On April 4, 1866, just as Alexander II stepped out of Saint
Petersburg's Summer Garden and onto the boulevard, a young man
named Dmitry Karakozov pulled out a pistol and shot at the tsar. He
missed, but his "unheard-of act" changed the course of Russian
history and gave birth to the revolutionary political violence
known as terrorism.
Based on clues pulled out of the pockets of Karakozov's peasant
disguise, investigators concluded that there had been a conspiracy
so extensive as to have sprawled across the entirety of the Russian
empire and the European continent. Karakozov was said to have been
a member of "The Organization," a socialist network at the center
of which sat a secret cell of suicide-assassins: "Hell." It is
still unclear how much of this "conspiracy" theory was actually
true, but of the thirty-six defendants who stood accused during
what was Russia's first modern political trial, all but a few were
exiled to Siberia, and Karakozov himself was publicly hanged on
September 3, 1866. Because Karakozov was decidedly strange, sick,
and suicidal, his failed act of political violence has long been
relegated to a footnote of Russian history.
In The Odd Man Karakozov, however, Claudia Verhoeven argues that
it is precisely this neglected, exceptional case that sheds a new
light on the origins of terrorism. The book not only demonstrates
how the idea of terrorism first emerged from the reception of
Karakozov's attack, but also, importantly, what was really at stake
in this novel form of political violence, namely, the birth of a
new, modern political subject. Along the way, in characterizing
Karakozov's as an essentially modernist crime, Verhoeven traces how
his act profoundly impacted Russian culture, including such
touchstones as Repin's art and Dostoevsky's literature.
By looking at the history that produced Karakozov and, in turn,
the history that Karakozov produced, Verhoeven shows terrorism as a
phenomenon inextricably linked to the foundations of the modern
world: capitalism, enlightened law and scientific reason, ideology,
technology, new media, and above all, people's participation in
politics and in the making of history."
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