz and Nichols document the forces - from business interests to political struggles - that influenced dreams and decisions in Tombstone, Deadwood, and Dodge City. After the so-called rowdy times of the open frontier had passed, town promoters tried to sell these towns by remaking their reputations as peaceful, law-abiding communities. Hard times made boosters think again, however, and they turned back to their communities' rowdy pasts to sell the towns as exemplars of the western frontier. An exploration of the changing times that led these towns to be marketed as reflections of the Old West, Tombstone, Deadwood, and Dodge City opens an illuminating new perspective on the crafting and marketing of America's mythic self-image.
"The Coyaba Chronicles: Reflections on the Black Experience in the Twentieth Century" is both personal memoir and a powerful meditation on what W.E.B. Dubois defined at the beginning of the century as "the problem of the colour line; of the relations between the lighter and darker races of man". Using Dubois as a point of departure, Abrahams writes passionately, about the inherent "wrongness" of racial hatred and contemplates such timeless questions as: "Why was colour the most crucial issue of our century?" and "When will we get over the deep psychic and emotional damage done by the racial experience?" This is one of the major themes of the memoir - the quest for an intellectual identity - a challenge that faces people of colour in first and third-world countries.;"The Coyaba Chronicles" is also the personal journey of Peter Abrahams. It is the odyssey of a young South African who works for a time as a seaman, leaving his homeland for wartime Britain and post-war France to become a writer; it is the story of his personal relationships with the Black literati of the day and his involvement in the pan-Africanist movement of the 1950's - allowing for his fascinating personal pen-portraits of George Padmore, W.E.B. Dubois, Julius Nyerere, Kwame Nkrumah, Richard Wright and Langston Hughes. It is how the journey takes him to the Caribbean island of Jamaica, where he and his wife Daphne and their three children find sanctuary from racial divisiveness at "Coyaba" in the hills of St Andrew.
Black Elk of the Sioux has been recognized as one of the truly remarkable men of his time in the matter of religious belief and practice. Shortly before his death in August, 1950, when he was the "keeper of the sacred pipe," he said, "It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually."
Black Elk was the only qualified priest of the older Oglala Sioux still living when "The Sacred Pipe "was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the "keeping of the soul," and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination.
The "wakan "Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. "The Sacred Pipe, "published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.
When Andrew Jackson's removal policy failed to solve the ""Indian problem,"" the federal government turned to religion for assistance. Nineteenth-century Catholic and Protestant reformers eagerly founded reservation missions and boarding schools, hoping to ""civilize and Christianize"" their supposedly savage charges. In telling the story of the Saint Francis Indian Mission on the Sicangu Lakota Rosebud Reservation, Converting the Rosebud illuminates the complexities of federal Indian reform, Catholic mission policy, and pre- and post-reservation Lakota culture. Author Harvey Markowitz frames the history of the Saint Francis Mission within a broader narrative of the battles waged on a national level between the Catholic Church and the Protestant organizations that often opposed its agenda for American Indian conversion and education. He then juxtaposes these battles with the federal government's relentless attempts to conquer and colonize the Lakota tribes through warfare and diplomacy, culminating in the transformation of the Sicangu Lakotas from a sovereign people into wards of the government designated as the Rosebud Sioux. Markowitz follows the unpredictable twists in the relationships between the Jesuit priests and Franciscan sisters stationed at Saint Francis and their two missionary partners - the United States Indian Office, whose assimilationist goals the missionaries fully shared, and the Sicangus themselves, who selectively adopted and adapted those elements of Catholicism and Euro-American culture that they found meaningful and useful. Tracing the mission from its 1886 founding in present-day South Dakota to the 1916 fire that reduced it to ashes, Converting the Rosebud unveils the complex church-state network that guided conversion efforts on the Rosebud Reservation. Markowitz also reveals the extent to which the Sicangus responded to those efforts - and, in doing so, created a distinct understanding of Catholicism centered on traditional Lakota concepts of sacred power.
Britain has the highest levels of mixed race relationships in the developed world. Nearly half of all Carribean children in this country have one white parent. In many areas there are more mixed race children in care than any other group. Issues of race lie at the heart of "New Britain" and in this title the author gives an analysis of mixed race issues, supplying a history before going on to analyze dilemmas such as guilt, and the absence of social policy. Her book aims to reflect the complex lives of this growing and increasingly visable population.
Native to the Kalahari Desert, Hoodia gordonii is a succulent plant known by generations of indigenous San peoples to have a variety of uses: to reduce hunger, increase energy, and ease breastfeeding. In the global North, it is known as a natural appetite suppressant, a former star of the booming diet industry. In Reinventing Hoodia, Laura Foster explores how the plant was reinvented through patent ownership, pharmaceutical research, the self-determination efforts of indigenous San peoples, contractual benefit sharing, commercial development as an herbal supplement, and bioprospecting legislation. Using a feminist decolonial technoscience approach, Foster argues that although patent law is inherently racialized, gendered, and Western, it offered opportunities for indigenous San peoples, South African scientists, and Hoodia growers to make claims for belonging within the shifting politics of South Africa. This radical interdisciplinary and intersectional account of the multiple materialities of Hoodia illuminates the connections between law, science, and the marketplace, while demonstrating how these domains value certain forms of knowledge and matter differently.
Haabre is a series of portraits of people who represent perhaps the last generation to bear the ritual scarification associated with a number of ethnic groups in various parts of West Africa. These lush images, shot in Choumaliís studio in Abidjan, are accompanied by excerpts of interviews conducted by Choumali with her sitters, which reveal a range of responses to scarification, from pride to ambivalence and even outright rejection of the facial markings. These portraits and texts examine the complex role of tradition in an urban setting such as Abidjan and suggest the shifting nature of the concepts of beauty and identity.
