This anthology marks the emergence of one of the finest and most
innovative new artists writing for the theater today. "The secret
of Shinn's success is in the way he exploits the dramatic gap
between what is said and that which is left unsaid . . . writing
like this is rare," said the "London Independent." "Where Do We
Live," the title play, was written shortly after 9/11 and though
never referenced, it still haunts this chronicle of the struggles
of several aspiring and gifted young New Yorkers on the Lower East
Side. Like all his work, it is a deeply affecting story of how we
define our lives and our place in the world.
"The Coming World"
"Shinn certainly looks like a shining prospect for the
future."-"Daily Telegraph"
"Four"
"Nothing is simple emotionally. The play keeps delivering small
shocks and aches that end in a standoff, or maybe in that pause
between despair, resignation and a twinge of hope. Haunting."-Margo
Jefferson, "The New York Times"
"Other People"
"Shinn writes with graceful compassion about people trapped inside
their own skins unable to make sense of their lives."-"The
Guardian"
"What Didn't Happen"
." . . is about the distance between people, and the ways in which
even friends, spouses and lovers are ultimately unknowable to one
another . . . a playwright to cherish."-"The New York Times"
Christopher Shinn's plays have been produced at Playwrights
Horizons, Manhattan Theatre Club, the Vineyard Theatre in New York
and often at London's Royal Court Theatre. "Where Do We Live"
received a 2003 Olivier Award nomination for most promising
playwright. His next play, "On the Mountain," premieres in New York
City early in 2005.
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