Crafted to engage the culturally curious, 'Page 1' collects the responses of 70 international graphic designers when posed with the same brief - to design and lay out the first page of 'Great Expectations' by Charles Dickens.

This is the true story of a robin who lives in my garden among fences, hedges, shrubs, trees, stacks of pots and bricks and the vine on my balcony. Lickel Bird or LB, responded to human company and showed remarkable trust and attachment. During my daily contact with him I watched him perform many tasks. These observational snapshots have given me a window into his world and allowed me to share some of his busy life in all its ups and downs. He watched me in my garden long before he trusted me enough to see I was on the side of small birds and that I would be there for him in his hour of need and what he needed most in his life was food.

This extraordinary compilation showcases the limitless possibilities of letter forms transformed into three-dimensional objects of art.

Step into the captivating world of three-dimensional typography with ‘Three Dimensional Type’ by Counter-Print Books. This extraordinary compilation showcases the limitless possibilities of letter forms transformed into objects of art, inviting your imagination to take flight. Explore the fusion of the familiar and the extraordinary as designers push the boundaries of perception and creativity. Discover the freedom from rules and guidelines, the integration of AI and advanced software tools and the profound exploration of texture.

Design better logos and become a more successful, confident graphic designer with Made by James as your guide. *Winner of the 2021 American Graphic Design Award for Book Design from Graphic Design USA* UK-based graphic designer James Martin shares his wealth of experience, information, and advice with one goal in mind: to help designers of all levels create better work and enjoy the process. James has designed hundreds of logos for a variety of top brands, and shares his unique creative process, from concept to sketches to final design. Learn how to create outstanding logos, craft and refine your creative process, build great relationships with clients, and become prolific and consistent. Discover how James creates innovative, clever, and memorable logos with his own hands-on, step-by-step process that includes word mapping, rapid prototyping, and sketching ideas on paper. Learn how to become a visual storyteller by understanding the key factors of working with clients and making them a valued part of the process. In addition to the important "hows" of logo design-techniques, ideas, and examples of creating logos and building brands-you will benefit from learning aspects of the business rarely discussed: how to become more disciplined, how to see failures as valuable experiences, and ways to avoid burnout. James shows that design isn't just about creating images; it's about building trusting relationships with clients, finding inspiration and using it effectively, and sharing ideas and becoming part of a community. Made by James also includes: Annotated case studies that follow designs from concept to completion The advantages of a hands-on, human approach to design The value of personal and career growth, and how to enjoy the journey of improvement Effective work habits that can make you more efficient, productive, and satisfied Learn how to harness your passion and become the designer you've always wanted to be.

Transforming Type examines kinetic or moving type in a range of fields including film credits, television idents, interactive poetry and motion graphics. As the screen increasingly imitates the properties of real-life environments, typographic sequences are able to present letters that are active and reactive. These environments invite new discussions about the difference between motion and change, global and local transformation, and the relationship between word and image. In this illuminating study, Barbara Brownie explores the ways in which letterforms transform on screen, and the consequences of such transformations. Drawing on examples including Kyle Cooper's title sequence design, kinetic poetry and MPC's idents for the UK's Channel 4, she differentiates motion from other kinds of kineticism, with particular emphasis on the transformation of letterforms into other forms and objects, through construction, parallax and metamorphosis. She proposes that each of these kinetic behaviours requires us to revisit existing assumptions about the nature of alphabetic forms and the spaces in which they are found.

Today's graphic output makes use of a colossal number of fonts, compared to 20 years ago. So where is the evolution of type design headed? "Type Compass" answers these questions, showcasing designers from around the world, charting new routes in the field and providing a clear sign of where type might be headed in the future. The publication is innovative in format, too: conceived as a notebook, it encourages the reader to take notes, and to interact with the various topics, making it a handy tool for beginners and experts alike. Content is conveyed in short and direct tips, and dynamically arranged on the page, connecting themes in the fashion of hypertext to link influential typographers, details on today's most innovative typefaces, type foundries and typographic landmarks. "Type Compass" offers a fresh perspective on the subject, helping readers to find their bearings in the rich but intricate world of typography today.

An entertaining, informative, and elegantly designed guide that makes understanding punctuation marks and symbols simple and fun. A rollicking linguistic ride for fans of Eats, Shoots & Leaves and Just My Type. What is the purpose of the comma - perhaps the most used symbol in the English language - and what are the proper uses of the asterisk? Do quote marks go inside or outside punctuation? What about a quote within a quote - a quote from someone quoting someone else? How much space goes on either side of an ellipsis? What's the difference between an en dash and an em dash? Snails and Monkey Tails is a show-stopping guide with more than 75 uniquely designed two-colour spreads. Award-winning graphic designer Michael Arndt explores the typographic origins, names, and shapes of both common punctuation marks and symbols, as well as the proper and diverse usage of each. From the full stop to the question mark, the semicolon to the en dash, symbols and marks are an integral part of language.

This lavishly illustrated volume showcases lettering and typographic work from some of the world's most exciting, innovative and talented designers. As well as featuring full-page examples of their best work, Lettering: Tips for Creation is divided into two parts; in the first half each artist has selected examples of their work and discussed their influences and early career, while in the second half each of them provides a new piece of work, talking us through the creative and production process, step by step, from the initial idea and sketch, explaining how the dimensions were worked out and the letters combined to ultimately form a harmonious message.

A humorous and incisive analysis of the basic tenets of typography and how to turn them on their heads, this book will appeal to the conformist and the non-conformist in everyone - not just the newcomer to design. One side of this sharp-witted, cleverly designed guide presents the ten main rules, or 'commandments', of type design, addressing such aspects of typographic doctrine as legibility, alignment and capitalization; the other shows how type can successfully subvert these rules, presenting 'sacreligious' visual alternatives. In support of the commandments, Felton includes a list of twelve 'disciples', those internationally renowned graphic designers whom he identifies as rule-abiding, including such figures as Eric Gill, Jan Tschichold and Erik Spiekermann. Confronting these are his 'fallen angels', including such experimental typographers as David Carson, Jeffery Keedy, Phil Baines, and Jonathan Barnbrook.

On the basis of a mere handful of issues, The Dolphin and The Fleuron established an international reputation among professionals, scholars, and booklovers with an interest in fine bookmaking and the history of printing, illustration, and typography. Although the collected issues may be found in library collections, no complete listing of their contents has been available until now. Jeanne Somers' comprehensive index fills this gap, providing access in four separate sections to authors and titles, illustrations, subjects, and advertisements.