This book reviews the circumstances that led to what Paul Renner
called "the inflation of historicism," places his response to that
problem in the context of the Weimar Republic, details how the
German attributes with which he began the project were displaced
from the typeface that emerged in 1927, demonstrates that Futura
belongs to a new category of serif-less roman fonts rooted in Arts
and Crafts lettering, and considers why the specifically German
aspects of the project have gone unrecognized for over seventy
years. Renner's writing is compared to ideas prevalent in early
twentieth-century German cultural discourse, and Futura's design
process is placed in the context of Renner's personal experience of
Weimar's social and economic crises. Objective measurements are
employed to establish the relationship between drawings attributed
to Renner and are used to compare features of Futura with other
fonts of the period.
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