In Great Britain during the Romantic period, governmental and
social structures were becoming more secular; religion was
privatized and depoliticized. But although the discretionary nature
of religious practice permitted spiritual freedom and social
differentiation, secular arrangements produced new anxieties.
"Unquiet Things" investigates the social and political disorders
that arise within modern secular cultures, and their expression in
works by Jane Austen, Horace Walpole, Samuel Taylor Coleridge, Lord
Byron, and Percy Shelley among others.Emphasizing secularism rather
than religion as its primary analytic category, "Unquiet Things"
demonstrates that literary writing possesses a distinctive ability
to register the discontents that characterize the mood of secular
modernity. Colin Jager places Romantic-era writers within the
context of a longer series of transformations begun in the
Reformation, and identifies three ways in which romanticism and
secularism interact: the melancholic mood brought on by movements
of reform, the minoritizing capacity of literature to measure the
disturbances produced by new arrangements of state power, and a
prospective romantic thinking Jager calls "after the secular." The
poems, novels, and letters of the romantic period reveal uneasy
traces of the spiritual past, haunted by elements that trouble
secular politics; at the same time, they imagine new and more
equitable possibilities for the future. In the twenty-first
century, Jager contends, we are still living within the terms of
the romantic response to secularism, when literature and philosophy
first took account of the consequences of modernity.
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