This study examines the ritual space of nineteenth-century royal
tours of empire and the diverse array of historical actors who
participated in them. It suggests that the varied responses to the
royal tours of the nineteenth century demonstrate how a
multi-centred British imperial culture was forged in the empire and
was constantly made and remade, appropriated and contested. In this
context, subjects of empire provincialised the British Isles,
centring the colonies in their political and cultural constructions
of empire, Britishness, citizenship and loyalty. -- .
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