Edward Johnston (1872-1944) and Eric Gill (1882-1940) were originators of two of the world's most enduring typefaces.Johnston still stands as London's primary 'wayfinding' lettering, while Gill Sans is the type of choice within many public and private organisations across the UK today. This book celebrates their significant contribution to Britain's visual culture. Tracing the story of each typeface from inception to the present day, Mark Ovenden skilfully draws together a complex joint history that incorporates Edward Johnston's and Eric Gill's friendship and occasional collaboration, the myriad of revisions to both typeface designs, and the enduring appeal of the two typefaces over the last century among a range of clients, most notably the London Underground (Johnston) and the BBC (Gill Sans). Including rarely seen imagery, this fascinating book is must for all typography, design and cultural history enthusiasts.

Appearing in an era of rapid change in the printing and publishing industries, James Joyce's Ulysses exploited and exemplified those industries to the degree that the book can be seen as a virtual museum of 1904 media. Publishing in Joyce's "Ulysses": Newspapers, Advertising and Printing, edited by William S. Brockman, Tekla Mecsnober and Sabrina Alonso, gathers twelve essays by Joyce scholars exploring facets of those trades that pervade the substance of the book. Essays explore the book's incorporation of mass-market weekly magazines, contemporary advertising slogans, newspaper clippings, the "Aeolus" episode's printing office and the varied typographic styles of successive editions of Ulysses. Placing Joyce's work in its historical milieu, the collection offers a fresh perspective on modern print culture. Contributors are: Sabrina Alonso, Harald Beck, William S. Brockman, Elisabetta d'Erme, Judith Harrington, Matthew Hayward, Sangam MacDuff, Tekla Mecsnober, Tamara Radak, Fritz Senn, David Spurr, Jolanta Wawrzycka.