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Secrets of Cinema - 100 Movies That Are Not What They Seem (Paperback)
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Secrets of Cinema - 100 Movies That Are Not What They Seem (Paperback)
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Over a century ago, a new form of storytelling emerged from the
ruins of World War I. Different in scope and power from theater or
literature, and unlike any film that had come before, Robert
Wiene's The Cabinet of Dr. Caligari addressed a direct challenge to
its audience, demanding to be viewed as something other than what
was immediately presented. Unfortunately, criticism has not risen
to the challenge. Relegating the film condescendingly to the horror
genre, or treating it merely as a case study in style, critics have
failed to look at it with due seriousness. On the other hand, the
film's ambiguity, structural devices, and psychological depth gave
cinema a number of tools that other filmmakers were quick to start
using. This book examines a spectrum of narrative films that can be
seen in new ways with methods derived and evolved from the
techniques of Caligari. The intention is not only to offer new
interpretations of classic and neglected films, but to open further
discussion and exploration. It is written with optimism that movie
lovers will see more in the movies they love, that critics will
find new paths of investigation, and that filmmakers will benefit
from greater awareness of what movies can do. Secrets of Cinema
began in 1994, in discussions among friends after weekly movie
nights hosted by the late Lawrence N. Fox on the 73rd floor of the
John Hancock Center in Chicago. The movies selected are not
necessarily the greatest ever made (although some of them surely
are), but rather movies that offer new and useful lessons in how
movies work. Among the secrets of cinema revealed in this book are
at least three movies that are stealth remakes of The Wizard of Oz,
hidden meanings behind films made under political repression, and
why Hitchcock's Psycho is a remake of his Vertigo. Persistent
enigmas are clarified, including the logic of Persona, the riddle
of Last Year at Marienbad, and the endings of Blow-Up and The
Shining. More importantly, by showing how much there is to discover
in movies, the book encourages its readers to continue in their own
ways the quest to see movies whole.
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