In this book, Claire Reddleman introduces her theoretical
innovation "cartographic abstraction" - a material modality of
thought and experience that is produced through cartographic
techniques of depiction. Reddleman closely engages with selected
artworks (by contemporary artists such as Joyce Kozloff, Layla
Curtis, and Bill Fontana) and theories in each chapter.
Reconfiguring the Foucauldian underpinning of critical cartography
towards a materialist theory of abstraction, cartographic
viewpoints are theorised as concrete abstractions. This research is
positioned at the intersection of art theory, critical cartography
and materialist philosophy.
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