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Tracking "King Kong - A Hollywood Icon in World Culture (CD-ROM, 2nd Revised edition)
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Tracking "King Kong - A Hollywood Icon in World Culture (CD-ROM, 2nd Revised edition)
Series: Contemporary Approaches to Film and Media Series
Expected to ship within 10 - 15 working days
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In Tracking King Kong Cynthia Erb charts the cultural significance
of the character of King Kong, from the early 1930s, when Merian C.
Cooper and Ernest B. Schoedsack's classic film King Kong was first
released, to Peter Jackson's 2005 remake. Although King Kong has
received much academic attention over the past twenty-five years,
the bulk of these analyses deal with the film's human characters
rather than Kong himself. In this revised edition of an influential
study, Erb argues that King Kong is a particular kind of cultural
outsider who represents a cross-penetration of American notions of
exoticism and monstrosity. Tracking King Kong considers problems
such as race and gender in the King Kong tradition, as well as
historical, international, and contemporary audience and fan
responses to this classic film and its popular protagonist. Erb
begins her examination of King Kong in the 1930s, when the original
film was produced and released, extending through the 1970s, when
the film and its hero reached the height of their cultural
visibility in a remake by Dino De Laurentiis, and concluding with a
look at Peter Jackson's version in 2005. The book includes a
detailed production history of the original 1933 film based on
primary historical and archival sources; a genre study examining
Kong's relations to horror, jungle adventure, and travel
documentary genres; an analysis of Kong's influence on the Japanese
film Godzilla; and a look at sequels, remakes, and spinoffs related
to King Kong, such as Mighty Joe Young. Erb also analyzes Jackson's
remake of King Kong, to determine how and why Jackson revised the
main character, casting him as a melancholy hero. The revised
edition of Tracking King Kong updates a groundbreaking study of
King Kong as the iconic character enters the twenty-first century.
Scholars of film and television studies as well as general readers
interested in film and popular culture will appreciate this
significant volume.
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