Korea's Occupied Cinemas, 1893-1948 compares and contrasts the
development of cinema in Korea during the Japanese occupation
(1910-1945) and US Army Military (1945-1948) periods within the
larger context of cinemas in occupied territories. It differs from
previous studies by drawing links between the arrival in Korea of
modern technology and ideas, and the cultural, political and social
environment, as it follows the development of exhibition, film
policy, and filmmaking from 1893 to 1948. During this time, Korean
filmmakers seized every opportunity to learn production techniques
and practice their skills, contributing to the growth of a national
cinema despite the conditions produced by their occupation by
colonial and military powers. At the same time, Korea served as an
important territory for the global expansion of the American and
Japanese film industries, and, after the late 1930s, Koreans
functioned as key figures in the co-production of propaganda films
that were designed to glorify loyalty to the Japanese Empire. For
these reasons, and as a result of the tensions created by divided
loyalties, the history of cinema in Korea is a far more dynamic
story than simply that of a national cinema struggling to develop
its own narrative content and aesthetics under colonial
conditions.
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