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Inside Bluebeard's Castle - Music and Drama in Bela Bartok's Opera (Paperback, Revised)
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Inside Bluebeard's Castle - Music and Drama in Bela Bartok's Opera (Paperback, Revised)
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This is the first book-length examination of Bartok's 1911 opera
Duke Bluebeard's Castle, one of the twentieth century's enduring
operatic works. Writing in an engaging style, Leafstedt adopts an
interdisciplinary approach to the opera by introducing, in addition
to music-dramatic analysis, a number of topics that are new to the
field of Bartok studies. These new areas of critical and scholarly
terrain include a detailed literary study of the libretto and a
gender-focused analysis of the opera's female character, Judith.
Leafstedt begins with a short introductory chapter that places Duke
Bluebeard's Castle within the context of Bartok's early composing
career, his discovery of folk music, and its impact on his later
work. The book goes on to explore the composition's troubled
history, its failure to win two early Hungarian opera competitions,
and the three versions of the ending that resulted, discussed here
in depth for the first time. The core of the book is devoted to the
musical and dramatic organization of the opera and offers an
analysis of the seven individual door scenes, including a detailed
analysis of scene six, the "lake of tears" scene, illustrating the
work's complex tonal organization and dramatic structure. A
separate chapter places this darkly psychological version of the
Bluebeard story within the broader context of European history and
literature. Throughout the book, Leafstedt draws on original
Hungarian source material, much of it newly translated by the
author and available here for the first time in English, and he
includes a generous selection of musical examples. Inside
Bluebeard's Castle is an ideal starting point for research in
twentieth-century music, Hungarian cultural history, and opera
studies, as well as an invaluable guide for anyone interested in
Bartok's only opera.
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