Renaissance art history is traditionally identified with Italian
centers of production, and Florence in particular. Instead, this
book explores the dynamic interchange between European artistic
centers and artists and the trade in works of art. It also
considers the impact of differing locations on art and artists and
some of the economic, political, and cultural factors crucial to
the emergence of an artistic center.
During c.1420-1520, no city or court could succeed in isolation and
so artists operated within a network of interests and local and
international identities. The case studies presented in this book
portray the Renaissance as an exciting international phenomenon,
with cities and courts inextricably bound together in a web of
economic and political interests.
General
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