Between 1895 and 1922 the Anglo-American actor and manager, Maurice
E. Bandmann (1872-1922) created a theatrical circuit that extended
from Gibraltar to Tokyo and included regular tours to the West
Indies and South America. With headquarters in Calcutta and Cairo
and companies listed on the Indian stock exchange, his operations
represent a significant shift towards the globalization of theatre.
This study focuses on seven key areas: family networks; the
business of theatrical touring; the politics of locality;
repertoire and publics; an ethnography of itinerant acting; legal
disputes and the provision of theatrical infrastructure. It draws
on global and transnational history, network theory and analysis as
well as in-depth archival research to provide a new approach to
studying theatre in the age of empire.
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