Although Raphael has long been recognized as one of the great
innovators of visionary painting (images of supernatural phenomena,
including apparitions and prophetic visions), the full measure of
his achievement in this area has never been taken. Vision and the
Visionary in Raphael redresses this oversight by offering an
expansive reading of these works within their contemporary artistic
and religious contexts. At the center of the book is Raphael's
engagement with one of the critical conflicts in the Renaissance
understanding of vision. Whereas artistic theory emphasized
painting's engagement with the physical world by way of the bodily
eyes, religious images were generally intended to inspire their
viewers to move from sensible appearances to the use of their
"spiritual eyes" for contemplation of their god. For Raphael and
his contemporaries, this double commitment to physical appearances
and the spiritual dimensions of the image presented one of the
greatest challenges of Renaissance religious art.
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