The Routledge Handbook of Shakespeare and Interface provides a
ground-breaking investigation into media-specific spaces where
Shakespeare is experienced. While such operations may be largely
invisible to the average reader or viewer, the interface properties
of books, screens, and stages profoundly mediate our cognitive
engagement with Shakespeare. This volume considers contemporary
debates and questions including how mobile devices mediate the
experience of Shakespeare; the impact of rapidly evolving virtual
reality technologies and the interface architectures which
condition Shakespearean plays; and how design elements of
hypertext, menus, and screen navigation operate within internet
Shakespeare spaces. Charting new frontiers, this diverse collection
delivers fresh insight into human-computer interaction and
user-experience theory, cognitive ecology, and critical approaches
such as historical phenomenology. This volume also highlights the
application of media and interface design theory to questions
related to the medium of the play and its crucial interface with
the body and mind.
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