In this debut collection, Amy Meng meticulously strips a collapsing relationship for its parts. By dissecting the performativity and vulnerability of a person in love, with a singular precision, Meng's poems are marked by an unflinching drive to confront the most troubling parts of love. Yet rather than being propelled by the broken heart, Bridled is triumphantly lit from the inside by the unexpected, miraculous growth of self.
Mass Murder in California's Empty Quarter exposes a story of mass murder, a community's racism, and tribal treachery in a small Paiute tribe. On February 20, 2014, an unseasonably warm winter day for the little agriculture town of Alturas, California, Cherie Rhoades walked into the Cedarville Rancheria's Paiute tribal offices. In the space of nine minutes she killed four people and wounded two others using two 9mm semiautomatic handguns. In that time she slayed half of her immediate family and became only the second woman, and the first Native American woman, to commit mass murder in the United States. Ray A. March threads the story through the afternoon of the murders and explores the complex circumstances that led to it, including conditions of extreme economic disparity, privations resulting from tribal disenrollment, ineptness at the Bureau of Indian Affairs, and family dysfunction coupled with a possible undiagnosed mental illness. This account of the tragic murders and the deplorable conditions leading up to them shed light on the formidable challenges Native Americans face in the twenty-first century as they strive to govern themselves under the guise of U.S.-sanctioned sovereignty.
In June 2015, Canada's Truth and Reconciliation Commission released 94 Calls to Action that urged reform of policies and programs to repair the harms caused by the Indian Residential Schools. Decolonizing Discipline is a response to Call to Action 6 - the call to repeal Section 43 of Canada's Criminal Code, which justifies the corporal punishment of children. Editors Valerie Michaelson and Joan Durrant have brought together diverse voices to respond to this call and to consider the ways that colonial Western interpretations of Christian theologies have been used over centuries to normalize violence and rationalize the physical discipline of children. Theologians, clergy, social scientists, and First Nations, Inuit, and Metis leaders and community members explore the risks that corporal punishment poses to children and examine practical, non-violent approaches to discipline. The authors invite readers to participate in shaping this country into one that does not sanction violence against children. The result is a multifaceted exploration of theological debates, scientific evidence, and personal journeys of the violence that permeated Canada's Residential Schools and continues in Canadian homes today. Together, they compel us to decolonize discipline in Canada.
Against the lethargy and despair of the contemporary Anglophone Caribbean experience, Aaron Kamugisha gives a powerful argument for advancing Caribbean radical thought as an answer to the conundrums of the present.
Beyond Coloniality is an extended meditation on Caribbean thought and freedom at the beginning of the twenty-first century and a profound rejection of the post-independence social and political organization of the Anglophone Caribbean and its contentment with neocolonial arrangements of power. Kamugisha provides a dazzling reading of two towering figures of the Caribbean intellectual tradition, C.L.R. James and Sylvia Wynter, and their quest for human freedom beyond coloniality.
Ultimately, he urges the Caribbean to recall and reconsider the radicalism of its most distinguished twentieth-century thinkers in order to imagine a future beyond neocolonialism.
A collection of essential quotations and other writings from artist and icon Jean-Michel Basquiat One of the most important artists of the late twentieth century, Jean-Michel Basquiat explored the interplay of words and images throughout his career as a celebrated painter with an instantly recognizable style. In his paintings, notebooks, and interviews, he showed himself to be a powerful and creative writer and speaker as well as image-maker. Basquiat-isms is a collection of essential quotations from this godfather of urban culture. In these brief, compelling, and memorable selections, taken from his interviews as well as his visual and written works, Basquiat writes and speaks about culture, his artistic persona, the art world, artistic influence, race, urban life, and many other subjects. Concise, direct, forceful, poetic, and enigmatic, Basquiat's words, like his art, continue to resonate. Select quotations from the book: "I cross out words so you will see them more; the fact that they are obscured makes you want to read them." "I think there are a lot of people that are neglected in art, I don't know if it's because of who made the paintings or what, but, um . . . black people are never really portrayed realistically or I mean not even portrayed in modern art." "Since I was 17, I thought I might be a star." "The more I paint the more I like everything." "I think I make art for myself, but ultimately I think I make it for the world."
Originally published in 1967, William H. Leckie's "The Buffalo Soldiers" was the first book of its kind to recognize the importance of African American units in the conquest of the West. Decades later, with sales of more than 75,000 copies, "The Buffalo Soldiers" has become a classic. Now, in a newly revised edition, the authors have expanded the original research to explore more deeply the lives of buffalo soldiers in the Ninth and Tenth Cavalry Regiments.
Written in accessible prose that includes a synthesis of recent scholarship, this edition delves further into the life of an African American soldier in the nineteenth century. It also explores the experiences of soldiers' families at frontier posts. In a new epilogue, the authors summarize developments in the lives of buffalo soldiers after the Indian Wars and discuss contemporary efforts to memorialize them in film, art, and architecture.
The Battle of the Little Bighorn has long held an eminent position among the chronicles of the mythic West. None of the men who rode with Lieutenant Colonel George Armstrong Custer to his ""Last Stand"" survived to tell the tale, but this stunning photography book provides a view of the battlefield as it must have existed in 1876.To create Where Custer Fell, authors James S. Brust, Brian C. Pohanka, and Sandy Barnard searched for elusive documents and photographs, made countless trips to the battlefield, and scrutinized all available sources. Each chapter begins with a concise, lively description of an episode in the battle. The narratives are graphically illustrated by historical photos, which are presented alongside modern photos of the same location on the battlefield. The book also features detailed maps and photographs of battle participants and the early photographers who attempted to tell their story.
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